Portal:India

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India, officially the Republic of India (ISO: Bhārat Gaṇarājya), is a country in South Asia. It is the seventh-largest country by area; the most populous country as of June 2023; and from the time of its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 6 Dostana (transl. Friendship) is a 2008 Indian Hindi-language romantic comedy film directed by Tarun Mansukhani and produced by Dharma Productions. The film stars Abhishek Bachchan, John Abraham and Priyanka Chopra in lead roles. Set in Miami, the films follows two men who pretend to be gay to share an apartment with a girl; eventually, both fall in love with her. Mansukhani conceived the film as a tale of 3 friends living together, drawing inspiration by his own experience. Wanting to add something different to the script, he later decided to introduce homosexuality, which he thought was unexplored by Indian films, to shed light on the issue for the Indian audience. Manish Malhotra designed Chopra's costumes, and Aki Narula designed costumes for the rest of the cast. The soundtrack was composed by Vishal–Shekhar; Kumaar and Vishal Dadlani wrote its lyrics, while Salim–Sulaiman composed the background score. Principal photography took place in Miami, Florida over a two-month period in the first half of 2008. Dostana was the first mainstream Indian film with a gay element and has been credited for exploring a topic largely ignored by Hindi cinema. (Full article...)
    Dostana (transl.Friendship) is a 2008 Indian Hindi-language romantic comedy film directed by Tarun Mansukhani and produced by Dharma Productions. The film stars Abhishek Bachchan, John Abraham and Priyanka Chopra in lead roles. Set in Miami, the films follows two men who pretend to be gay to share an apartment with a girl; eventually, both fall in love with her.

    Mansukhani conceived the film as a tale of 3 friends living together, drawing inspiration by his own experience. Wanting to add something different to the script, he later decided to introduce homosexuality, which he thought was unexplored by Indian films, to shed light on the issue for the Indian audience. Manish Malhotra designed Chopra's costumes, and Aki Narula designed costumes for the rest of the cast. The soundtrack was composed by Vishal–Shekhar; Kumaar and Vishal Dadlani wrote its lyrics, while Salim–Sulaiman composed the background score. Principal photography took place in Miami, Florida over a two-month period in the first half of 2008. Dostana was the first mainstream Indian film with a gay element and has been credited for exploring a topic largely ignored by Hindi cinema. (Full article...)
  • Image 7 The Transgender Persons (Protection of Rights) Act, 2019 is an act of the Parliament of India with the objective to provide for protection of rights of transgender people, their welfare, and other related matters. The act was introduced in the Lok Sabha, the lower house of the Parliament, on 19 July 2019 by the Minister of Social Justice and Empowerment, Thawar Chand Gehlot, in light of the lapse of the Transgender Persons (Protection of Rights) Bill, 2018 (Bill No. 210-C of 2016). The 2019 act and the immediately preceding 2018 bill, were both preceded by a 2016 version. They were met with protests and criticism by some transgender people, lawyers, and activists in India. The 2016 bill was sent to a standing committee which submitted its report in July 2017. Following this, the Lok Sabha tabled and passed a newer version of the bill in December 2018. However, it did not incorporate many of the committee's recommendations. Although members of the opposition criticised the 2019 act and assured activists that they would not vote in favour of it, it was passed by the Lok Sabha on 5 August 2019 and by the Rajya Sabha, the upper house of the Parliament, on 26 November 2019. The president assented to it on 5 December 2019, upon which the act was published in the Gazette of India. It has been in effect since 10 January 2020 following a notification of the same in the Gazette on the same day. Following protests by the queer community against the 2016 and 2018 bills, the 2019 act has done away with few of the severely criticised provisions of the 2018 bill, such as the criminalisation of begging and the establishment of a district screening committee to process applications for issuance of transgender person certificates. However, it fails to incorporate yet other principles in line with the Supreme Court judgment in National Legal Services Authority v. Union of India (NALSA v. UOI) in 2014, such as the right of transgender people to declare their self-perceived gender identity without undergoing sex reassignment surgery, and reservations in jobs and educational institutions. The act has also been criticised for imposing less punishment for crimes against transgender people compared with punishment for crimes against cisgender people. On 27 January 2020, the Supreme Court issued a notice to the central government in a petition challenging the constitutionality of the act. (Full article...)
    The Transgender Persons (Protection of Rights) Act, 2019 is an act of the Parliament of India with the objective to provide for protection of rights of transgender people, their welfare, and other related matters. The act was introduced in the Lok Sabha, the lower house of the Parliament, on 19 July 2019 by the Minister of Social Justice and Empowerment, Thawar Chand Gehlot, in light of the lapse of the Transgender Persons (Protection of Rights) Bill, 2018 (Bill No. 210-C of 2016). The 2019 act and the immediately preceding 2018 bill, were both preceded by a 2016 version. They were met with protests and criticism by some transgender people, lawyers, and activists in India. The 2016 bill was sent to a standing committee which submitted its report in July 2017. Following this, the Lok Sabha tabled and passed a newer version of the bill in December 2018. However, it did not incorporate many of the committee's recommendations. Although members of the opposition criticised the 2019 act and assured activists that they would not vote in favour of it, it was passed by the Lok Sabha on 5 August 2019 and by the Rajya Sabha, the upper house of the Parliament, on 26 November 2019. The president assented to it on 5 December 2019, upon which the act was published in the Gazette of India. It has been in effect since 10 January 2020 following a notification of the same in the Gazette on the same day.

