Gretchen Faust (born 1961 in Stoneham, Massachusetts, USA) is an American contemporary artist, performer, art historian, and yoga instructor who lives and works in Totnes, Devon, United Kingdom. She is known for her visual art and performance work at galleries in New York, Pittsburgh and Zürich.
Education edit
Faust earned a BA at Smith College ( 1983)and an MFA (1986) at Hunter College.[1]
Work edit
In the early 1990s she became known for using the tip of an ice pick to write text fragments from lectures on art history into gallery walls.[2] In her more recent works, she produced mandala-like paper cutouts, engraved plinths made of Portland stone, photographs of paired handguns, or pairs of large, rug-like circles made of rabbit skins, and camouflage material laid out on the floor. In 2013, Martin Herbert wrote in Frieze magazine: "there are consistently continuities: symmetry and asymmetry, sophistication and violence and a variable and explicit focus on cutting, punching, firing - penetrating the surface of things".[3] Faust has described her artwork as similar to yoga: "I’d say the personal process is the same. Cultivating presence and intimacy. And the outcome can result in different forms, depending on the circumstances of intention".[3]
Exhibition history edit
Her work has been shown in group exhibitions at the Kunsthalle Schirn, Frankfurt,[4] the New Museum, New York (with Kevin Warren),[5] wellwellwell, Vienna,[4] MAGASIN - Centre National d’art Contemporain, Grenoble;[6] Galerie Samuel Lallouz, Montreal;[7] Pat Hearn Gallery, New York, (with Kevin Warren),[8] the CAPC Museum of Contemporary Art, Bordeaux,[9] among others.
In 1988, Faust had a solo installation at the Mattress Factory, Pittsburgh.[10] In 1991, she had a solo show at Pat Hearn gallery in New York.[11] 1992, Faust had a one-person show at Marc Jancou Gallery, Zurich.[12] In 2003, Faust had a solo show at greengrassi, London.[2] During the 1990s, she had several two person collaborative shows with Kevin Warren.[5][8] In 2010, Faust created a floor installation, Shroud 1 (Start) and Shroud 1 (Stop), consisting of two 13-foot diameter circles; one fabricated from sewn together rabbit pelts, and the second constructed from commercially printed camouflage fabric. The work referenced the notion of hunter and prey.[13]
Faust has created performances that have been presented at Pat Hearn Gallery[14][15] and the Mattress Factory,[10]
References edit
- ^ "Class not specified". Hunter College. Retrieved 4 February 2022.
- ^ a b Schwabsky, Barry (December 2003). "Gretchen Faust: greengrassi". Artforum. Retrieved 4 February 2022.
- ^ a b Herbert, Martin (2013-11-17). "Gretchen Faust". Frieze. No. 159. ISSN 0962-0672. Retrieved 2021-12-30.
- ^ a b "Group Exhibitions". Contemporary Art Library. Retrieved 4 February 2022.
- ^ a b "Visitor's Alcove". New Museum. Retrieved 4 February 2022.
- ^ "Portrait of the artist as a biker". Kunst Aspekte: International Exhibition Announcements. Retrieved 4 February 2022.
- ^ "Expositions listing". La Presse. Retrieved 4 February 2022.
- ^ a b Cotter, Holland (5 June 1992). "Gretchen Faust with Kevin Warren at Pat Hearn Gallery". The New York Times. Retrieved 4 February 2022.
- ^ "Secret Societies "To Know, To Dare, To Will, To Keep Silence" at CAPC, Bordeaux". Mouse Magazine. 18 November 2011. Retrieved 4 February 2022.
- ^ a b "Vigil, 1988, Gretchen Faust". Mattress Factory. Retrieved 4 February 2022.
- ^ Liu, Catherine (February 1991). "Gretchen Faust, Pat Hearn Gallery". Artforum: 123. Retrieved 4 February 2022.
- ^ "Marc Jancou Archive: Gretchen Faust". Marc Jancou. Retrieved 4 February 2022.
- ^ McLean, Matthew (2013). "Gretchen Faust". Modern Painters. 25 (11): 114.
- ^ Brentano, Robyn; Georgia, Olivia; Sangster, Gary (1994). Outside the Frame: performance and the object: a survey history of performance art in the USA since 1959. Cleveland Center for Contemporary Art and Snug Harbor Cultural Center. ISBN 9781880353066. Retrieved 4 February 2022.
- ^ Gookin, Kirby (January 1990). "Gretchen Faust at Pat Hearn Gallery". Artforum: 139. Retrieved 4 February 2022.