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"How do you deal with transporting, changing, and storing film on location? It can be a real drag. I always ask the airport staff to do a manual check, and bring a changing tent and cotton gloves with me so that the security people can open boxes without exposing film. I load my film on location in a film changing tent, sometimes in the middle of everything, while things are going on around me. The film that I’ve been shooting for the last three years, Kodak Aerochrome, is critically heat sensitive and will expire after just seven days at room temperature. I have to keep it cold at all times, carrying it through Congo in beer coolers, and have to find a freezer wherever I go. As you can imagine, that’s a serious task in a sub-Saharan war zone. ... I decided to bring it to Congo for a number of reasons, one of which was the fact that it seemed inappropriate and made me feel slightly uncomfortable. That’s always a good place to go as an artist." - [1]
This is likely to be too minor a contribution to include under 'Other Publications': reGeneration2: Tomorrow's Photographers Today. By William A. Ewing and Nathalie Herschdorfer. London: Thames & Hudson, 2010. ISBN9780500288894. 200 photographs from eighty photographers.[1] -Lopifalko (talk)
Latest comment: 2 years ago1 comment1 person in discussion
Would be great if someone could upload to Wiki Media Commons a usable image or 2 to illustrate his work. Hesperian Nguyen (talk) 14:33, 24 April 2022 (UTC)Reply
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