    Following protests by the queer community against the 2016 and 2018 bills, the 2019 act has done away with few of the severely criticised provisions of the 2018 bill, such as the criminalisation of begging and the establishment of a district screening committee to process applications for issuance of transgender person certificates. However, it fails to incorporate yet other principles in line with the Supreme Court judgment in National Legal Services Authority v. Union of India (NALSA v. UOI) in 2014, such as the right of transgender people to declare their self-perceived gender identity without undergoing sex reassignment surgery, and reservations in jobs and educational institutions. The act has also been criticised for imposing less punishment for crimes against transgender people compared with punishment for crimes against cisgender people. On 27 January 2020, the Supreme Court issued a notice to the central government in a petition challenging the constitutionality of the act. (Full article...)
  • Image 8 Once Upon ay Time in Mumbai Dobaara! (transl. Once upon a time in Mumbai again; Hindi pronunciation: [doːbaːra]) is a 2013 Indian Hindi-language gangster film directed by Milan Luthria and produced by Ekta Kapoor and Shobha Kapoor. A sequel to 2010's Once Upon a Time in Mumbaai, the film stars Akshay Kumar, Imran Khan and Sonakshi Sinha, with Sonali Bendre in a special appearance. The film's title is an intentional misspelling of "Once upon a time in Mumbai Dobaara", done in accordance with Ekta's belief in numerology and astrology. Filming began on 27 August 2012 in Mumbai, with filming moving to Oman in September, becoming the first major Indian production filmed in the sultanate. Footage was shot in beach in Qantab, Qurum, and at the Shangri-La's Barr Al Jissah Resort & Spa in Muscat. The film's visual effects (VFX) were by Reliance MediaWorks, and a team of 40 artists augmented 600 digital shots in one month. The live action sequences were filmed with RED and Arri's Alexa digital motion-picture camera. Once Upon ay Time in Mumbai Dobaara! was well-promoted, and the film's second trailer was shown on prime-time slots on four television channels. Hollywood actor Al Pacino was shown the theatrical trailer of the film. (Full article...)
    Once Upon ay Time in Mumbai Dobaara! (transl. Once upon a time in Mumbai again; Hindi pronunciation: [doːbaːra]) is a 2013 Indian Hindi-language gangster film directed by Milan Luthria and produced by Ekta Kapoor and Shobha Kapoor. A sequel to 2010's Once Upon a Time in Mumbaai, the film stars Akshay Kumar, Imran Khan and Sonakshi Sinha, with Sonali Bendre in a special appearance. The film's title is an intentional misspelling of "Once upon a time in Mumbai Dobaara", done in accordance with Ekta's belief in numerology and astrology.

