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4AD discography

Year	Artist	Title	Notes
AXIS
1980	Fast Set	Junction One	AXIS 1
1980	Bearz	She's My Girl	AXIS 2
1980	Bauhaus	Dark Entries	AXIS 3
1980	SHOX	No Turning Back	AXIS 4
4AD
1980-03-31	Rema-Rema	Wheel in the Roses
1980-05-12	Modern English	Swans on Glass
1980-05-12	In Camera	Final Achievement / Die Laughing
1980-06-02	Bauhaus	Terror Couple Kill Colonel
1980-07-07	Cupol	Like This for Ages
1980-08-04	The The	Controversial Subject
1980-09-01	Various artists	Presage(s)
1980-10-13	The Birthday Party	The Friend Catcher
1980-10-20	Mass	You and I
1980-10-27	Modern English	Gathering Dust
1980-11-03	Bauhaus	In the Flat Field
1980-11-10	Gilbert and Lewis	3R4
1980-12-01	Bauhaus	Telegram Sam
1980-12-01	Dance Chapter	Anonymity
1980-12-15	In Camera	IV Songs
1981-02-02	Sort Sol	Marble Station
1981-03-02	The Past Seven Days	Raindance
1981-03-09	Gilbert and Lewis	Ends with the Sea
1981-04-06	The Birthday Party	Prayers on Fire
1981-04-06	Modern English	Mesh & Lace
1981-04-06	Mass	Labour of Love
1981-06-01	Colin Newman	Provisionally Entitled The Singing Fish / Not
1981-07-06	Dif Juz	Huremics
1981-07-27	The Birthday Party	Release the Bats
1981-08-01	The The	Burning Blue Soul
1981-08-03	Modern English	Smiles and Laughter
1981-08-10	Rene Halkett / David Jay	Nothing
1981-09-07	The Birthday Party	Mr. Clarinet
1981-09-14	Dance Chapter	Chapter II
1981-10-05	Dif Juz	Vibrating Air
1981-10-05	Various artists	Natures mortes
1982-01-11	Colin Newman	Not To
1982-02-15	The Birthday Party / Lydia Lunch	Drunk on the Pope's Blood / The Agony Is the Ecstacy
1982-03-01	Tones on Tail	Tones on Tail
1982-03-15	The Happy Family	Puritans
1982-04-12	In Camera	Fin
1982-05-03	Modern English	After the Snow
1982-05-10	The Birthday Party	Junkyard
1982-06-07	Modern English	Life in the Gladhouse
1982-07-01	Colin Newman	We Means We Starts
1982-08-09	Modern English	I Melt with You
1982-09-01	Cocteau Twins	Garlands
1982-09-01	Rowland S. Howard / Lydia Lunch	Some Velvet Morning
1982-11-01	The Man on Your Street	The Happy Family
1982-11-01	Cocteau Twins	Lullabies
1982-11-01	Colourbox	Breakdown
1983-03-14	The Birthday Party	The Bad Seed
1983-04-04	Cocteau Twins	Peppermint Pig
1983-04-11	Xmal Deutshland	Fetisch
1983-05-02	Colourbox	Breakdown (Second Version)
1983-06-20	Xmal Deutshland	Qual
1983-07-04	The Birthday Party	The Friend Catcher
1983-07-18	The Birthday Party	Hee Haw
1983-08-01	The Wolfgang Press	The Burden of Mules
1983-09-01	Modern English	Someone's Calling
1983-09-01	This Mortal Coil	Song to the Siren
1983-09-19	Xmal Deutshland	Incubus Succubus II
