Talk:Hamilton (musical)
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Jeb! The Musical was nominated for deletion. The discussion was closed on 27 November 2016 with a consensus to merge. Its contents were merged into Hamilton (musical). The original page is now a redirect to this page. For the contribution history and old versions of the redirected article, please see its history; for its talk page, see here. |
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The West End Production edit
It's been extended until March of 2024. Can someone update that?
https://www.londontheatredirect.com/musical/hamilton-west-end-tickets 136.32.252.38 (talk) 19:07, 27 March 2023 (UTC)
- Hello?? 136.32.252.38 (talk) 21:56, 29 March 2023 (UTC)
Semi-protected edit request on 10 April 2023 edit
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In the differences in the play to real life, although it’s true that Hamilton wrote the letter that references the comma, it’s untrue that Angelica “knocked it down.” There isn’t any direct references to it in subsequent letters. The only thing cited is a tweet. It also isn’t really true that their relationship is exaggerated in the play. It’s really a matter of opinion, and many historians actually believe they had an affair. Many of their contemporaries believed they were, as well. KnoxBlue (talk) 04:01, 10 April 2023 (UTC)
- Done Actualcpscm (talk) 09:51, 10 April 2023 (UTC)
Semi-protected edit request on 10 April 2023 (2) edit
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In the historical accuracy section, remove where it says Angelica “knocked it down.” about the flirty comma letter. The tweet cited is inaccurate. There isn’t any direct mention of it in their subsequent letters. KnoxBlue (talk) 04:14, 10 April 2023 (UTC)
- Done Actualcpscm (talk) 09:51, 10 April 2023 (UTC)
Semi-protected edit request on 13 April 2023 edit
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add the following paragraph to Concept-Critical analysis and scholarship:
Philosopher Michael Sandel critiques Hamilton for its oversimplistic multiculturalism, avoidance of discussions on Hamilton's financial doctrines, and a blind embrace of liberal meritocracy in his 2022 edition of Democracy's Discontent.[1] Harvard intellectual historian Hansong Li, in his review of Hamilton in the Shanghai Review of Books, praises the musical for its innovations but critiques it for erecting a heroic myth to satisfy both economic elites and cultural warriors, which ultimately fails to unite a deeply divided American public.[2] 199.94.1.17 (talk) 14:59, 13 April 2023 (UTC)
References
- ^ Sandel, Michael J. (2022). Democracy's discontent : a new edition for our perilous times. Cambridge, Massachusetts: Harvard University Press. pp. 333–335. ISBN 9780674270718. Retrieved 13 April 2023.
- ^ Li, Hansong. "李汉松|音乐剧《汉密尔顿》的历史基础和时下语境". Shanghai Review of Book 上海書評. The Paper 澎湃. Retrieved 13 April 2023.
- Partly done: In general, reviews should be either published by a publication with an article, or written by an author with an article. Snowmanonahoe (talk) 02:38, 23 April 2023 (UTC)
Would like to add to the article a section edit
The page is locked, but how can I add a section to the article about how many online bloggers have discussed how much despite many people claiming to have enjoyed this musical, that when asked discreetly about the musical 79% of respondents to the question said the they hated the musical, and that in the words of many, "it sucked ass!" 47.149.186.81 (talk) 02:22, 16 September 2023 (UTC)
Semi-protected edit request on 7 December 2023 edit
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Change “The Chicago production of Hamilton began preview performances at the CIBC Theatre in September 2017 and opened the following month.” to “The Chicago production of Hamilton began preview performances at the CIBC Theatre in September 2016 and opened the following month.”
Source: https://web.archive.org/web/20160119162144/http://www.playbill.com/news/article/chicago-will-get-its-own-hamilton-production-in-fall-2016-374631. The same source is used under Productions > Chicago, which states the correct year, 2016. Helloleahk (talk) 20:00, 7 December 2023 (UTC)
- Done —pythoncoder (talk | contribs) 20:04, 8 December 2023 (UTC)