    Filming began on 27 August 2012 in Mumbai, with filming moving to Oman in September, becoming the first major Indian production filmed in the sultanate. Footage was shot in beach in Qantab, Qurum, and at the Shangri-La's Barr Al Jissah Resort & Spa in Muscat. The film's visual effects (VFX) were by Reliance MediaWorks, and a team of 40 artists augmented 600 digital shots in one month. The live action sequences were filmed with RED and Arri's Alexa digital motion-picture camera. Once Upon ay Time in Mumbai Dobaara! was well-promoted, and the film's second trailer was shown on prime-time slots on four television channels. Hollywood actor Al Pacino was shown the theatrical trailer of the film. (Full article...)
  • Image 9 Divya Bharti (Hindi pronunciation: [dɪʋjaː bʱaːrtiː]; 25 February 1974 – 5 April 1993) was an Indian actress who worked predominantly in Telugu and Hindi films. One of India's highest-paid actresses of her time, she was noted for her acting versatility and beauty, and is the recipient of a Filmfare Award and a Nandi Award. Bharti started her film career as a teenager, while she was doing pin-up modeling assignments. She made her debut with a lead role opposite Venkatesh in the Telugu-language romantic action Bobbili Raja (1990), and subsequently appeared in a financially unsuccessful Tamil-language film Nila Pennae (1990). In films like Naa Ille Naa Swargam (1991) and Assembly Rowdy (1991) she had minor roles. Bharti had her first commercial success with the Telugu romantic comedy Rowdy Alludu (1991). (Full article...)

    Divya Bharti (Hindi pronunciation: [dɪʋjaː bʱaːrtiː]; 25 February 1974 – 5 April 1993) was an Indian actress who worked predominantly in Telugu and Hindi films. One of India's highest-paid actresses of her time, she was noted for her acting versatility and beauty, and is the recipient of a Filmfare Award and a Nandi Award.

    Bharti started her film career as a teenager, while she was doing pin-up modeling assignments. She made her debut with a lead role opposite Venkatesh in the Telugu-language romantic action Bobbili Raja (1990), and subsequently appeared in a financially unsuccessful Tamil-language film Nila Pennae (1990). In films like Naa Ille Naa Swargam (1991) and Assembly Rowdy (1991) she had minor roles. Bharti had her first commercial success with the Telugu romantic comedy Rowdy Alludu (1991). (Full article...)
  • Image 10 Rang De Basanti is a 2006 Indian Hindi-language epic drama film written, produced, and directed by Rakeysh Omprakash Mehra. The film stars an ensemble cast including Aamir Khan, Siddharth (in his Hindi debut), Atul Kulkarni, Sharman Joshi, Kunal Kapoor, British Actress Alice Patten (in her Hindi debut), and Soha Ali Khan. It follows a British film student traveling to India to document the story of five freedom fighters of the Indian revolutionary movement. She befriends and casts five young men in the film, which inspires them to fight against the evils of their own present-day government. Shot primarily in New Delhi, Rang De Basanti was released globally on 26 January 2006. Upon release, the film broke all opening box office records in India, becoming the country's highest-grossing film in its opening weekend and holding the highest opening-day collections for a Hindi film. It received critical acclaim, winning the National Film Award for Best Popular Film, and being nominated for Best Foreign Language Film at the 2007 BAFTA Awards. The film was chosen as India's official entry for the Golden Globe Awards and the Academy Awards in the Best Foreign Language Film category, though it did not ultimately yield a nomination for either award. A. R. Rahman's soundtrack, which earned positive reviews, had two of its tracks considered for an Academy Award nomination. (Full article...)
    Rang De Basanti is a 2006 Indian Hindi-language epic drama film written, produced, and directed by Rakeysh Omprakash Mehra. The film stars an ensemble cast including Aamir Khan, Siddharth (in his Hindi debut), Atul Kulkarni, Sharman Joshi, Kunal Kapoor, British Actress Alice Patten (in her Hindi debut), and Soha Ali Khan. It follows a British film student traveling to India to document the story of five freedom fighters of the Indian revolutionary movement. She befriends and casts five young men in the film, which inspires them to fight against the evils of their own present-day government.

