In his review for The Guardian, Adam Sweeting gave the album four out of five starts, writing: "Keen Liverpool FC supporters and pioneers of Brit electro, Apollo 440 come bounding back with a vast double CD that nobody could accuse of failing to deliver value for money. Where the band score is in their ability to blur the line between people and machinery: time and again you are left wondering whether that was a drummer or a drum machine, a pianist or merely another sample. The 18 tracks here cover a bit of everything, from speedy dance-pop with shouting to ripped-to-shreds disco, leavened with intermittent blasts of old-fashioned hard rock. They seem particularly fond of giant 1970s soul grooves with massed banks of strings, as though they had been loading up on old Isaac Hayes and Temptations records. They could do a lot worse".[1] On the other hand, Uncut stuff reviewer gave it 1.5 out of 5 writing "Kudos to Apollo 440 for the title and sleeve here, wry references to Marcel Duchamp which may sail over the heads of some. It's a juicy electric foray into retro-futurist funk, the cheesy, strobe-lit spirit of which is captured on titles like "Disco Sucks" and "Escape To Beyond The Planet Of The Super Apes", featuring guest appearances that include a shouty turn from Pete Wylie. The second disc is more of a laid-back, trippy affair?most enticing of the tracks on offer being "Something's Got To Give". Nice, though a few more moments of splashdown wouldn't go amiss".[3]
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