Anne Elizabeth Dunlop FAHA is a Canadian-born art historian. As of 2022 she is Herald Chair of Fine Art at the University of Melbourne.

Anne Dunlop
Academic background
EducationQueen's University at Kingston
University of British Columbia
Alma materUniversity of Warwick
ThesisAdvocata nostra: Central Italian paintings of Mary as the Second Eve, c.1335–c.1445 (1997)
Academic work
InstitutionsUniversity of Melbourne

Education edit

Dunlop graduated with a BA from Queen's University at Kingston in Canada. She next completed an MA at the University of British Columbia.[1] She moved to the University of Warwick in Coventry, England where she gained her PhD with a thesis titled "Advocata nostra: Central Italian paintings of Mary as the Second Eve, c.1335–c.1445".[2]

Career edit

In 2009–2010 Dunlop held a Hanna Kiel Fellowship at Villa I Tatti in Florence.[3] While at Tulane University in 2012–2013, she was a Samuel H. Kress senior fellow, focusing her research on "Castagno's Crime: Andrea del Castagno and Quattrocento Painting",[4] in preparation for publication of Andrea del Castagno and the Limits of Painting in 2015. From August to December 2016 she was Robert Lehman visiting professor at Villa I Tatti, where she conducted a survey of "The Golden Renaissance".[5]

Dunlop was elected a Fellow of the Australian Academy of the Humanities in 2019.[6] In the same year she was appointed to the advisory board of Melbourne University Publishing in the field of art history.[7]

In 2015 Dunlop was named Herald Chair of Fine Arts by the University of Melbourne.[8] She serves as an Australian national delegate to the International Congress of the History of Art.[9]

Selected publications edit

  • Bourdua, Louise; Dunlop, Anne, eds. (2007), Art and the Augustinian order in early Renaissance Italy, Ashgate, ISBN 978-1-315-26214-7
  • Dunlop, Anne (2009), Painted palaces: The rise of secular art in early Renaissance Italy, Pennsylvania State University Press, ISBN 978-0-271-03408-9
  • Dunlop, Anne (2015), Andrea del Castagno and the limits of painting, Harvey Miller Publishers, ISBN 978-1-909400-18-4
  • Anderson, Christy; Dunlop, Anne; Smith, Pamela H., eds. (31 December 2014), The matter of art: Materials, practices, cultural logics, c.1250-1750, Manchester University Press (published 2015), ISBN 978-0-7190-9060-8
  • Dunlop, Anne, ed. (2018), Antipodean early modern: European art in Australian collections, c. 1200–1600, Amsterdam University Press, ISBN 978-90-485-3623-8

References edit

  1. ^ "Prof Anne Dunlop". findanexpert.unimelb.edu.au. Retrieved 25 January 2022.
  2. ^ Dunlop, Anne Elizabeth (1997). Advocata nostra: Central Italian paintings of Mary as the Second Eve, c.1335–c.1445 (Ph.D. thesis). University of Warwick.
  3. ^ "Anne Dunlop". I Tatti | The Harvard University Center for Italian Renaissance Studies. Retrieved 25 January 2022.
  4. ^ "National Gallery of Art Center for Advanced Study in the Visual Arts Announces 2012–2013 Appointments". ArtfixDaily. 12 September 2012. Retrieved 25 January 2022.
  5. ^ "I Tatti Appointees 1961–2021" (PDF). Villa I Tatti, The Harvard University Center for Italian Renaissance Studies. Retrieved 25 January 2022.
  6. ^ "Fellow: Anne Dunlop". Australian Academy of the Humanities. Retrieved 25 January 2022.
  7. ^ "MUP appoints new directors, editorial advisory board". Books+Publishing. 14 March 2019. Retrieved 25 January 2022.
  8. ^ "Professor Anne Dunlop, University of Melbourne, Free Public Lecture". Australian and New Zealand Association for Medieval and Early Modern Studies. 29 April 2016. Retrieved 29 January 2022.
  9. ^ "Professor Anne Dunlop". The University of Melbourne: Centre of Visual Art. 30 November 2018. Retrieved 25 January 2022.