Oliver Wendell Harrington (February 14, 1912 – November 2, 1995) was an American cartoonist and an outspoken advocate against racism and for civil rights in the United States. Of multi-ethnic descent, Langston Hughes called him "America's greatest African-American cartoonist".[1] Harrington requested political asylum in East Germany in 1961; he lived in Berlin for the last three decades of his life.
| Ollie Harrington | |
|---|---|
| Born | Oliver Wendell Harrington February 14, 1912 Valhalla, New York |
| Died | November 2, 1995 (aged 83) Berlin, Germany |
| Nationality | American |
| Area(s) | Cartoonist |
Notable works | Dark Laughter / Bootsie |
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Biography edit
Early life and education edit
Born to Herbert and Euzsenie Turat Harrington in Valhalla, New York, Harrington was the oldest of five children. As the son of an African-American father and Jewish mother from Budapest, Oliver Harrington grew up in a diverse community within South Bronx.[2] He began cartooning to vent his frustrations about a viciously racist sixth-grade teacher[3] and graduated from DeWitt Clinton High School in the Bronx in 1929.
Harrington later continued his educational career at the Yale School of Fine Arts and The National Academy of Design[4], where he graduated with a degree in Fine arts in 1940.[5]
Cartooning career edit
Immersing himself in the Harlem Renaissance, Harrington found employment when Ted Poston, city editor for the Amsterdam News, became aware of Harrington's already considerable skills as a cartoonist and political satirist. In 1935, Harrington created Dark Laughter, a regular single-panel cartoon, for that publication. The strip was later retitled Bootsie, after its most famous character, an ordinary African American dealing with racism in the U.S.[6] Harrington described him as "a jolly, rather well-fed but soulful character." During this period, Harrington enrolled in Fine Arts at Yale University to complete his degree.
On October 18, 1941, he started publication of Jive Gray (1941–1951), a weekly adventure comic strip about an eponymous African-American aviator; the strip went on until Harrington moved to Paris.
After World War II, Oliver Harrington was employed by the NAACP in order to assist with a public relations campaign to help returning Black veterans. This was important because Black veterans, as a group, had been ostracized upon returning home. Unfortunately, Harrington's political views did not align with those of the NAACP and he left the organization in 1947.[3] After this, he resumed his career as a political activist and cartoonist by bringing the "Bootsie" series back to life in the Courier.[7]
Civil rights edit
During World War II, the Pittsburgh Courier sent Harrington as a correspondent to Europe and North Africa[8]. In Italy, he met Walter White, executive secretary of the NAACP. After the war, White hired Harrington to develop the organization's public relations department, where he became a visible and outspoken advocate for civil rights.[3]
In that capacity, Harrington published "Terror in Tennessee," a controversial expose of increased lynching violence in the post-WWII South. Given the publicity garnered by his sensational critique, Harrington was invited to debate with U.S. Attorney General Tom C. Clark on the topic of "The Struggle for Justice as a World Force."[3] He confronted Clark for the U.S. government's failure to curb lynching and other racially motivated violence.
France edit
In 1947, Harrington left the NAACP and returned to cartooning. In the postwar period, his prominence and social activism brought him scrutiny from the Federal Bureau of Investigation and the House Un-American Activities Committee. Hoping to avoid further government scrutiny, Harrington moved to Paris in 1951. In Paris, Harrington joined a thriving community of African-American expatriate writers and artists, including James Baldwin, Chester Himes, and Richard Wright, who became a close friend.[9]
Germany edit
Harrington was shaken by Richard Wright's death in 1960,[9] suspecting that he was assassinated. He thought that the American embassy had a deliberate campaign of harassment directed toward the expatriates. In 1961, he requested political asylum in East Germany.[10] “I was a virtual prisoner,” recalls Harrington. The same year, however, Harrington requested political asylum in East Germany and resettled there for the duration of that country’s existence. Harrington adds of his time as a resident in East Berlin, “There were great temptations to leave there, but I liked the work.” He regularly cartooned for publications such as People’s Daily World, Eulenspiegel, and Das Magazin, through which he critiqued U.S. imperialism and racial repression.[11]
Personal life edit
Harrington had four children. Two daughters are U.S. nationals; a third is a British national. All were born before Harrington emigrated to East Berlin. His youngest child, a son, was born several years after Harrington married Helma Richter, a German journalist.[12]
Publications edit
- — (1993). Inge, M. Thomas (ed.). Dark Laughter: The Satiric Art of Oliver W. Harrington. Jackson: University Press of Mississippi.