1983-11-07	Cocteau Twins	Sunburst and Snowblind
1983-11-07	Colourbox	Colourbox
1984-01-01	Modern English	Chapter 12
1984-02-06	Modern Engish	Rocochet Days
1984-03-01	Colourbox	Say You
1984-04-02	Cocteau Twins	The Spangle Maker
1984-06-04	Colourbox	Punch
1984-06-25	Xmal Deutshland	Tocsin
1984-08-01	This Mortal Coil	Kangaroo
1984-08-13	The Wolfgang Press	Scarecrow
1984-10-01	This Mortal Coil	It'll End in Tears
1985-03-04	Cocteau Twins	Aikea-Guinea
1985-03-04	The Wolfgang Press	Water
1985-05-01	Clan of Xymox	A Day
1985-07-01	Clan of Xymox	Clan of Xymox
1985-07-01	Dif Juz	Extractions
1985-07-15	The Wolfgang Press	The Legendary Wolfgang Press and Other Tall Stories
1985-07-22	The Wolfgang Press	Sweatbox
1985-08-05	Colourbox	The Moon Is Blue
1985-08-12	Colourbox	Colourbox
1985-11-01	Cocteau Twins	Time Dynamine
1985-11-01	Cocteau Twins	Echoes in a Shallow Bay
1986-01-13	Cocteau Twins	The Pink Opaque
1986-01-13	Richenel	L'esclave Endormi
1986-04-01	The Bulgarian State Radio & Television Female Vocal Choir	Le mystere de voix bulgares, Vol. 1
1986-04-07	Colourbox	Baby I Love You So
1986-04-14	Cocteau Twins	Victorialand
1986-04-21	Colourbox	The Official Colourbox World Cup Theme
1986-05-01	The Wolfgang Press	Standing Up Straight
1986-09-01	Dead Can Dance	Spleen and Ideal
1986-09-08	This Mortal Coil	Come Here My Love / Drugs
1986-09-22	This Mortal Coil	Filigree & Shadow
1986-10-13	Cocteau Twins	Love's Easy Tears
1986-11-01	Clan of Xymox	Medusa
1986-11-10	Cocteau Twins and Harold Budd	The Moon and the Melodies
1987-01-05	Throwing Muses	Throwing Muses
1987-01-12	Throwing Muses	Chains Changed
1987-04-06	The Wolfgang Press	Big Sex
1987-06-15	Various artists	Lonely Is an Eyesore
1987-07-27	Dead Can Dance	Within the Realm of a Dying Sun
1987-08-03	M/A/R/R/S	Pump Up the Volume
1987-09-28	Pixies	Come On Pilgrim
1987-10-05	Frazier Chorus	Sloppy Heart
1987-10-12	Pieter Nooten and Michael Brook	Sleeps with the Fishes
1987-11-01	Clan of Xymox	Blind Hearts
1988-02-22	The Bulgarian State Radio & Television Female Vocal Choir	Le mystere de voix bulgares, Vol. 2
1988-03-21	Pixies	Surfer Rosa
1988-03-21	Pixies	Surfer Rosa & Come On Pilgrim
1988-03-21	Throwing Muses	House Tornado / The Fat Skier
1988-04-25	Gilbert and Lewis	"8" Time
1988-08-22	The Wolfgang Press	King of Soul
1988-08-22	Pixies	Gigantic / River Euphrates
1988-08-22	Ultra Vivid Scene	She Screamed
1988-09-19	Cocteau Tiwns	Blue Bell Knoll
1988-10-24	Dead Can Dance	The Serpent's Egg
1988-10-31	Ultra Vivid Scene	Ultra Vivid Scene
1988-11-07	The Wolfgang Press	Bird Wood Cage
1989-01-23	Throwing Muses	Hunkpapa
