Wikipedia

Diana López (artist)

Diana López (born August 24, 1968) is a Venezuelan visual artist and cultural manager. She developed her artistic style in the nineties, focusing on participation and exchange with other people in the production of her pieces.[1] In 1994, she became the first woman to receive the Eugenio Mendoza Prize.[2] Her work ranges from photography and video to performance and installations. López was director of culture for the Chacao municipality for seven years. While there, she promoted the creation of the Chacao Theater and the library of Los Palos Grandes in Caracas.[3][4] She is the director of the Urban Photography Archive in Caracas.[5]

Diana López
Diana López in the performance of Pintura de acción en dos tiempos (2009)
Born (1968-08-24) August 24, 1968 (age 55)
Philadelphia, United States
NationalityVenezuelan
EducationSan Francisco Art Institute
Occupation(s)visual artist and cultural manager
EmployerFoundation Cultura Chacao (2003-2013)

Biography edit

In 1987, López began her artistic studies at the Federico Brandt Art Institute in Caracas. She obtained a BFA (1992) and an MFA (1994) Graduate Fellowship at the San Francisco Art Institute, where she studied with Tony Labat, Doug Hall and the writer Kathy Acker.

By 1995, López had obtained a scholarship from the CALARA Foundation to participate in the PS1 International Study Program, affiliated with the Museum of Modern Art in New York and there developed the photographic project El ojo de ...[6]

Aware of the local circumstances, López addresses social issues and turns an everyday object into an art object, such is the case of Muchacha, winner of the VII Edition of the Eugenio Mendoza Prize in 1994.[2][7] In 1996, she presented the solo exhibition Esto no es un martillo at Sala Mendoza in Caracas, with the photographic project El ojo de…

In 1997, she co-founded with the architect Carolina Tinoco "Espacio Local", an artist – run space in Caracas where emerging artists were shown. During the same year, she was invited to participate in La invención de la continuidad curated by Ariel Jiménez and Luis Pérez Oramas at The Venezuelan National Art Gallery (GAN). During this decade her work was included in various exhibitions in Venezuela, the United States and Canada. In 2005, her tapestry “Desaparecida” is presented at the group exhibition Jump Cuts, Banco Mercantil's Collection at the Americas Society in New York.[8] This exhibition was the largest exhibition of Venezuelan contemporary art in America in decades.[8]

In 2007, she participates in ID performance with the work A que le tienes miedo? (What are you afraid of?) In collaboration with the dance group Tránsito en Caracas. Later, with the same group, she presented Pintura de acción en dos tiempos (Two–stroke action paint) in Periférico Caracas, Los Galpones. In this performance López included bikers with their respective vehicles and three dancers with reduced mobility in wheelchairs, and had a juxtaposition of records: video; painting and drawing.[1]

Between 2006 and 2013, she was  the chair of the public foundation Cultura Chacao in Caracas. While there, López promoted a wide range of cultural programming strengthening the local identity. Some of the most popular events were the Festival Por el medio de la calle, the Festival de la Lectura and  Paseo Los Palos Grandes. Her main contribution was to lead the construction of public cultural infrastructure for the municipality, the Library of Los Palos Grandes in Caracas (2009) and the Chacao Theater (2011).[9][10]

In 2014, she published the book Claves Urbanas, where López summarizes her time at Cultura Chacao and details the urban reality of Caracas, the challenges that the city offers for its environment, from the point of view of culture, memory and sustainability.[11][12]

Exhibitions edit

Diana López's work has been exhibited individually and collectively in prestigious institutions in Latin America, the United States, Canada and Australia such as the MoMa PS1,[13] Anthology Film Archives in New York,[8] the Diego Rivera Gallery,[14] New Langton Arts of San Francisco, Track 16 Gallery of Los Angeles,[15] Art Metropole,[16] the Alejandro Otero Museum,[17] the Venezuelan National Art Gallery,[18] Sala Mendoza in Caracas,[19] the Jesús Soto Museum in Ciudad Bolivar, the MACZUL of Maracaibo,[20] the Lima Art Museum,[21] the MAC of Panama,[22] and the Centre for Contemporary Photography in Melbourne.[23]

Her work is documented in catalogs, dictionaries,[18] videos, PhDs thesis, and academic volumes.

