Post-structural feminism
Poststructural feminism is a branch of feminism that engages with insights from post-structuralist thought. Poststructural feminism emphasizes "the contingent and discursive nature of all identities",[1] and in particular the social construction of gendered subjectivities.[2] An important contribution of this branch was to establish that there is no universal single category of 'woman' and to identify the intersectionality of sex, race, ethnicity, class, sexuality, nationality, to name only a few.[3]
Areas of interest
Like post-structuralism itself, the feminist branch is in large part a tool for literary analysis, but it also deals in psychoanalysis and socio-cultural critique,[4] and seeks to explore relationships between language, sociology, subjectivity and power-relations as they impact upon gender in particular.[5]
Poststructural feminism also seeks to criticize the patriarchy, particularly through an analysis of the pervasivenes of male discourse in the construction of social knowledge.[6]
Leading figures
- Luce Irigaray became famous for her poststructuralist work on The Sex Which is Not One (1977) and the deconstruction of the Oedipal Complex.
- Hélène Cixous argued in her best-known essay 'The Laugh of the Medusa' that writing was more important in the construction of womanhood than biology.[7]
- Judith Butler explored the constricting nature of social norms in constructing 'normal' men and women;[8] and argued for a feminism without a feminist subject, fearing the constraining influence implicit in overt identity politics.[9]
- Gayatri Chakravorty Spivak, a postcolonial feminist whose work has been mostly in subaltern studies wrote the essay "Can the Subaltern speak? [10]
Other significant figures in poststructuralist feminism include Monique Wittig, and Julia Kristeva.[11]
Literary examples
- The heroine of Nice Work admits that, when younger, she "allowed myself to be constructed by the discourse of romantic love for a while"; but adds that she soon came to realise that "we aren't unique individual essences existing prior to language. There is only language".[12]
- The heroine of Possession, a novel by A.S. Byatt, more ruefully acknowledges that "we live in the truth of what Freud discovered...we question everything except the centrality of sexuality - Unfortunately feminism can hardly avoid privileging such matters".[13]
Criticism
Poststructural feminism has been criticised for its abandonment of the humanistic female subject, and for tactical naivety in its rejection of any form of female essentialism.[14]
References
- ^ Randall, Vicky (2010) 'Feminism' in Theory and Methods in Political Science. Marsh, David. Stoker, Gerry. (eds.), Basingstoke: Palgrave Macmillian, P. 116
- ^ P. Prasad, Crafting Qualitative Research (2005) p. 165
- ^ Miriam Bernard, Val Harding Davies, Linda Machin, Judith Phillips. Women Ageing: Changing Identities, Challenging Myths. ISBN 9781134657681.
- ^ J. Childers/G. Hentzi, The Columbia Dictionary of Modern Literary and Cultural Criticism (1995) p. 237
- ^ Prasad, p. 165
- ^ Paula England, Theory and Gender/Feminism on Theory (1993) p. 205
- ^ E. D. Ermath, Sequel to History (1992) p. 158
- ^ Judith Butler, Undoing Gender (2004) p. 206 and p. 8
- ^ G. Gutting ed., The Cambridge Companion to Foucault (2003) p. 390
- ^ Morris, edited by Rosalind C. (2010). Can the subaltern speak? : reflections on the history of an idea. New York: Columbia University Press. ISBN 9780231143851.
- ^ Ermath, p. 151-2
- ^ David Lodge, Nice Work (1988) p. 210
- ^ A. S. Byatt, Possession: A Romance (1990) p. 254 and p. 222
- ^ Prasad, p. 166
Further reading
- Linda Nicholson ed., Feminism/Postmodernism (1990)
- Margaret A. McClaren, Feminism, Foucault, and Embodied Subjectivity (2002)
External links
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