1989-02-13	Throwing Muses	Dizzy
1989-03-20	Pixies	Monkey Gone to Heaven
1989-04-17	Pixies	Doolittle
1989-04-24	Ultra Vivid Scene	Mercy Seat
1989-05-02	The Wolfgang Press	Raintime
1989-06-01	Pixies	Here Comes Your Man
1989-07-10	The Birthday Party	Mutiny / The Bad See E.P.
1989-09-04	Ultra Vivid Scene	Something to Eat
1989-09-18	Pale Saints	Barging into the Presence of God
1989-10-09	Lush	Scar
1990-02-12	Pale Saints	The Comforts of Madness
1990-02-26	Lush	Mad Love
1990-04-09	Ultra Vivid Scene	Staring at the Sun
1990-05-07	Ultra Vivid Scene	Joy 1979–1990
1990-05-29	The Breeders	Pod
1990-06-11	Dead Can Dance	Aion
1990-06-25	His Name Is Alive	Livonia
1990-07-16	Pixies	Velouria
1990-08-13	Pixies	Bossanova
1990-08-28	Cocteau Twins	Iceblink Luck
1990-09-17	Cocteau Twins	Heaven or Las Vegas
1990-10-15	Lush	Sweetness and Light
1990-10-22	Pixies	Dig for Fire
1990-10-29	Pale Saints	Half-Life
1990-11-12	Ultra Vivid Scene	Special One
1990-12-03	Lush	Gala
1991-01-07	Pale Saints	Mrs. Dolphin
1991-01-28	Throwing Muses	Counting Backwards
1991-02-18	Throwing Muses	The Real Ramona
1991-04-02	The Wolfgang Press	Time
1991-04-08	Spirea X	Chlorine Dream
1991-04-08	This Mortal Coil	You and Your Sister
1991-04-22	This Mortal Coil	BLood
1991-05-13	The Wolfgang Press	Mama Told Me Not to Come
1991-05-20	Spirea X	Speed Reaction
1991-05-28	Pixies	Planet of Sound
1991-06-24	Pale Saints	Flesh Balloon
1991-07-25	Heidi Berry	Love
1991-08-05	The Wolfgang Press	Queer
1991-09-09	His Name Is Alive	Home Is in Your Head
1991-09-23	Pixies	Trompe le monde
1991-10-07	Lush	Black Spring
1991-10-14	Dead Can Dance	A Passage in Time
1991-10-28	Spirea X	Fireblade Skies
1991-11-04	Cocteau Twins	Cocteau Twins Singles Collection
1991-11-04	Throwing Muses	Not Too Soon
1991-12-31	Lush	For Love
1992-01-01	Various artists	Lilliput
1992-01-27	Lush	Spooky
1992-03-23	Pale Saints	In Ribbons
1992-04-06	The Breeders	Safari
1992-04-20	His Name Is Alive	The Dirt Eaters
1992-05-11	Pale Saints	Throwing Back the Apple
1992-05-18	The Wolfgang Press	A Girl Like You
1992-06-01	Michael Brook	Cobalt Blue
1992-06-29	Michael Brook	Live at the Aquarium
1992-06-29	Belly	Slow Dust EP
1992-07-20	Swallow	Blow
1992-07-20	Throwing Muses	Firepile
1992-08-10	Throwing Muses	Red Heaven
1992-08-17	Unrest	Imperial F.F.R.R.
1992-09-14	Red House Painters	Down Colorful Hill
1992-09-28	Swallow	Blowback
1992-10-06	Underground Lovers	Leaves Me Blind
1992-10-12	The Birthday Party	Hits
1992-10-09	Belly	Gepetto
1992-11-16	Ultra Vivid Scene	Rev
1992-11-16	Throwing Muses	The Curse
1992-11-16	In Camera	13 (Lucky for Some)