    Shot primarily in New Delhi, Rang De Basanti was released globally on 26 January 2006. Upon release, the film broke all opening box office records in India, becoming the country's highest-grossing film in its opening weekend and holding the highest opening-day collections for a Hindi film. It received critical acclaim, winning the National Film Award for Best Popular Film, and being nominated for Best Foreign Language Film at the 2007 BAFTA Awards. The film was chosen as India's official entry for the Golden Globe Awards and the Academy Awards in the Best Foreign Language Film category, though it did not ultimately yield a nomination for either award. A. R. Rahman's soundtrack, which earned positive reviews, had two of its tracks considered for an Academy Award nomination. (Full article...)
  • Image 11 Nuggehalli Raghuveer Moudgal (4 March 1931 – 8 May 2011) was an Indian reproductive biologist, endocrinologist and the chairman of the Department of Biochemistry and dean of Faculty of Science at the Indian Institute of Science. He was known for his pioneering researches on gonadotropin and was an elected fellow of the Indian Academy of Sciences and the Indian National Science Academy. He was an associate of noted scientists, Choh Hao Li and Rodney Robert Porter and discovered the role of hormones in generating immune response in living beings, during his association with the former. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards for his contributions to Medical Sciences in 1976. (Full article...)
    Nuggehalli Raghuveer Moudgal (4 March 1931 – 8 May 2011) was an Indian reproductive biologist, endocrinologist and the chairman of the Department of Biochemistry and dean of Faculty of Science at the Indian Institute of Science. He was known for his pioneering researches on gonadotropin and was an elected fellow of the Indian Academy of Sciences and the Indian National Science Academy. He was an associate of noted scientists, Choh Hao Li and Rodney Robert Porter and discovered the role of hormones in generating immune response in living beings, during his association with the former. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards for his contributions to Medical Sciences in 1976. (Full article...)
  • Image 12 The Ross Island Prison Headquarters, 1872 Ross Island Penal Colony was a convict settlement that was established in 1858 in the remote Andaman Islands by the British colonial government in India, primarily to jail a large number of prisoners from the Indian Rebellion of 1857, also known as the Indian Mutiny. With the establishment of the penal colony at Ross Island, the British administration made it the administrative headquarters for the entire group of Andaman and Nicobar Islands and built bungalows and other facilities on the site. This colony was meant as "manageable models of colonial governance and rehabilitation". The Chief Commissioner's residence was located at the highest point on the island. Over time, several other islands including Chatham and Viper were used for the penal colony. The penal colony became infamous as "Kalapani" or "black water" for the brutalities inflicted by the British authorities on the political prisoners from India, and most of whom had died by 1860 due to illness and torture suffered during the initial stages of the clearance of the forest to establish the colony. In later years the colony experimented for a short time with civilizing the indigenous people of Andamans. The penal colony was used as an experimental station for various methods of torture and medical tests During World War II, the island was invaded by the Japanese army, forcing the British to evacuate. The administrative buildings were destroyed but the penal colony remained. After the Allied forces reoccupied the island the penal colony was disbanded on 7 October 1945. (Full article...)
    The Ross Island Prison Headquarters, 1872

    Ross Island Penal Colony was a convict settlement that was established in 1858 in the remote Andaman Islands by the British colonial government in India, primarily to jail a large number of prisoners from the Indian Rebellion of 1857, also known as the Indian Mutiny. With the establishment of the penal colony at Ross Island, the British administration made it the administrative headquarters for the entire group of Andaman and Nicobar Islands and built bungalows and other facilities on the site. This colony was meant as "manageable models of colonial governance and rehabilitation". The Chief Commissioner's residence was located at the highest point on the island. Over time, several other islands including Chatham and Viper were used for the penal colony.

    The penal colony became infamous as "Kalapani" or "black water" for the brutalities inflicted by the British authorities on the political prisoners from India, and most of whom had died by 1860 due to illness and torture suffered during the initial stages of the clearance of the forest to establish the colony. In later years the colony experimented for a short time with civilizing the indigenous people of Andamans. The penal colony was used as an experimental station for various methods of torture and medical tests During World War II, the island was invaded by the Japanese army, forcing the British to evacuate. The administrative buildings were destroyed but the penal colony remained. After the Allied forces reoccupied the island the penal colony was disbanded on 7 October 1945. (Full article...)
  • Image 13 Maharaj Kumar Hitendra Singh Narayan (1 July 1890 – 7 November 1920), commonly anglicised as Prince Hitendra Narayan, played first-class cricket for Somerset in 1909 and 1910. He later played in first-class matches for teams brought together by his brother, the Maharaja of Cooch Behar. Known variously in his cricket career as "Kumar Narayan" or "Hitendra Narayan", he was educated at Eton College and Cambridge University and was a forceful right-handed batsman. His four first-class matches for Somerset in 1909 and 1910 were not successful, with a top score of just 16 in his first game, against the 1909 Australians. In 1918, he played three matches for his brother's scratch side against teams composed largely of expatriate Englishmen. The matches have first-class status although all three were of only two-days' duration; Narayan was not successful in any of them as a batsman. (Full article...)
    Maharaj Kumar Hitendra Singh Narayan (1 July 1890 – 7 November 1920), commonly anglicised as Prince Hitendra Narayan, played first-class cricket for Somerset in 1909 and 1910. He later played in first-class matches for teams brought together by his brother, the Maharaja of Cooch Behar.