Publications edit

  • Claves Urbanas, 2014
  • Arte tras las Rejas (Art behind bars), with Carlos Javier Arencibia, 2018[24][25]

Curatorship edit

  • XII Edition Eugenio Mendoza Award, 2013[26]

Awards edit

References edit

  1. ^ a b "EL APLAUSO (Notas sobre la performance artística)". tráfico visual (in Spanish). Retrieved May 3, 2020.
  2. ^ a b Guerrero Tejada, Jenny Marina. "La violencia como representación de "lo nacional" en el arte venezolano de la década de los 90". University of the Andes: 154.
  3. ^ "Centro Cultural Chacao | Teatro Chacao" (in European Spanish). Retrieved 2020-05-19.
  4. ^ "Cultura Chacao". Issuu (in Spanish). Retrieved 2020-05-22.
  5. ^ "Quienes Somos – Archivo Fotografía Urbana" (in Spanish). Archived from the original on May 19, 2020. Retrieved May 11, 2020.
  6. ^ "P.S.1 International Studio Program". Fundación Cultural Estilo (in Spanish). November 3, 2018. Retrieved May 3, 2020.
  7. ^ "E S T I L O – 30". Fundación Cultural Estilo (in Spanish). October 24, 2018. p. 77. Retrieved May 3, 2020.
  8. ^ a b c "Jump Cuts: Venezuela Contemporary Art from the Collection Mercantil". AS/COA. Retrieved May 3, 2020.
  9. ^ "Diana López: Los ciudadanos demandan acceso a la cultura". El Impulso (in Spanish). August 3, 2012. Retrieved May 3, 2020.
  10. ^ Flores, Tatiana (2008). The New Institutions of Bolivarian Venezuela.
  11. ^ "Ediciones B presenta el libro Claves Urbanas de Diana López". Revista Entre Rayas (in Spanish). Retrieved May 3, 2020.
  12. ^ "Claves Urbanas - César Miguel Rondón" (in Spanish). Retrieved May 3, 2020.
  13. ^ "National and International Studio Program | MoMA". The Museum of Modern Art. Retrieved 2020-05-21.
  14. ^ "Diego Rivera Gallery | SFAI". www.sfai.edu. Retrieved 2020-05-21.
  15. ^ "At the curve of the world : Mariana Botey, E.V. Day, Anne Fishbein and Laurie Dahlberg, Diana López, Gertrudis Rivalta, Elena del Rivero, Sandra Vivas / edited by Pilar Perez". Smithsonian Institution. Retrieved 2020-05-21.
  16. ^ "Art Metropole / Search Results". Art Metropole. Retrieved 2020-05-21.
  17. ^ "Espectros falocéntricos". Colección Patricia Phelps de Cisneros (in Spanish). 2016-10-19. Archived from the original on 2019-08-22. Retrieved 2020-05-21.
  18. ^ a b Diccionario biográfico de las artes visuales en Venezuela. Galería de Arte Nacional (Venezuela). Caracas: Fundación Galería de Arte Nacional. 2005. ISBN 980-6420-18-7. OCLC 62892594.{{cite book}}: CS1 maint: others (link)
  19. ^ "Fundación Sala Mendoza". Sala Mendoza (in Spanish). Retrieved 2020-05-21.
  20. ^ "Search Results for Ejes de libertad | Maczul" (in Spanish). Retrieved 2020-05-21.
  21. ^ "Diálogos (Museo Arte de Lima)". Colección Patricia Phelps de Cisneros (in Spanish). 2014-06-24. Archived from the original on 2021-09-16. Retrieved 2020-05-21.
  22. ^ "Referencias Cruzadas". MAC Panamá. Retrieved 2020-05-21.[permanent dead link]
  23. ^ "Dumb / Centre for Contemporary Photography". ccp.org.au. Archived from the original on 2020-03-30. Retrieved 2020-05-21.
  24. ^ "Diana López: el arte de reaccionar ante el horror". El Nacional (in Spanish). 2019-06-02. Retrieved 2020-05-19.
  25. ^ "Quiénes Somos – Acción por la Libertad" (in European Spanish). Retrieved 2020-05-19.
  26. ^ "Sala Mendoza da a conocer al ganador de la XII Edición Premio Eugenio Mendoza" (in Spanish). tráfico visual. Retrieved May 15, 2020.
  27. ^ "Premios Aica". Issoudun (in Spanish). p. 6. Retrieved May 4, 2020.
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