The Magnificent Thad Jones, Vol. 3

The Magnificent Thad Jones, Vol. 3
Studio album by The Magnificent Thad Jones

The Magnificent Thad Jones, Vol. 3 is an album by American jazz trumpeter Thad Jones primarily recorded on February 2, 1957 and released on Blue Note later that year.

Reception

AllMusic gave the album four stars.

Audio Magazine [1]

Mark Stryker of the Detroit Free Press called The Magnificent Thad Jones, Vol. 3—along with Detroit–New York Junction and The Magnificent Thad Jones—"The highlights of Jones’ early discography".

Track listing

All tracks are written by Thad Jones, except as noted.

Side 1

No.	Title	Writer(s)	Length
1.	"Slipped Again"
2.	"Ill Wind"	Arlen*, Koehler

Side 2

No.	Title	Writer(s)	Length
1.	"Thadrack"
2.	"Let's"
3.	"I've Got a Crush on You"	Gershwin*

Personnel

Musicians

July 14, 1956 ("I've Got a Crush on You")

• Thad Jones – trumpet
• Barry Harris – piano
• Percy Heath – bass
• Max Roach – drums

• Thad Jones – trumpet

February 2, 1957

• Benny Powell – trombone
• Gigi Gryce – alto saxophone
• Tommy Flanagan – piano
• George Duvivier – bass
• Elvin Jones – drums

Technical personnel

• Alfred Lion – producer
• Rudy Van Gelder – recording engineer
• Harold Feinstein – design
• Francis Wolff – photography

The Fabulous Fats Navarro, Vol. 1 & 2

The Fabulous Fats Navarro
Studio album by Fats Navarro
Released	1957
Recorded	September 26, 1947 September 13, 1948 October 11, 1948 August 9, 1949
Genre	Bebop
Length	36:07
Label	Blue Note BLP 1531 (Vol. 1) BLP 1532 (Vol. 2)
Fats Navarro chronology
Fats Bud-Klook-Sonny-Kinney (1955) The Fabulous Fats Navarro (1957) One Night in Birdland (1977)
The Fabulous Fats Navarro

The Fabulous Fats Navarro, Vols. 1 & 2 are a pair of separate but related albums by American jazz trumpeter Fats Navarro compiling four sessions he recorded for Blue Note between 1947–1949 and released in 1957. Material for the album came from record dates with a variety of musicians including Tadd Dameron, Ernie Henry, Wardell Gray, Charlie Rouse, Bud Powell, and Howard McGhee.

Reception

Professional ratings

Review scores
Source	Rating
AllMusic (Vol. 1)
AllMusic (Vol. 2)
The Encyclopedia of Popular Music (Vol. 1)
The Encyclopedia of Popular Music (Vol. 2)
The Penguin Guide to Jazz (Vol. 1)
The Penguin Guide to Jazz

Jazz critic Stephen Cook described Navarro as a "fluid and inventive bebop trumpeter" and considered the album "an essential title for jazz enthusiasts."

According to jazz critic Stephen Cook, "Navarro runs the gamut here, turning in both high-flying solos and gracefully cool statements." He noted that the track listing and personnel of the album had varied between releases.

The authors of The Penguin Guide to Jazz Recordings awarded albums a full 4 stars and a "crown", calling them "one of the peaks of the bebop movement and one of the essential modern-jazz records."

Critic John Fordham described the two volumes as "essential Navarro, and essential bebop generally, featuring a string of dazzling themes illuminated by the trumpeter's glowing tone."

Author Tom Piazza stated that the albums "show instantly what set Dameron's work apart," and commented: "Among bebop dates, these were really something special, full of carefully worked-out ensembles, introductions, and codas, yet still with plenty of stretching room for the soloists."

Saxophonist and writer Benny Green noted Dameron's "ravishing tone" and "precise delivery," and called the recordings "a reminder of the grace of one of the earliest modern pioneers, a grace that was precocious because in the 1940s modernists had still not formulated their own conventions."

Track listing

The Fabulous Fats Navarro, Volume 1

All tracks are written by Tadd Dameron, except as noted.

Side 1

No.	Title	Length
1.	"Our Delight" (alternate take)	3:09
2.	"Our Delight"	3:00
3.	"The Squirrel" (alternate take)	3:22
4.	"The Squirrel"	3:01
5.	"The Chase" (alternate take)	2:59
6.	"The Chase"	2:46

Side 2

No.	Title	Writer(s)	Length
1.	"Wail" (alternate take)	Bud Powell	2:44
2.	"Bouncing with Bud" (alternate take)	Powell	3:16
3.	"Double Talk"	Howard McGhee Navarro	5:35
4.	"Dameronia" (alternate take)		3:15
5.	"Dameronia"		3:00

The Fabulous Fats Navarro, Volume 2

All tracks are written by Tadd Dameron, unless otherwise stated.

