Paperhand Puppet Intervention edit
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| Industry | Theatre |
|---|---|
| Founded | 1998 |
| Founder |
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| Headquarters | 6079 Swepsonville-Saxapahaw Rd, Saxapahaw, NC 27340 |
| Website | paperhand |
Paperhand Puppet Intervention is a puppet theatre company based in Saxapahaw, North Carolina and founded in 1998 by Donovan Zimmerman and Jan Burger.[1] Frequently performing outdoors, the group performs original stories inspired by the relationship between the natural world and humanity.[2][3] The stories include messages of social commentary especially regarding conservation and race.[4]
History edit
Donovan Zimmerman edit
Donovan Zimmerman was born on June 2nd, 1970 in Cincinnati, Ohio and was raised by his single mother and his maternal grandmother in the Northside neighborhood of Cincinnati. At the age of nine, he was encouraged by his mother to audition for the School for Creative and Performing Arts. He graduated and started at the Art Academy of Cincinnati with a partial scholarship before dropping out to travel after his first year. In the next five years, he lived somewhat nomadically across North America, often spending time in hippie communes. He was greatly inspired by a giant puppet show he saw in 1990 performed by Bread and Puppet Theater in Vermont. He contracted malaria in Southern Mexico with a group of friends before traveling to the Haw River Festival in Saxapahaw, North Carolina where he first met Paperhand cofounder Jan Burger. He founded his first puppet company, Sticks and Stones Theatre, while living in Oregon.[1][5]
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Jan Burger edit
Jan Burger was born to European immigrant artists who had grown up in the Bruderhof commune, his mother worked as an illustrator and his father as a muralist. As a child, his family spend time in Northeastern Vermont where he first encountered Bread and Puppet Theater. He is a follower of their "Cheap Art" movement.[6] He dropped out of high school before beginning art school while doing carpentry work with his father. He hitchhiked aboard a train to North Carolina, where he met the organizers of the Haw River Festival. While living in Boston, he worked with Food Not Bombs giving out free vegan meals on Boston Common. He frequently took puppets from the Boston Puppet Free Library to protests. Burger worked with Bread and Puppet Theater before he and his future wife Emma began living in their truck. He worked with In the Heart of the Beast Puppet and Mask Theater while living in Minneapolis, Minnesota and worked with Wise Fool Puppet Intervention while living in the Bay Area of San Francisco, California. He began working with Art and Revolution Convergence producing block prints for the Acteal, Chiapes massacre vigil, a march for the United Farm Workers featuring a Cesar Chavez puppet, and constructing puppets to protest the continued bombing of Iraq. He was invited to come back to North Carolina by the organizers of the Haw River Festival to create a puppet show. He brought Zimmerman on as a collaborator to help with the story and music while he worked on the puppet construction.[1][5]
Productions edit
- 1998: The Water of Life*
- 1999: The Old Cow who Helped Save the River*[7]
- 1999: A Very Old Unfinished Story[5]
- 2000: The Crawdad's Conundrum*[7]
- 2000: Uprising
- 2001: Listen to the Sky
- 2002: The Dream and the Lie
- 2003: Wood, Stone, Fire, and Bone
- 2004: Garden of the Wild
- 2005: As the Crow Flies
- 2006: A Shoe for Your Foot
- 2008: Hungry Ghost
- 2008: I Am an Insect
- 2009: Love and Robots
- 2009: The Living Sea of Memory
- 2010: Islands Unknown
- 2011: The Serpent's Egg
- 2012: City of Frogs
- 2012: The Longest Night
- 2013: Invisible Earth
- 2014: The Painted Bird
- 2015: A Drop in the Bucket
- 2016: The Beautiful Beast
- 2017: Of Wings and Feet
- 2018: In the Heart of the Fire
- 2019: We Are Here[5]
- 2021: Unfolding Seeds: Invocations of Transformation
- 2022: The Meanwhile Clock and Other Impossible Dances[7]
- 2023: Where Our Spirits Reside[8]
*Performed as Dreaming Dog Puppet Theatre
Artistic Style edit
Paperhand uses a variety of puppetry styles and are known for their giant puppets, shadow puppetry, masks, and stilt dancing. Their puppets are constructed using a combination of papier-mâché, cardboard, clay, bamboo, paint, cloth, among other discarded or donated materials.[1] Their shows feature a live band composed of instruments such as cello, drum, guitar, cymbal, chimes, violin, accordion, and flute along with vocalists to perform background music, musical numbers, and foley.[5] Category:Puppet theaters
- ^ a b c d "About | Paperhand". Retrieved 2023-08-26.
- ^ "'Paperhand Puppet' Show Tells Story Of Our Relationship With The Earth". WUNC. 2021-09-23. Retrieved 2023-08-27.
- ^ "'We reside where we are': Local performers use puppeteering for activism". 'We reside where we are': Local performers use puppeteering for activism - The Daily Tar Heel. Retrieved 2023-09-04.
- ^ Woods, Byron (2019-09-24). "If Politics Is Public Storytelling, Then Puppet Theater Is a Natural Political Medium". INDY Week. Retrieved 2023-09-04.
- ^ a b c d e Zimmerman, Donovan; Burger, Jan (2021). Paperhand: Puppet Interventions with Cardboard, Cloth, and Clay (1st ed.). Paperhand Press. ISBN 9780578915920.
- ^ "Why Cheap Art Manifesto – Bread and Puppet Theater". breadandpuppet.org. Retrieved 2023-09-04.
- ^ a b c "Past Shows | Paperhand". Retrieved 2023-09-04.
- ^ "Our Summer Show | Paperhand". Retrieved 2023-09-04.
