On the Verge of a Fever (French: Le Goût des jeunes filles) is a 2004 Canadian drama film, directed by John L'Écuyer.[1]
| On the Verge of a Fever | |
|---|---|
 On the Verge of a Fever / Le goût des jeunes filles film poster from 2004 | |
| French | Le Goût des jeunes filles |
| Directed by | John L'Ecuyer[1] |
| Written by | Dany Laferrière[2] |
| Based on | Dining with the Dictator (Le Goût des jeunes filles) by Dany Laferrière |
| Produced by | Anne-Marie Gélinas[2] Andrew Noble[2] Christian Larouche[2] |
| Starring | Lansana Kourouma[2] Uly Darly[2] Koumba Ball[2] Néhémie Dumas[2] Maita Lavole[2] Daphnee Desravines[2] Mireille Métellus[2] Luck Mervil[2] Maka Kotto[2] |
| Cinematography | Jean-Pierre St-Louis[2] |
| Edited by | Aube Foglia[2] |
| Music by | Ned Bouhalassa[3] Luck Mervil[3] |
Production company | Productions Jeux d'Ombres[2] |
| Distributed by | Christal Films[2] |
Release date |
|
Running time | 84 minutes[2] |
| Country | Canada |
| Language | French |
Plot edit
An adaptation of Dany Laferrière's novel Dining with the Dictator (Le Goût des jeunes filles), the film is set in Haiti over the weekend in 1971 when François Duvalier died and was succeeded as president of Haiti by his son Jean-Claude Duvalier.
It centres on Fanfan, a fifteen-year-old boy who is hiding from the Tonton Macoute after being drawn into trouble by his friend Gégé, and who loses his virginity to Miki, the young woman sheltering him at her home.[4]
Fanfan is a character who frequently recurs in Laferrière's work,[5] including the concurrent film How to Conquer America in One Night (Comment conquérir l'Amérique en une nuit), which was Laferrière's own directorial debut.[6]
Cast edit
- Lansana Kourouma: Fanfan[3]
- Uly Darly: Gégé[3]
- Koumba Ball: Miki[3]
- Néhémie Dumas: Marie-Erna[7]
- Maita Lavole: Pasqualine[7]
- Daphnee Desravines: Choupette[2]
- Mireille Métellus: Fanfan's mother[7]
- Luck Mervil[2]
- Maka Kotto: Papa[3]
- Dany Laferrière: narration[7]
- Daniela Akerblom: reporter[7]
- Dan Bigras: photographer[7]
Production edit
The film, which Laferrière expected to be produced in 2002, had originally been given the working title Goût des jeunes filles douces.[8]
Although set in Haiti, the film was shot primarily in Guadeloupe due to the political instability of Haiti at the time.[9] L'Écuyer's budget for the film was not enough to pay for insurance to film in Port-au-Prince, so the film was largely shot in Pointe-à-Pitre.[10] During filming, the crew encountered problems with equipment operation in the 35 °C (95 °F) weather.[10]
Release edit
The film premiered at the 2004 Toronto International Film Festival.[11]
The premiere performance in the United States occurred when the film was screened at the San Francisco Black Film Festival on 8 June 2005.[12]
When Miami Dade College screened the film in December 2006, the filmmakers were present afterward for a question and answer session.[13]
Reception edit
| Review scores | |
|---|---|
| Source | Rating |
| Marc-André Lussier, La Presse[14] |   |
| Gilles Carignan, Le Droit[15] |  |
| Pascal Cloutier, Le Canada français[7] | Positive |
| Variety[2] | Negative |
| James Wegg, Film Threat[3] | Positive |
| J. Kelly Nestruck, National Post[16] | |
| Steve Murray, The Atlanta Constitution[17] | Positive |
| Kevin Crust, Los Angeles Times[18] | Positive |
Le Devoir's review after the conclusion of the 2004 TIFF was mixed: while the review praised L’Écuyer's unerstanding of Haiti in the 1970s and his familiarity with Laferrière's works, it was disappointed with the acting.[19]
La Presse rated the film three stars, saying that L’Écuyer was able to capture the moments where beauty thumbs its nose at the violence and fear of Haiti's political climate in the wake of François Duvalier's death.[14]
While Le Droit seemed impressed by L’Écuyer's ability to show the audience the tumultuous changes in an adolescent psyche – especially given the political environment, the reviewer also expressed disappointment in the acting. They felt the delivery of lines was too practiced, stating that the film "struggled" to give the characters "dimension".[15]
Le Canada français found the film to be an intriguing tale, giving Lansana Kourouma praise for his portrayal of Fanfan.[7]
Variety was less pleased with the film, stating that the coming-of-age tale was predictable and not unique, as well as being more consistent with an anecdote than with a dramatic piece. They were also put off by the climaxes of the story, stating that the sexual climax was "mildly discomforting".[2]
Film Threat had praise for every aspect of the production and the reviewer was particularly pleased with L’Écuyer's decision not to "force" events on the viewer, to allow the story to "seep" into the audience's awareness. Though they did point out there are moments where the film "sputters", they also made certain to note that the film would likely appeal to audiences around the world.[3]
The National Post rated the film three stars, commenting that the French title is illustrative of the way that the audience is given the interaction with the female characters, saying, "[T]hat's all you get of them: a taste." The reviewer does point out that there is a dichotomy in Fanfan's "delusion" that he's being pursued by the Tonton Macoute and the sexual fantasy he lives out.[16]
The Atlanta Constitution gave a positive review, stating that L'Écuyer brings the chaos of 1971 Haiti and Fanfan's sexual awakening "smoothly", fluctuating between tension and humor and allowing characters other than Fanfan to "address the camera".[17]
The Los Angeles Times noted that the setting and opening of the film might lead viewers to expect something action-oriented, rather than the "more mellow path" of following Fanfan leaving his innocence behind over the course of a weekend. The reviewer commented that the story had a "certain sweetness".[18]
Nominations edit
It was a Black Reel Award nominee for Outstanding Independent Film at the Black Reel Awards of 2006.[citation needed]
References edit
- ^ a b "Filmmaker is thriving on Montreal's vibes". Montreal Gazette. 22 January 2005.