Side 1

No.	Title	Length
1.	"Lady Bird" (alternate take)	2:53
2.	"Lady Bird"	2:52
3.	"Jahbero" (alternate take)	3:03
4.	"Jahbero"	2:56
5.	"Symphonette" (alternate take)	3:07
6.	"Symphonette"	3:09

Side 2

No.	Title	Writer(s)	Length
1.	"Double Talk" (alternate take)	Howard McGhee Navarro	5:22
2.	"Bouncing with Bud" (alternate take)	Bud Powell	3:07
3.	"Dance of the Infidels" (alternate take)	Powell	2:52
4.	"The Skunk" (alternate take)	McGhee, Navarro	2:59
5.	"Boperation"	McGhee Navarro	3:07

1. "Bouncing With Bud" (alternate take) (Bud Powell) – 3:07
2. "Dance Of The Infidels" (alternate take) (Powell) – 2:52

1989 CD reissues

The Fabulous Fats Navarro, Volume 1

No.	Title	Date recorded	Length
1.	"The Chase" (alternate take)	September 26, 1947
2.	"The Chase"	September 26, 1947
3.	"The Squirrel" (alternate take)	September 26, 1947
4.	"The Squirrel"	September 26, 1947
5.	"Our Delight" (alternate take)	September 26, 1947
6.	"Our Delight"	September 26, 1947
7.	"Dameronia" (alternate take)	September 26, 1947
8.	"Dameronia"	September 26, 1947
9.	"Sid's Delight"	January 18, 1949
10.	"Casbah"	January 18, 1949
11.	"John's Delight"	April 21, 1949
12.	"What's New"	April 21, 1949
13.	"Heaven's Doors Are Wide Open"	April 21, 1949
14.	"Focus"	April 21, 1949

The Fabulous Fats Navarro, Volume 2

No.	Title	Date recorded	Length
1.	"The Skunk" (LP master)	October 11, 1948	2:54
2.	"Boperation"	October 11, 1948	2:55
3.	"The Skunk" (78 master)	October 11, 1948	3:06
4.	"Double Talk"	October 11, 1948	5:30
5.	"Double Talk" (alternate take)	October 11, 1948	5:20
6.	"Jahbero" (alternate take)	September 13, 1948	3:00
7.	"Jahbero"	September 13, 1948	2:52
8.	"Lady Bird"	September 13, 1948	2:48
9.	"Lady Bird" (alternate take)	September 13, 1948	2:50
10.	"Symphonette"	September 13, 1948	3:05
11.	"Symphonette" (alternate take)	September 13, 1948	3:03
12.	"I Think I'll Go Away"	September 13, 1948	2:45

Personnel

Musicians

September 26, 1947 1 1-8

• Fats Navarro – trumpet
• Ernie Henry – alto saxophone
• Charlie Rouse – tenor saxophone
• Tadd Dameron – piano
• Nelson Boyd – bass
• Shadow Wilson – drums
  • recorded at WOR Studios, NYC

September 13, 1948 2 6-12

• Fats Navarro – trumpet
• Wardell Gray – tenor saxophone
• Tadd Dameron – piano
• Curley Russell – bass
• Kenny Clarke – drums
• Chano Pozo – bongos (6, 7)
• Kenny Hagood (12)
  • recorded at WOR Studios, NYC

October 11, 1948 2 1-5

• Fats Navarro – trumpet
• Howard McGhee (except 2) – trumpet
• Ernie Henry – alto saxophone
• Allen Eager – tenor saxophone
• Milt Jackson (2) – vibraphone
• Milt Jackson (except 2), Howard McGhee (2) – piano
• Curley Russell – bass
• Kenny Clarke – drums
  • recorded at Harry Smith Studio, NYC

January 18, 1949 1 9-10

• Fats Navarro – trumpet
• Kai Winding – trombone
• Sahib Shihab – alto saxophone
• Dexter Gordon – tenor saxophone
• Cecil Payne – baritone saxophone
• John Collins – guitar
• Tadd Dameron – piano
• Curley Russell – bass
• Kenny Clarke – drums
• Vidal Bolado – congas
• Diego Ibarra – bongos
• Rae Pearl – vocals (10)
  • recorded in NYC

April 21, 1949 1 11-14

• Miles Davis – trumpet
• J. J. Johnson – trombone
• Benjamin Lundy – tenor saxophone
• Cecil Payne – baritone saxophone
• Tadd Dameron – piano
• Curley Russell – bass
• Kenny Clarke – drums
• Kay Penton – vocals (13)
  • recorded in NYC

Technical personnel

• Alfred Lion – producer
• Doug Hawkins (1947, September 13, 1948), Harry Smith (October 11, 1948) – recording engineer
• Reid Miles – design
• Francis Wolff – photography
• Leonard Feather – liner notes

Reissue

• Michael Cuscuna – producer
• Ron McMaster – digital transfers

Socratic method

Before Socrates gives his speech, he asks some questions of Agathon regarding the nature of love.

