Francis Walter Skeat (born 1909) is an English glass painter who created over 400 stained glass windows in churches and cathedrals, both in England and overseas. Skeat is a Fellow of the Royal Society of Arts, a Fellow of the British Society of Master Glass Painters, and a member of the Art Workers Guild.
Education and career
Skeat was born in St. Albans; his mother Theodora had an embroidery studio in Chester and his grandfather was Walter William Skeat, the etymologist. Skeat was educated at Lyndale School, St. Albans and Whitgift School, Croydon.
At the age of eighteen, he was apprenticed to Harry Scott Bridgwater who was a leading mezzotint engraver. He was a follower of Sir John Ninian Comper; after exhibiting at the Paris salon in 1932, he returned to St. Albans in 1933 and the following year he became a pupil of Christopher Webb, who had a studio in St. Albans and encouraged him to work in stained glass. He later worked for A.R. Mowbray and Co. in Oxford and for J. Wippell and Co. of Exeter; he also designed glass for the firm of Barton, Kinder and Alderson.
In 1934, he presented two glass panels to the Church of St. John in St. Albans, where he was a parishioner. These panels, featuring the Good Shepherd and St. John the Baptist were his first church windows. In 1955, St. John's was demolished and the panels were moved to St. Peter's.
In 1937, he married Birgit Ann Mari Lindquist from Gothenburg, Sweden where he lived until the end of the Second World War. After the war, he opened his first studio at 7a Market Place, St. Albans, before moving his studio to Cross Lane, Harpenden.
His first major commission was for the largest window in the southern hemisphere, for the south transept of St. George's Cathedral, Cape Town, South Africa. The rose window was installed in 1957, and was designed by Frank Spears.
Skeat's parents lived at Romeland Cottage, adjacent to St. Albans Cathedral; shortly before Skeat was born, a Swedish maid, Hilma, was climbing the stairs to go to bed when she felt the presence of something close to her; she was then pinned against the wall and her candle went out. In the darkness she saw a figure wearing a cowl who spoke to her in a strange tongue, later identified as Latin. The figure quickly vanished, leaving Hilma deeply shocked. The following night she was in bed asleep when she woke to find the same figure standing at the foot of her bed. In the moonlight she could see that he was wearing a metal medal around his neck. Canon Glossop was brought to the cottage from the Abbey to talk to the maid; from her description he identified the medal as similar to those given to pilgrims to the Abbey in the Middle Ages. It is believed that the cottage was built on the site of the Abbey's charnel house where the bodies of monks would be laid awaiting burial.
Style and mark
Skeat's works employ crisply drawn figures on a largely clear glazed background, which was a popular formula in post-war stained glass.
The panels he created for St. John's church in St. Albans bear his marks described as "a hart lodged at gaze in a small shield within a larger shield with walled top and alternate horizontal sections" and a "scrolled shield with a hart statant". The hart is taken from the Arms of the county of Hertfordshire. The lines across the shield are an allusion to a ford, a pun on the county’s name. His mark later became a rebus, St. Francis of Assisi, around whom radiate small flying birds, together with his initials.
Among Skeat's works is the memorial to the footballer, Duncan Edwards, who played for Manchester United and England. He was one of eight players who was killed in the Munich air disaster in February 1958; he was only 21 at the time of his death. On 27 August 1961, a stained-glass window depicting the player, designed by Skeat, was unveiled in St. Francis's Church, the parish church for the Priory Estate, Dudley, by Matt Busby, Edwards' former manager.
In the City of London church of St. Sepulchre-without-Newgate, there is a memorial window to John Smith, the governor of Virginia and associate of Pocahontas who was buried there in 1631. The window was designed by Skeat and given to the church by Bradford Smith in 1968. Captain John Smith is shown in the central panel of the window with his navigational instruments at his feet.
The east window in the Lady Chapel of St. Andrew's Church, Swavesey, Cambridgeshire contains a 1967 Tree of Jesse by Francis Skeat. In a letter to the incumbent and the churchwardens, Skeat writes:-
"The window scheme of my design is intended to symbolise the descent of Our Lord from Abraham and the patriarchs as detailed in the opening chapter of St. Matthew's Gospel. It is not merely a Jesse Tree since it goes back before his time..........."
Jesse appears in the right hand light and is in a standing position facing left. The figures in the window are:- first light, Boaz; second light, Ruth and above her Jacob; middle light, Abraham and Isaac; above them, the Blessed Virgin Mary and Child; at the top, Asa; fourth light, David with Solomon above him; fifth light, Jesse.
The text at the bottom of the window reads:-
Who for us men, and for our Salvation came down from heaven, and was incarnate by the Holy Ghost of the Virgin Mary, and was made man.
In May 1977, Skeat published "Stained Glass of St. Albans Cathedral".
Other works to which he has contributed include:
- The Stained Glass Work of Janos Hajnal: Vol. XV No. 3 (British Society: London, 1974–75)
- A Survey of Stained Glass in Museums: Vol. XVII, No. 2 (British Society: London, 1978–79)
- A Survey Of Stained Glass In Museums And Art Galleries (Part Two): Vol. XVI, No. 3 (British Society: London, 1979–80)
- The Vanished Glass of Exeter Cathedral
- "Skeat, Francis". Stained glass designers: England. Professor Moriarty. 13 April 2010. Retrieved 23 December 2010.
- "History of the Windows of Saint Peter, St. Albans". St. Peter's Church. Retrieved 26 December 2010.
- Fairweather, Peter (4 August 1999). "Francis Skeat". Churchmouse. Retrieved 23 December 2010.
- "F W Skeat". Architects and Artists. Sussex Parish Churches. 15 November 2010. Retrieved 23 December 2010.
- "St. Georges Cathedral, Cape Town". Ancestry24. Retrieved 27 December 2010.
- "Romeland Cottage". Hertfordshire Paranormal Sites: St. Albans. Luton Paranormal Society. Retrieved 23 December 2010.
- Thomson, Aidan McRae (29 August 2009). "St Saviour's Hagley". flickr. Retrieved 8 January 2011.
- "Dedication of the Duncan Edwards window". History of the Black Country in Photographs. The Black Country Community Forum. Retrieved 23 December 2010.
- "The John Smith Window". St. Sepulchre-without-Newgate. The Friends of the Musicians' Chapel. 3 February 2007. Retrieved 23 December 2010.
- "Jesse Tree, Swavesey". flickr. Retrieved 25 December 2010.
- Low, Malcolm (January 2006). "Swavesey, Cambridgeshire, St. Andrew's Church" (PDF). Tree of Jesse. Malcolm Low TSSF. p. 51. Retrieved 30 December 2010.
- Francis W. Skeat (May 1977). Stained Glass of St. Albans Cathedral. Barracuda Books. ISBN 0-86023-044-9. Retrieved 8 January 2011.
- "Francis Skeat publications" (PDF). The Stained Glass Library. Retrieved 8 January 2011.
- "Volume 37". Journal of the Society of Glass Technology. Society of Glass Technology. 1953. p. 176.
- List of Stained Glass Windows created by Francis Skeat
- List of Stained Glass Windows designed by Francis Skeat