Heitor Villa-Lobos's Étude No. 5, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953.
History edit
The autograph manuscript of Etude No. 5, held by the Yale University Library, is dated 1929, France, and is dedicated to Andrés Segovia.[1]
Structure edit
Analysis edit
Étude No. 5 is a contrapuntal study. The deliberately monotonous accompaniment in broken thirds contrasts with the melody, played on the treble strings.[2]
References edit
- ^ Villa-Lobos, sua obra 1989.
- ^ a b Santos 1985, p. 24.
Cited sources edit
- Santos, Turibio. 1985. Heitor Villa-Lobos and the Guitar, translated by Victoria Ford and Graham Wade. Gurtnacloona, Bantry: Wise Owl Music.
- Villa-Lobos, sua obra. 1989. Third edition. Rio de Janeiro: MinC-SPHAN/Pró-Memória, Museu Villa-Lobos. Online edition, 2009
Further reading edit
- Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN 0-19-315476-5 (cloth); ISBN 0-19-315475-7 (pbk).