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Sandbox for the article on Justification (acting) • Remember the principles of WP:SS and MoS:Lead - the introduction needs to repeat and summarise the contents of each section.

Justification ([opravdanie] Error: {{Lang-xx}}: text has italic markup (help)) is a process in which actors create the reasons for the behaviour of their characters.

Sources

Primary sources

• Stanislavski, Konstantin. 1929. "Direction and Acting." Article written for the Encyclopædia Britannica. Rpt. in Cole (1955, 22-32).
• ---. 1936. An Actor Prepares. London: Methuen, 1988. ISBN 0413461904.
• ---. 1938. An Actor’s Work: A Student’s Diary. Trans. and ed. Jean Benedetti. London and New York: Routledge, 2008. ISBN 041542223X.
• ---. 1950. Stanislavsky on the Art of the Stage. Trans. David Magarshack. London: Faber, 2002. ISBN 057108172X.
• ---. 1957. An Actor's Work on a Role. Trans. and ed. Jean Benedetti. London and New York: Routledge, 2010. ISBN 0415461294.
• ---. 1961. Creating a Role. Trans. Elizabeth Reynolds Hapgood. London: Mentor, 1968. ISBN 0450001660.
• ---. 1963. An Actor's Handbook: An Alphabetical Arrangement of Concise Statements on Aspects of Acting. Ed. and trans. Elizabeth Reynolds Hapgood. London: Methuen, 1990. ISBN 0413630803.
• ---. 1968. Stanislavski's Legacy: A Collection of Comments on a Variety of Aspects of an Actor's Art and Life. Ed. and trans. Elizabeth Reynolds Hapgood. Revised and expanded edition. London: Methuen, 1981. ISBN 0413477703.

Secondary sources

• Benedetti, Jean. 1989. Stanislavski: An Introduction. Revised edition. Original edition published in 1982. London: Methuen. ISBN 0413500306.
• ---. 1998. Stanislavski and the Actor. London: Methuen. ISBN 0413711609.
• ---. 1999a. Stanislavski: His Life and Art. Revised edition. Original edition published in 1988. London: Methuen. ISBN 0413525201.
• ---. 1999b. "Stanislavsky and the Moscow Art Theatre, 1898-1938". In Leach and Borovsky (1999, 254-277).
• ---. 2005. The Art of the Actor: The Essential History of Acting, From Classical Times to the Present Day. London: Methuen. ISBN 0413773361.
• ---. 2008a. Foreword. In Stanislavski (1938, xv-xxii).
• ---. 2008b. "Stanislavski on Stage". In Dacre and Fryer (2008, 6-9).
• Braun, Edward. 1982. "Stanislavsky and Chekhov". The Director and the Stage: From Naturalism to Grotowski. London: Methuen. ISBN 0413463001. p.59-76.
• Carnicke, Sharon M. 1998. Stanislavsky in Focus. Russian Theatre Archive Ser. London: Harwood Academic Publishers. ISBN 9057550709.
• ---. 2000. "Stanislavsky's System: Pathways for the Actor". In Hodge (2000, 11-36).
• Cole, Toby, ed. 1955. Acting: A Handbook of the Stanislavski Method. Rev. ed. New York: Bonanza. ISBN 0517050358.
• Counsell, Colin. 1996. Signs of Performance: An Introduction to Twentieth-Century Theatre. London and New York: Routledge. ISBN 0415106435.
• Dacre, Kathy, and Paul Fryer, eds. 2008. Stanislavski on Stage. Sidcup, Kent: Stanislavski Centre Rose Bruford College. ISBN 1903454018.
• Elam, Keir. 1980. The Semiotics of Theatre and Drama. New Accents Ser. London and New York: Routledge. ISBN 0416720609.
• Gauss, Rebecca B. 1999. Lear's Daughters: The Studios of the Moscow Art Theatre 1905-1927. American University Studies ser. 26 Theatre Arts, vol. 29. New York: Peter Lang. ISBN 0820441554.
• Gillett, John. 2007. Acting on Impulse: Reclaiming the Stanislavski Approach. London, Methuen. ISBN 978-0713677584.
• Gordon, Robert. 2006. The Purpose of Playing: Modern Acting Theories in Perspective. Ann Arbor: U of Michigan P. ISBN 0472068873.
• Hodge, Alison, ed. 2000. Twentieth-Century Actor Training. London and New York: Routledge. ISBN 0415194520.
• Leach, Robert. 2004. Makers of Modern Theatre: An Introduction. London: Routledge. ISBN 0415312418.
• Leach, Robert, and Victor Borovsky, eds. 1999. A History of Russian Theatre. Cambridge: Cambridge UP. ISBN 0521432200.
• Magarshack, David. 1950. Stanislavsky: A Life. London and Boston: Faber, 1986. ISBN 0571137911.
• Milling, Jane, and Graham Ley. 2001. Modern Theories of Performance: From Stanislavski to Boal. Basingstoke, Hampshire and New York: Palgrave. ISBN 0333775422.
• Pfister, Manfred. 1977. The Theory and Analysis of Drama. Trans. John Halliday. European Studies in English Literature Ser. Cambridige: Cambridge University Press, 1988. ISBN 052142383X.
• Rayner, Alice. 1994. To Act, To Do, To Perform: Drama and the Phenomenology of Action. Theater: Theory/Text/Performance Ser. Ann Arbor: University of Michigan Press. ISBN 047210537X.
• Roach, Joseph R. 1985. The Player's Passion: Studies in the Science of Acting. Theater:Theory/Text/Performance Ser. Ann Arbor: U of Michigan P. ISBN 0472082442.
• Szondi, Peter. 1965. Theory of the Modern Drama: A Critical Edition. Ed. and trans. Michael Hays. Theory and History of Literature ser. vol. 29. Minneapolis: U of Minnesota P, 1987. ISBN 0816612854.
• Toporkov, Vasily Osipovich. 2001. Stanislavski in Rehearsal: The Final Years. Trans. Jean Benedetti. London: Methuen. ISBN 041375720X.
• Whyman, Rose. 2008. The Stanislavsky System of Acting: Legacy and Influence in Modern Performance. Cambridge: Cambrdige UP. ISBN 9780521886963.