Patricia Olynyk is a Canadian born American multimedia artist, scholar and educator whose work explores art, science, and technology-related themes. Known for collaborating across disciplines and projects that explore the mind-brain relationship, interspecies communication and the phenomenology of perception, her work examines "the way that experiences and biases toward scientific subjects affect interpretations in specific contexts."[1]

Career edit

Olynyk's multi-sensory installations explore the "concept of "umwelt," as described in the semiotic theories of Jakob von Uexküll and interpreted by Thomas A. Sebeok (1976)... the world as it is experienced by a particular organism. As such, umwelt evokes more than environment; it emphasizes an organism's ability to sense — a condition for the existence of shared signs."[2] Her collaborations on third culture projects uncover the deeper meaning behind the history and evolution of science and technology; how people, culture and institutions shape the understanding of science, history and the natural world.[3][4][5]

Her cross-disciplinary work often includes microscopy and biomedical imaging,[6][7] and is described as "something uncanny... where one's consciousness can neither respond in a unified way to the bodily sensations or float free in imaginary space; it is caught in the in-between."[8] Influenced by the early work of the MIT Center for Advanced Visual Studies, and the art and visual perception theories of Rudolf Arnheim, Olynyk was one of the first artists in the US appointed to a university science unit,[9] is listed as one of the 66 Brilliant Women in Creative Technology,[10] and has programmed art, science and technology curriculum, symposiums and fellowships at research institutions.[11]

Solo exhibitions include, Sensing Terrains in 2006 at the National Academy of Sciences in Washington, D.C., and in 2007 at the Center for Biotechnology and Interdisciplinary Studies, Rensselaer Polytechnic Institute, Troy, New York;[12][13] in 2012, Dark Skies at the Art I Sci Center Gallery at UCLA;[14][15] in 2003, Transfigurations at Galeria Grafica Tokio, Japan;[16] and in 2020, The Mutable Archive, at Bruno David Gallery, St. Louis, Missouri.[17]

Olynyk was part of a three-person exhibition in 2019, Umwelt, which took "the concept of collaboration to new heights and complications."[18][1] at the Zooid Institute Collective, BioBAT Art Space, at the Brooklyn Army Terminal.[19] Group shows in New York also include, in 2016 with Ellen Levy, Skeptical Inquirers at the Sidney Mishkin Gallery;[20][21][22][23] in 2014, Sleuthing the Mind at the Pratt Manhattan Gallery,[24] and, in 2015, Ephemeral: Unraveling History at the Ruth S. Harley Gallery.[25]

Her work has been featured at Palazzo Michiel dalle Colonne for Venice Design 2018,[26] the Los Angeles International Biennial, The Brooklyn Museum,[27] the Saitama Modern Art Museum in Japan, Museo del Corso in Rome, and The Banff Centre for the Arts in Canada. She is represented by the Bruno David Gallery.[28]

In 2019 Olynyk was the US curator and a speaker at the CYFEST-12: ID, CYLAND International Media Art Festival, at the Saint Petersburg Stieglitz State Academy of Art and Design in Russia.[29][30]

Prior to joining Washington University in 2007 as Director of the Graduate School of Art[31] Olynyk was an Associate Professor at the University of Michigan's School of Art & Design, and director of the Penny W. Stamps Distinguished Visitors Program and the Roman J. Witt Visiting Faculty Program, supporting cross-disciplinary discourse and research. In 2005, she became the first non-scientist appointed to the University’s Life Sciences Institute.[32]

Former Chair of the Leonardo Education and Art Forum, a branch of Leonardo, the International Society for the Arts, Sciences and Technology,[33] Olynyk co-directs the Leonardo/ISAST New York LASER program with Ellen K. Levy, promoting cross-disciplinary exchange between artists, scientists, and scholars.[34]

Awards and Fellowships edit

Awards include a Helmut S. Stern Fellowship at the Institute for the Humanities, University of Michigan, and a Francis C. Wood Fellowship at the College of Physicians and Mütter Museum in Philadelphia. Olynyk's residencies include the UCLA’s Design Media Arts Department,[35] the Banff Center for the Arts in Canada, Villa Montalvo, California, the University of Applied Arts Vienna[36], and in Europe’s oldest asylum, the Narrenturm also in Vienna.[37]

Education edit

Olynyk received an MFA with Distinction from the California College of the Arts. She was a Monbusho Scholar and Tokyu Foundation Research Scholar at Kyoto Seika University.