    Known variously in his cricket career as "Kumar Narayan" or "Hitendra Narayan", he was educated at Eton College and Cambridge University and was a forceful right-handed batsman. His four first-class matches for Somerset in 1909 and 1910 were not successful, with a top score of just 16 in his first game, against the 1909 Australians. In 1918, he played three matches for his brother's scratch side against teams composed largely of expatriate Englishmen. The matches have first-class status although all three were of only two-days' duration; Narayan was not successful in any of them as a batsman. (Full article...)
  • Image 14 Bommarillu (transl. Toy House) (pronunciation) is a 2006 Indian Telugu-language romantic comedy family drama film directed and co-written by Bhaskar in his directorial debut, and produced by Dil Raju. The film stars Siddharth, Genelia, Prakash Raj and Jayasudha. The film primarily revolves around the relationship between a father and son, in which the father's excessive concern for his son, and interference in his life, leads to the latter harbouring bitterness towards his overbearing father. The cinematography was handled by Vijay C Chakravarthy and editing done by Marthand K. Venkatesh. The music for the film was composed by Devi Sri Prasad, whose soundtrack of the film received positive reviews from critics. The film opened to Indian audiences on 9 August 2006. On its way to winning state honours and rave reviews, the film went on to win several Filmfare Awards among other prominent awards and was one of the highest grossing Telugu films of that year. Following the film's box office success, it was remade in Tamil as Santosh Subramaniam (2008), in Bengali as Bhalobasa Bhalobasa (2008), in Odia as Dream Girl (2009), and in Hindi as It's My Life (2020). (Full article...)
    Bommarillu (transl. Toy House) (pronunciation) is a 2006 Indian Telugu-language romantic comedy family drama film directed and co-written by Bhaskar in his directorial debut, and produced by Dil Raju. The film stars Siddharth, Genelia, Prakash Raj and Jayasudha. The film primarily revolves around the relationship between a father and son, in which the father's excessive concern for his son, and interference in his life, leads to the latter harbouring bitterness towards his overbearing father. The cinematography was handled by Vijay C Chakravarthy and editing done by Marthand K. Venkatesh. The music for the film was composed by Devi Sri Prasad, whose soundtrack of the film received positive reviews from critics.

    The film opened to Indian audiences on 9 August 2006. On its way to winning state honours and rave reviews, the film went on to win several Filmfare Awards among other prominent awards and was one of the highest grossing Telugu films of that year. Following the film's box office success, it was remade in Tamil as Santosh Subramaniam (2008), in Bengali as Bhalobasa Bhalobasa (2008), in Odia as Dream Girl (2009), and in Hindi as It's My Life (2020). (Full article...)
  • Image 15 Dear Zindagi (transl. Dear life) is a 2016 Indian Hindi-language coming-of-age comedy drama film written and directed by Gauri Shinde. It was produced by Gauri Khan, Karan Johar, and Shinde under the banners of Red Chillies Entertainment, Dharma Productions, and Hope Productions, respectively. The film stars Alia Bhatt and Shah Rukh Khan in the lead roles with Ira Dubey, Kunal Kapoor, Angad Bedi, Ali Zafar, Yashaswini Dayama and debutant Rohit Suresh Saraf in supporting roles. The plot centres on a budding cinematographer who is discontented with her life and meets a free-spirited psychologist who helps her to gain a new perspective on her life. Development of the film began in 2015, when Shinde signed Bhatt and Khan for a film to be made under her banner. Principal photography took place in Goa and Mumbai, in the period from 21 January to 20 May 2016. The film features a score composed by Amit Trivedi and lyrics written mostly by Kausar Munir. (Full article...)
    Dear Zindagi (transl. Dear life) is a 2016 Indian Hindi-language coming-of-age comedy drama film written and directed by Gauri Shinde. It was produced by Gauri Khan, Karan Johar, and Shinde under the banners of Red Chillies Entertainment, Dharma Productions, and Hope Productions, respectively. The film stars Alia Bhatt and Shah Rukh Khan in the lead roles with Ira Dubey, Kunal Kapoor, Angad Bedi, Ali Zafar, Yashaswini Dayama and debutant Rohit Suresh Saraf in supporting roles. The plot centres on a budding cinematographer who is discontented with her life and meets a free-spirited psychologist who helps her to gain a new perspective on her life.

