Liang Shaoji is a Chinese conceptual artist. He exhibits internationally.
Background edit
Liang originates from Zhongshan, however was born in Shanghai in 1945.[1]
He studied at the school for fine arts in Zhejiang and obtained his degree there in 1965. Later he studied at the Varbanov Institute for Textile Art, which is part of the Art Academy of Zhejiang. He completed this study in 1986. In 1988 he started to cultivate silk worms, to meet his attraction to rough silk which he uses amply in his art works.[2][3][4][5]
He exhibits internationally. Among others, he has presented his work at the biennales of Venice (1999), Istanbul (1999), Lyon (2000) and Shanghai (2000 and 2006).[2][5]
Work edit
Most notable are Liangs creations within the Natural Series. His creations have been characterized as unique meditations over nature and the human existence.[3]
One of these creations is a video recording (no. 25). In it he hurts his feet until they bleed, in order to suppress the pain of the silk works whilst weaving their web on metal scobs. The idea behind this work lies in the century-old Chinese philosophy that man and animal should live together as equals and in harmony. He admitted later though that the production of the video had been more painful than he had realized before.[6][7][8]
Candles (no. 87) is another work from his Natural Series. Here he places pieces of bamboo on a row, filled them with wax, and weaved silk threads around them. This work is a presentation of funerals and Buddhist rituals and goes back to an old Chinese poem from the 9th century, in which a comparison is made between the last drop the wax of a candle and the last end of a thread of a silk worm.[3]
Cloud (no. 101) shows a square mirror on a mountain that consists of a number of smaller square mirrors. It seems like clouds are reflected at a background of a blue sky. In reality, however, it is a combination of silk worms on mirror glass. The work is meant to be a musing of the concept of time.[3][9]
Helmets (no. 102) is a memorial of the victims under miners. The work consists of miner helmets covered with a web of fine silk as an expression of the fear and pain that are suppressed in these helmets.[2]
Awards edit
Liang received a number of awards. In 2002, he was honored with a Chinese Contemporary Art Award.[4]
In 2009, Liang was honored with a Prince Claus Award from the Netherlands. He received the award for his "evocative artworks that offer a meditative approach in which art becomes nature and nature becomes art, for his artistic integrity in working outside the mainstream, and for his insightful investigation of the ethics of the human condition and relationship with nature."[1]
External links edit
- ShanghART Gallery, exhibition of the work of Liang
References edit
- ^ a b Prince Claus Fund (2009) biography[permanent dead link]
- ^ a b c Brouwer, Marianne, biography Archived 2015-09-24 at the Wayback Machine
- ^ a b c d Brouwer, Marianne (2009) Article on Liang Shaoji (in Dutch)
- ^ a b Credit Suisse (2010) Today Art Award Archived 2016-03-04 at the Wayback Machine
- ^ a b ShanghART Gallery, resume Archived 2015-09-24 at the Wayback Machine
- ^ Metropolis M (December 14, 2009) Prins Claus Fonds toont werk van laureaat Liang Shaoji (in Dutch)
- ^ ShanghART Gallery, Natural Series No.25 Archived 2013-12-02 at the Wayback Machine
- ^ Brouwer, Marrianne (August 20, 2007) Cloud Archived 2013-12-02 at the Wayback Machine
- ^ ShangART Gallery, Cloud (no. 101) Archived 2024-04-26 at the Wayback Machine