- — (1993). Inge, M. Thomas (ed.). Why I Left America and Other Essays. Jackson: University Press of Mississippi.
- —; Sterling, Philip; Redding, J. Saunders (1965). Laughing on the Outside: The Intelligent White Reader's Guide to Negro Tales and Humor. New York: Grosset & Dunlap.
- — (1958). Bootsie and Others: A Selection of Cartoons. New York: Dodd, Mead.
- —; Tarry, Ellen (1955). Hezekiah Horton. Viking Press.
- — (1946). Terror in Tennessee: The Truth about the Columbia Outrages. New York: "Committee of 100".
Exhibitions edit
- 2021–2022 "Dark Laughter Revisited: The Life and Times of Ollie Harrington" (Billy Ireland Cartoon Library & Museum, Ohio State University, Columbus, Ohio)[13]
Further reading edit
- "Harrington, Oliver W.". American National Biography. Oxford University Press. (subscription required)
- Oliver W. Harrington. Contemporary Black Biography. Vol. 9. Gale Research. 1995.
- Oliver W. Harrington. Notable Black American Men. Gale Research. 1998.
References edit
- ^ "Cartoons by the late Ollie Harrington tell it like it was - and is," Ebony Magazine, February 1996.
- ^ "Oliver Harrington". aacvr-germany.org. Retrieved 2023-12-12.
- ^ a b c d Jones, Kassidi, ed. (Jan 2024). "How Ollie Was Born". The Harrington Revolution. Vol. 1, no. 1.
- ^ "Oliver Wendell Harrington-Dark Laughter and Jive Gray". www.pbs.org. Retrieved 2024-04-23.
- ^ Oliphint, Joel. "Ollie Harrington's dark humor and overlooked, remarkable life on display at OSU". Columbus Monthly. Retrieved 2023-12-12.
- ^ Jones, Kassidi, ed. (Jan 2024). "DARK LAUGHTER: Bootise and Friends". The Harrington Revolution. Vol. 1, no. 1.
- ^ "Oliver W. Harrington biography". Black Heritage Commemorative Society. Black History Now. 2011-09-09. Retrieved 2023-12-12.
- ^ "Oliver Harrington". aacvr-germany.org. Retrieved 2024-04-23.
- ^ a b Jones, Kassidi, ed. (Jan 2024). "The 'Black Renaissance'". The Harrington Revolution. Vol. 1, no. 1.
- ^ Greene, Larry A. and Anke Ortlepp (eds.) (2011). Germans and African Americans: Two Centuries of Exchange, Jackson, Mississippi: University of Mississippi Press. ISBN 978-1-60473-784-4. p. xiv.
- ^ exhibits_admin (2015-09-30). "Oliver Harrington (American, 1912–1995) | The Wall in Our Heads: American Artists and the Berlin Wall". Retrieved 2024-04-23.
- ^ "Oliver Harrington: Cartoonist and Activist". scoop.previewsworld.com. Retrieved 2024-04-23.
- ^ Oliphint, Joel. "Ollie Harrington's dark humor and overlooked, remarkable life on display at OSU: 'Dark Laughter Revisited: The Life and Times of Ollie Harrington' is on view at Ohio State's Billy Ireland Cartoon Library & Museum, and it's a must-see," Columbus Alive (Jan. 7, 2022).
External links edit
