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Erdal Kızılçay

Erdal Kızılçay (born c. 1950) is a multi-instrumentalist musician of Turkish birth. He has worked with, among others, David Bowie. He plays bass guitar, oud, drums, keyboards, trumpet and violin. He lives in Aegerten, Switzerland.

Work with David Bowie edit

Kızılçay started working with David Bowie in the early 1980s, notably playing bass on a demo of Bowie's 1983 single "Let's Dance", although he did not appear on the final recording.[1] Kızılçay is a multi-instrumentalist; for example, he played every instrument except guitar on the song "Shades" on Iggy Pop's album Blah Blah Blah (1986), which was co-produced and co-written by Bowie.[2] Bowie biographer Chris O'Leary called Kızılçay a "godsend" for Bowie, as he allowed Bowie to "cut full studio demos without the bother of shipping in [lots of musicians]."[3] Kızılçay and Bowie co-wrote the song "When the Wind Blows" for the 1986 film of the same name.[4] The two then co-wrote two songs for Bowie's 1987 album Never Let Me Down: "Girls"; and "Too Dizzy".[5][6] For the album, Kızılçay played multiple instruments on virtually every song, including bass, drums, keyboards, organ, synthesizer, and violins.[7] Kızılçay joined Bowie on the Glass Spider Tour in 1987 in support of Never Let Me Down, a live recording of which was released in 1988 as Glass Spider.[8] In 1988, Kızılçay, Reeves Gabrels, Bowie and Kevin Armstrong collaborated on a project for London's Institute of Contemporary Arts (ICA) in which they four of them re-arranged Bowie's 1979 song "Look Back in Anger". Gabrels and Armstrong would join Bowie in 1989 in the band Tin Machine, a project that Kızılçay was not a part of. In 1990, Kızılçay joined Bowie during his Sound+Vision Tour.

The two recorded together again on Bowie's album The Buddha of Suburbia (1993). They spent the middle of 1993 at Mountain Studios in Switzerland, taking about three weeks to write, record and mix the album, for which many of the songs Kızılçay was the sole instrumentalist.[9] Kızılçay also received a producer's credit on several songs from the album.[9]

In 1994, Kızılçay joined other musicians including Brian Eno, Reeves Gabrels, Carlos Alomar, Mike Garson and Sterling Campbell in the creation of Bowie's album Outside (1995).[10]

After 1995, the relationship between the two fell apart, with Kızılçay later saying that Bowie "changed his way of being with me at the end of the recording of Outside. I don't even know why, for what reason."[11] Bowie removed "Too Dizzy" from later re-issues of Never Let Me Down.[6] Kızılçay said he was upset, and said that "from now on I don't think I would wish to work again with David Bowie."[11] After Bowie died in 2016, his 1987 album Never Let Me Down was re-engineered and partly re-recorded and released as Never Let Me Down 2018 (2018). Kızılçay was unhappy with the new song arrangements and threatened a lawsuit as a result.[12]

Discography edit

Albums with David Bowie edit

With Iggy Pop edit

With Jane Siberry edit

With Jacques Dutronc edit

  • Jacques Dutronc au casino (1992)
  • Brèves Rencontres (1995)

With Andreas Vollenweider edit

With Septime Sévère edit

  • Un escalier-Sandra-Charleroi-Un air bête (2014)

Solo edit

  • Fahrünnisa (1996)

Music direction edit

With The Royal Philharmonic Orchestra edit

External links edit

  • O'Leary, Chris (2019). Ashes to Ashes: The Songs of David Bowie 1976–2016. London: Repeater. ISBN 978-1912248308.
  • "( Erdal Kizilcay > Credits )". Retrieved 2008-06-29.
  1. ^ O'Leary 2019, pp. 182–189.
  2. ^ O'Leary 2019, pp. 238–240.
  3. ^ O'Leary 2019, pp. 241.
  4. ^ O'Leary 2019, pp. 247–248.
  5. ^ O'Leary 2019, pp. 248–250.
  6. ^ a b O'Leary 2019, pp. 256.
  7. ^ O'Leary 2019, pp. 248–271.
  8. ^ O'Leary 2019, pp. 271–273.
  9. ^ a b O'Leary 2019, pp. 355–364.
  10. ^ O'Leary 2019, pp. 375–397.
  11. ^ a b Sinclair, Paul (11 December 2013). "Bowie collaborator Erdal Kizilcay on "Glass Spider" and "Never Let Me Down"". Retrieved 9 July 2021.
  12. ^ Grow, Kory; Greene, Andy (24 July 2018). "How David Bowie's Biggest 'Disappointment' Became a Posthumous, Reworked Album". Rolling Stone. Archived from the original on 1 August 2018. Retrieved 31 July 2018.


 

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