Selected bibliography edit

  1. ^ a b Star Rogers, Hannah. "The Umwelts of Art and Science" (PDF). biobatartspace.com. BioBAT Art Space. Retrieved 19 June 2020.
  2. ^ Gavish, Michal (April 2020). "ON VIEW "Umwelt" at BioBAT Art Space (Brooklyn, NYC)". SciArt Magazine, SciArt Initiative. Retrieved 22 June 2020.
  3. ^ Beete, Paulette (June 26, 2014). "Science As Art: Soundscapes, Light Boxes and Microscopes". Live Science, National Endowment for the Arts. Retrieved 29 May 2019.
  4. ^ Aubry, Lisa (May 23, 2019). "Art to Heart: Digital media artists' synesthetic storytelling enlivens and humanizes history". Daily Bruin, UCLA. Retrieved 22 July 2019.
  5. ^ Cooperman, Jeannette (April 21, 2020). "The Contagion of Everyday Life". The Common Reader. Retrieved 22 June 2020.
  6. ^ Beete, Paulette (August 5, 2014). "Biomedicine, Microscopy and the Art of Patricia Olynyk". Live Science. Retrieved 29 May 2019.
  7. ^ Stowe, Gene (August 20, 2009). "Artist's Work at the Intersection of Art and Life Sciences". Iniversity of Notre Dame, College of Science. Retrieved 23 January 2019.
  8. ^ Tromble, Meredith. "January 30, 2013 Dark Skies and Slow Thinking". meredithtromble.net. Art & Shadows, Creative Capital, Warhol Foundation. Retrieved 29 May 2019.
  9. ^ Terranova, Charissa N.; Tromble, Meredith (August 12, 2016). The Routledge Companion to Biology in Art and Architecture (1st ed.). Abingdon-on-Thames, England: Routledge. p. xxiv. ISBN 9781138919341. Retrieved 11 June 2019.
  10. ^ "66 Brilliant Women in Creative Technology". Creative Tech Week. PRLog. April 30, 2017. Retrieved 11 June 2019.
  11. ^ Carey, Brainard. "Patricia J. Olynyk". museumofnonvisibleart.com. Praxis Interview Magazine, Yale University Radio. Retrieved 11 June 2019.
  12. ^ Goldsworthy, Rupert. "Patricia Olynyk: Sensing Terrains". issuu.com/. National Endowment for the Arts, Bruno David Gallery. Retrieved 11 June 2019.
  13. ^ Tierney, Robin (February 11, 2006). "When Art, Science Meet Enjoy the Chemistry" (PDF). Washington Examiner. Retrieved 22 July 2019.
  14. ^ Beete, Paulette (July 1, 2014). "Art (and Science) Talk with Patricia Olynyk". National Endowment for the Arts. Retrieved 23 January 2019.
  15. ^ Rentz, Casey (February 24, 2012). "Taste Buds That Resemble a Moonscape". New Science. Retrieved 29 May 2019.
  16. ^ Kurosaki, Akira. "The Work of Patricia Olynyk: Facing Irrationality" (PDF). patriciaolynyk.com. Kyoto Seika University, Faculty of Fine Arts. Retrieved 11 June 2019.
  17. ^ "Bruno David Gallery The Mutable Archive". Art Forum. February 2020. Retrieved 19 June 2020.
  18. ^ Star Rogers, Hannah (January 2020). "UMWELT at BioBat Art Space". Interalia Magazine. Retrieved 22 June 2020.
  19. ^ "Currently on view, Umwelt". biobatartspace.com. BioBAT Art Space. Retrieved 22 June 2020.
  20. ^ Corwin, William (April 6, 2016). "Truth in the Visual Arts Skepticism in the Work of Ellen K. Levy and Patricia Olynyk". Brooklyn Rail. Retrieved 23 January 2019.
  21. ^ G'Sell, Eileen. "Sumptuous Skeptics: Ellen K. Levy and Patricia Olynyk Stage Creative Inquisition". artefuse.com. Arte Fuse. Retrieved 1 June 2018.
  22. ^ Dobler, Russ (July 1, 2016). "Two Artists Combine Art, Science, and Skepticism". No. Volume 40.4, July/August 2016. Skeptical Inquirer, Center for Inquiry. Retrieved 16 January 2019. {{cite news}}: |issue= has extra text (help)
  23. ^ Pigliucci, Massimo (August 2016). "Artistic Provocations from Skeptical Inquirers: An Exhibit". Skeptical Inquirer. 40 (4). Retrieved 22 July 2019.
  24. ^ "Sleuthing the Mind". artslant.com. ArtSlant. Retrieved 11 June 2019.
  25. ^ Chapman, Jordan (May 10, 2015). "Learning Through Art: Unraveling History". Adelphi University College of Arts and Sciences. Retrieved 11 June 2019.
  26. ^ "Venice Design 2018". venice-design.com. European Cultural Center, GAA Foundation. Retrieved 23 January 2019.
  27. ^ "National Print Exhibition, 26th: Digital: Printmaking Now". brooklynmuseum.org. Brooklyn Museum. Retrieved 11 June 2019.
  28. ^ "Patricia Olynyk". brunodavidgallery.com. Bruno David Gallery. Retrieved 28 May 2019.
  29. ^ "The International Media Art Festival CYFEST-12. ID Festival Program". cyberfest12.cyland.org. CYFEST. Retrieved 19 June 2020.
  30. ^ "Contemporary Art in Academic Environment: Mechanisms, Strategies and Perspectives of Integration". cyberfest12.cyland.org. CYFEST. Retrieved 19 June 2020.
  31. ^ "Patricia Olynyk". creativetechweek.nyc. Creative Tech Week. Retrieved 29 May 2019.
  32. ^ O’Connor, Candace (Spring 2010). "Artist Evokes Mysteries of Nature". Washington University in St. Louis. Retrieved 28 May 2019.
  33. ^ "Leonardo Network News". Leonardo. 43 (1): 101. February 2010. Retrieved 28 May 2019.
  34. ^ "LASER Talks in New York City". leonardo.info. Leonardo/The International Society for the Arts, Sciences and Technology (Leonardo/ISAST), MIT Press. Retrieved 13 June 2019.
  35. ^ "Patricia Olynyk". artsci.ucla.edu. UCLA Art Sci Center. Retrieved 23 January 2019.
  36. ^ Carey, Brainard (March 16, 2016). "Patricia J. Olynyk". Praxis Interview Magazine. Yale Radio WYBC. Retrieved 23 January 2019.
  37. ^ "The Mutable Archive". Wall Street International Magazine. February 15, 2020. Retrieved 22 June 2020.