- ^ a b c d e f g h i j k l m n o p q r s t u v w "On The Verge Of A Fever". Variety. 12 October 2004.
- ^ a b c d e f g h Wegg, James (17 May 2005). "Le Goût des jeunes filles". Film Threat. Retrieved 3 May 2024.
- ^ "Growing up fast". Montreal Gazette. 21 January 2005.
- ^ Jaggi, Maya (1 February 2013). "Dany Laferrière: a life in books". The Guardian.
- ^ Ramond, Charles-Henri (28 December 2008). "Comment conquérir l'Amérique en une nuit – Film de Dany Laferrière" [How to Conquer America in One Night – Film by Dany Laferrière]. Films du Québec (in French).
- ^ a b c d e f g h Cloutier, Pascal (15 June 2005). "À Haïti, entre l'enfance et l'adolescence" [In Haiti, between childhood and adolescence]. La Canada Français (in French). p. C7 – via Bibliothèque et Archives nationales du Québec.
- ^ Lepage, Jocelyn (30 August 2002). "Dany Laferrière revient à Montréal" [Dany Laferrière returns to Montreal]. La Presse (in French). p. C3. Retrieved 3 May 2024 – via BAnQ.
- ^ Bessette, Lee Skallerup (2014). "7: Becoming a Gwo Nèg in 1970s Haiti: Dany Laferrièr's Coming-of-Age Film Le Goût des Jeunes Filles (On the Verge of Fever)". In Nandi, Swaralipi; Chatterjee, Esha (eds.). Spectacles of Blood: A Study of Masculinity and Violence in Postcolonial Films. Zubaan Books. ISBN 9789383074136.
- ^ a b Tremblay, Odile (15 January 2005). "Avec peu d'argent, mais beaucoup de coeur" [With little money, but lots of heart]. Le Devoir (in French). Retrieved 3 May 2024.
- ^ "African cinema's moment in the sun; Continent better represented at fest than ever: Pioneering movie in Zulu among noteworthy flicks". Toronto Star. 10 September 2004.
- ^ "Local Events". San Francisco Examiner. Vol. 140, no. 247. 7 June 2005. p. 21. Retrieved 3 May 2024 – via Newspapers.com.
- ^ Arias-Polo, Arturo (14 December 2006). "Haití, una mirada diferente" [Haiti, a different view]. El Nuevo Herald (in Spanish). p. D12. Retrieved 3 May 2024 – via Newspapers.com.
- ^ a b Lussier, Marc-André (17 October 2004). "La Presse a vu" (in French). p. 3. Retrieved 3 May 2024 – via BAnQ.
- ^ a b Carignan, Gilles (19 March 2005). "L'adolescent veut savoir". Le Droit (in French). p. A6 – via BAnQ.
- ^ a b Nestruck, J. Kelly (29 April 2005). "Lust in a time of dictatorship". National Post. Vol. 7, no. 157. p. PM4. Retrieved 3 May 2024 – via Newspapers.com.
- ^ a b Murray, Steve (14 July 2006). "Echoes of Africa". The Atlanta Constitution. Vol. 58, no. 195. pp. E1, E10. Retrieved 3 May 2024 – via Newspapers.com.
- ^ a b Crust, Kevin (9 February 2006). "Mystical and modern". Los Angeles Times. p. E53. Retrieved 3 May 2024 – via Newspapers.com.
- ^ Bilodeau, Martin (9 October 2004). "En prélude à un excitant casse-tête". Le Devoir (in French). p. E8. Retrieved 3 May 2024 – via BAnQ.