First, he asks Agathon whether it is reasonable for someone to desire what they already have, like for example someone who is in perfect health to wish he were healthy (200a–e). Agathon agrees with Socrates that this would be irrational, but is quickly reminded of his own definition of Love's true desires: youth and beauty. Putting the two together then, for Love to desire youth he must not have it himself, thus making him old, and for him to desire beauty, he himself must be ugly. Agathon has no choice but to agree.

Socrates then relates a story he was told by a wise woman called Diotima. According to her, Eros is not a god but is a spirit that mediates between humans and their objects of desire. Love itself is not wise or beautiful but is the desire for those things. Love is expressed through propagation and reproduction: either physical love or the exchanging and reproducing of ideas. The greatest knowledge, Diotima says, is knowledge of the "form of beauty", which humans must try to achieve.

Diotima of Mantinea

In the Symposium, Plato's Socrates attributes his view on love to Diotima, a priestess from Mantinea.

In a departure from the earlier dialogues, Socrates switches from dialectical exchange to storytelling. Socrates tells of a conversation he had with Diotima, who plays the same inquiring/instructing role that Socrates played with Agathon.

Origins of Love

Diotima first explains that Love is neither a god, as was previously claimed by the other guests, nor a mortal but a daemon, a spirit halfway between god and man. He was born during a banquet thrown by the gods to celebrate the birth of Aphrodite. One of the guests, Porus, (Ancient Greek: Πόρος, transl. 'Contrivance', lit. 'Resource', 'Plenty')—son of Metis (Ancient Greek: Μῆτις, romanized: Mêtis, lit. 'Wisdom', 'Skill', or 'Craft')—who was passed out from drinking too much nectar, and it so happened that another deity arrived, Poverty, who came to the banquet to beg, and upon seeing Porus lying unconscious took the chance to sleep with him, conceiving a child in the process: Love. Having been conceived at Aphrodite's birthday party, he became her follower and servant, but through his real origins Love acquired a kind of double nature. From his mother, Love became poor, ugly, and with no place to sleep (203c–d), while from his father he inherited the knowledge of beauty, as well as the cunningness to pursue it. Being of an intermediary nature, Love is also halfway between wisdom and ignorance, knowing just enough to understand his ignorance and try to overcome it. Beauty then is the perennial philosopher, the "lover of wisdom" (the Greek word "philia" being one of the four words for love).

After describing Love's origins, that provide clues to its nature, Diotima asks Socrates why is it, as he had previously agreed, that love is always that "of beautiful things" (204b). For if love affects everyone indiscriminately, then why is it that only some appear to pursue beauty throughout their lives? Socrates does not have the answer and so Diotima reveals it: Beauty is not the end but the means to something greater, the achievement of a certain reproduction and birth (206c), the only claim that mortals can have on immortality. This is true for men as well as animals that seek an appropriate place to give birth, preferring to roam in pain until they find it. Some men are pregnant in body alone and, just like animals, enjoy the company of women with whom they can have children that will pass on their existence. Others are pregnant in both body and mind, and instead of children they carry wisdom, virtue, and above all, the art of civic order (209a). Beauty is also their guide, but it will be towards the knowledge needed to accomplish their spiritual births.

In conclusion, Diotima gives Socrates a guide on how a man of this class should be brought up from a young age. First, he should start by loving a particular body he finds beautiful, but as time goes by, he will relax his passion and pass to the love of all bodies. From this point, he will pass to the love of beautiful minds, and then to that of knowledge. Finally, he will reach the ultimate goal, which is to witness beauty in itself, rather than representations (211a-b), the true Form of Beauty in Platonic terms.

This speech, in the interpretation of Marsilio Ficino in De Amore (1484), is the origin of the concept of Platonic love.

References

Category:Fats Navarro albums Category:Blue Note Records albums Category:1957 albums