Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts. It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction. Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty. In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre. Jump to a specific section belowSelected profileSir Arthur Charles Clarke CBE FRAS (16 December 1917 – 19 March 2008) was a British science fiction writer, science writer, futurist, inventor, undersea explorer, and television series host. He co-wrote the screenplay for the 1968 film 2001: A Space Odyssey, widely regarded as one of the most influential films of all time. Clarke was a science fiction writer, an avid populariser of space travel, and a futurist of a distinguished ability. He wrote many books and many essays for popular magazines. In 1961, he received the Kalinga Prize, a UNESCO award for popularising science. Clarke's science and science fiction writings earned him the moniker "Prophet of the Space Age". His science fiction writings in particular earned him a number of Hugo and Nebula awards, which along with a large readership, made him one of the towering figures of the genre. For many years Clarke, Robert Heinlein, and Isaac Asimov were known as the "Big Three" of science fiction. (Full article...)Selected workE.T. the Extra-Terrestrial (or simply E.T.) is a 1982 American science fiction film produced and directed by Steven Spielberg and written by Melissa Mathison. It tells the story of Elliott, a boy who befriends an extraterrestrial, dubbed E.T., who is left behind on Earth. Along with his friends and family, Elliott must find a way to help E.T. find his way home. The film stars Dee Wallace, Henry Thomas, Peter Coyote, Robert MacNaughton and Drew Barrymore.
The film's concept was based on an imaginary friend that Spielberg created after his parents' divorce. In 1980, Spielberg met Mathison and developed a new story from the unrealized project Night Skies. In less than two months, Mathison wrote the first draft of the script, titled E.T. and Me, which went through two rewrites. The project was rejected by Columbia Pictures, who doubted its commercial potential. Universal Pictures eventually purchased the script for $1 million. Filming took place from September to December 1981 on a budget of $10.5 million. Unlike most films, E.T. was shot in rough chronological order to facilitate convincing emotional performances from the young cast. The animatronics for the film were designed by Carlo Rambaldi. (Full article...) Selected quote
—William Wilson, A Little Earnest Book upon a Great Old Subject, chapter 10 (1851). This is the first recorded use of the term science fiction in history.[1]
Selected pictureDetail from a Japanese woodblock print (ca. 1741–51) of Zhong Kui (called Shōki in Japanese), a Chinese mythological figure traditionally regarded as a vanquisher of ghosts and demons. His image is often painted on household gates as a guardian spirit, as well as in places of business where high-value goods are involved. According to folklore, Zhong Kui was a man who committed suicide after he was stripped of the title "zhuangyuan" (having achieved top honors in the imperial examinations) by the emperor of China because of his disfigured appearance, after which he became king of ghosts in Hell. The print is entitled "Shōki zu" ("Shōki striding") and measures 69 by 10 cm (27.2 by 3.9 in). (POTD) Did you know...
Upcoming conventionsJune:
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Dates can usually be found on the article page. See also these convention lists: anime, comic book, furry, gaming, multigenre, and science fiction. Selected articleOther Worlds, Universe Science Fiction, and Science Stories were three related US magazines edited by Raymond A. Palmer. Other Worlds was launched in November 1949 by Palmer's Clark Publications and lasted for four years in its first run, with well-received stories such as "Enchanted Village" by A. E. van Vogt and "Way in the Middle of the Air", one of Ray Bradbury's "Martian Chronicle" stories. Since Palmer was both publisher and editor, he was free to follow his own editorial policy, and presented a wide array of science fiction. Palmer entered a partnership with a Chicago businessman in 1953 to create Bell Publications, and printed Universe Science Fiction from June 1953. Palmer used the new company to abandon Other Worlds and launch Science Stories, in order to escape from Clark Publications' financial difficulties. Hence Science Stories can be considered a continuation of Other Worlds. Science Stories was visually attractive but contained no memorable fiction. Universe, on the other hand, was drab in appearance, but included some well-received stories, such as Theodore Sturgeon's "The World Well Lost", which examined homosexuality, a controversial topic for the time. (Full article...)On this day...Film releases
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