Samuel Manggudja (1909 – 1983), was an Aboriginal Australian artist from West Arnhem Land and part of the Kunwinjku Language group. His artistic works drew heavily from rock art styles and often featured depictions of spirits. His paintings are owned by a number of prominent institutions such as the Berndt Museum of Anthropology and the Art Gallery of New South Wales.
Samuel Manggudja | |
|---|---|
| Born | 1909 |
| Died | 1983 (aged 73–74) |
| Other names | Samuel Garnarradj Manggudja, Samuel Manggudja Garnarradj, Samuel Garnarradj |
| Known for | Indigenous Australian art |
Early life edit
Manggudja was born in the Goomadeer River Region of the Northern Territory where he was raised in the bush. As a boy, his father moved him to the Goulburn Island Mission, on South Goulburn Island, to attend school. In 1930, he moved to Gunbalanya where he resided until his death in 1983.[1][2]
Career edit
Outside of creating art, Manggudja became notable for his work with anthropologists in recording and preserving Aboriginal life. Beginning in 1949, he worked with anthropologists Ronald and Catherine Berndt to record the names and language groups of many Aboriginal Artists.[2]
By the early 1960s he was working with Reverend Gowan Armstrong and other artists, such as Spider Namirrki Nabunu, on a project to raise funds for community initiatives by creating and selling art.[2]
In 1969, he participated in Peter John Carroll's research by narrating traditional stories in his native language, Kunwinjku. At the time, Carroll was a student at the Australian National University.[3][4]
He was also one of the first appointed members of the Australia Council's Aboriginal Arts Board, serving from 1973-1975.[2]
He was awarded a federal grant, alongside 3 other artists from Gunbalanya, in 1975 to produce writings in Kunwinjku.[5]
Selected Artworks edit
Manggudja's works are held by a number of prominent collections and have been shown in exhibitions such as Crossing Country at the Art Gallery of New South Wales in 2004 and They Are Meditating at the Museum of Contemporary Art Australia in 2008.[6][7]
| Title | Year | Collection |
|---|---|---|
| Namorrordo (Figure with the Long Fingers)[8] | 1960 | Art Gallery of New South Wales |
| Man with Leprosy[9] | 1961 | Art Gallery of New South Wales |
| A Man with Women[10] | c. 1961 | Art Gallery of New South Wales |
| Rainbow Serpent[11] | unknown | QAGOMA |
References edit
- ^ "Samuel Manggudja". Art Gallery of NSW.
- ^ a b c d Jones, Jonathan; Peacock, Amanda (2009). "Master Artists of Arnhem Land" (PDF). Education Collection Notes: Investigating Key Artworks in the Gallery. Art Gallery of NSW.
- ^ "CARROLL_P03: Sound Recordings Collected by Peter Carroll, 1969" (PDF). AIATSIS: 4–5. October 2005.
- ^ Carroll, Peter J. (April 1976). Kunwinjku: A Language of Western Arnhem Land (PDF) (MA). Australian National University. pp. 119–122.
- ^ "Noel Hawken Looks at Australia and Australians". Papua New Guinea Post-Courier. 28 Feb 1975.
- ^ Perkins, Hetti (2004). "Crossing Country: The Alchemy of West Arnhem Land Art". Art Gallery of New South Wales. ISBN 9780734763594.
{{cite journal}}: Cite journal requires|journal=(help) - ^ "They are Meditating: Bark Paintings from the MCA's Arnott's Collection". Museum of Contemporary Art Australia.
- ^ Manggudja, Samuel (1960). "Namorrordo (Figure with the Long Fingers)". Art Gallery of NSW.
- ^ Manggudja, Samuel (1961). "Man with Leprosy". Art Gallery of NSW.
- ^ Manggudja, Samuel (c. 1961). "A Man with Women". Art Gallery of NSW.
- ^ Manggudja, Samuel. "Rainbow Serpent". Queensland Art Gallery and Gallery of Modern Art.