Aimée Daniell Beringer (1856 – February 17, 1936) billed professionally as Mrs. Oscar Beringer, was an American-born playwright, theatrical manager, novelist, and commentator, based in London.
Early life edit
Aimée Daniell was born in Philadelphia, Pennsylvania, the daughter of Edward Lynch Daniell.[1] Her parents were English, and she moved to Mexico as a child, and to England to live at age 15.[2]
Career edit
In 1896, To-day magazine described Aimée Daniell Beringer as "one of the most popular personalities in literary and theatrical Bohemia."[3] Beringer was manager of the Opera Comique Theatre in London.[4] Plays by Beringer included Tares: A Social Problem (1888), Katherine Kavenagh, The Prince and the Pauper (1890, adapted from the Mark Twain book), That Girl (1890, adapted from a story by Clementina Black), Holly Tree Inn (1891, 1902; an adaptation of a Charles Dickens story), Bess (1891, 1893), Salve (1895), A Bit of Old Chelsea (1897, 1898, 1902), My Lady's Orchard (1897), The Plot of His Story (1899-1901), Jim Belmont (1901), and The Agitator (1907-1908).[5][6][7] She also wrote novels, including Beloved of the Gods (After the Danish) (1883),[8] A Left-Handed Marriage (1886)[9] and The New Virtue (1896).[10][11]
She was one of the commenters in The Idler's "The Idlers' Club," along with Eliza Lynn Linton, Evelyn Sharp, Arabella Kenealy, Fred Whishaw, Ella Hepworth Dixon, Jerome K. Jerome, Robert Blatchford, George Bernard Shaw, and other literary figures.[12] The monthly panel discussed such topics such as early marriage ("Youth is a very charming and enviable possession, but none will deny that it is imperious, exacting, and egotistic", she opined) and "At What Age is Man Most Attractive to Woman?" (Beringer began her response to this subject with "This is a very distracting question.")[13][14]
Personal life edit
Aimée Daniell married the pianist Oscar Beringer in 1873.[1] Among their five children were actresses Esme Beringer and Vera Beringer, who both appeared in productions of their mother's plays.[15] Her son Guy Beringer was a journalist. She was widowed in 1922, and died in 1936, aged 79 years, at a nursing home in Bournemouth.[16]
References edit
- ^ a b John Parker, Who's Who in the Theatre (Small, Maynard and Company 1925): 76.
- ^ "Mrs. Oscar Beringer" The Bystander (July 5, 1905): 39.
- ^ "Mrs. Oscar Beringer" To-day (May 23, 1896): 69.
- ^ "Opera Comique Theatre", The Morning Post (January 22, 1889): 3. via Newspapers.com
- ^ Katherine Newey, "Feminist Historiography and Ethics: A Case Study from Victorian Britain" in Claire Cochrane, eds., Theatre History and Historiography: Ethics, Evidence and Truth (Springer 2016): 93-95. ISBN 9781137457288
- ^ J. P. Wearing, The London Stage 1890-1899: A Calendar of Productions, Performers, and Personnel (Scarecrow Press 2013): 32, 51, 172, 337, 433. ISBN 9780810892828
- ^ J. P. Wearing, The London Stage 1900-1909: A Calendar of Productions, Performer, and Personnel (Scarecrow Press 2013): 36, 91, 95, 382. ISBN 9780810892941
- ^ Mrs. Oscar Beringer, Beloved of the Gods (After the Danish) (Remington & Co. 1883).
- ^ "Belles Lettres" The Westminster Review (1886): 297.
- ^ "A New Woman Has Discovered a New Virtue" The Journal (June 21, 1896): 30.
- ^ "The Book and Its Story" The Sketch (May 13, 1896): 106.
- ^ "Index" Idler Magazine (1897): iii.
- ^ "The Idlers' Club: Mrs. Oscar Beringer Blushes" Idler Magazine (August 1897): 138-139.
- ^ "Idlers' Club: Mrs. Oscar Beringer Thinks the Girl Should Be a Woman" Idler Magazine (October 1897): 422-423.
- ^ "Miss Vera Beringer" The Era Annual (1897): 29.
- ^ "Mrs. Beringer Dies; Former Dramatist" New York Times (February 18, 1936): 24.