    Development of the film began in 2015, when Shinde signed Bhatt and Khan for a film to be made under her banner. Principal photography took place in Goa and Mumbai, in the period from 21 January to 20 May 2016. The film features a score composed by Amit Trivedi and lyrics written mostly by Kausar Munir. (Full article...)
  • Image 16 The Alchon Huns, (Bactrian: αλχον(ν)ο Alkhon(n)o or αλχαν(ν)ο Alkhan(n)o) also known as the Alkhan, Alchono, Alxon, Alkhon, Alakhana, and Walxon, were a nomadic people who established states in Central Asia and South Asia during the 4th and 6th centuries CE. They were first mentioned as being located in Paropamisus, and later expanded south-east, into the Punjab and Central India, as far as Eran and Kausambi. The Alchon invasion of the Indian subcontinent eradicated the Kidarite Huns who had preceded them by about a century, and contributed to the fall of the Gupta Empire, in a sense bringing an end to Classical India. The invasion of India by the Huna peoples follows invasions of the subcontinent in the preceding centuries by the Yavana (Indo-Greeks), the Saka (Indo-Scythians), the Pahlava (Indo-Parthians), and the Kushana (Yuezhi). The Alchon Empire was the second of four major Huna states established in Central and South Asia. The Alchon were preceded by the Kidarites and succeeded by the Hephthalites in Bactria and the Nezak Huns in the Hindu Kush. The names of the Alchon kings are known from their extensive coinage, Buddhist accounts, and a number of commemorative inscriptions throughout the Indian subcontinent. (Full article...)

    The Alchon Huns, (Bactrian: αλχον(ν)ο Alkhon(n)o or αλχαν(ν)ο Alkhan(n)o) also known as the Alkhan, Alchono, Alxon, Alkhon, Alakhana, and Walxon, were a nomadic people who established states in Central Asia and South Asia during the 4th and 6th centuries CE. They were first mentioned as being located in Paropamisus, and later expanded south-east, into the Punjab and Central India, as far as Eran and Kausambi. The Alchon invasion of the Indian subcontinent eradicated the Kidarite Huns who had preceded them by about a century, and contributed to the fall of the Gupta Empire, in a sense bringing an end to Classical India.

    The invasion of India by the Huna peoples follows invasions of the subcontinent in the preceding centuries by the Yavana (Indo-Greeks), the Saka (Indo-Scythians), the Pahlava (Indo-Parthians), and the Kushana (Yuezhi). The Alchon Empire was the second of four major Huna states established in Central and South Asia. The Alchon were preceded by the Kidarites and succeeded by the Hephthalites in Bactria and the Nezak Huns in the Hindu Kush. The names of the Alchon kings are known from their extensive coinage, Buddhist accounts, and a number of commemorative inscriptions throughout the Indian subcontinent. (Full article...)
  • Image 17 Shaheen Bagh women protesters blocking a major road (Road 13A GD Birla Marg, Shaheen Bagh - Kalindi Kunj area) in New Delhi The Shaheen Bagh protest was a peaceful sit-in protest in Delhi, India, that began on 15 December 2019 and lasted until 24 March 2020. The protest was led by women who blocked a major road at Shaheen Bagh using non-violent resistance 24×7. Mainly consisting of Muslim women, the protest began in response to the passage of the Citizenship (Amendment) Act (CAA) on 11 December 2019 and the ensuing police intervention against students at Jamia Millia Islamia who were opposing the Amendment. Protesters agitated against the citizenship issues of the CAA, National Register of Citizens (NRC) and National Population Register (NPR), in addition to police brutality, unemployment, and poverty, and for women's safety. The Delhi Police barricaded major roads in and around the area, affecting more than 100,000 vehicles a day and adding hours to some journeys. Following the North East Delhi riots, police presence in the area temporarily increased with over 1000 personnel being assigned to Shaheen Bagh. After the COVID-19 outbreak in India and subsequent government-enforced restrictions the protest continued for several days in a more controlled manner. Following the complete lockdown imposed in Delhi on 23 March 2020, the remaining protesters were arrested or forcefully removed from the site by the Delhi Police. The barricaded and tented venue drew large crowds with tens of thousands of protesters participating. Some days saw over 150,000 at the venue. The protest inspired similar copycat protests across the country, such as those in Gaya, Kolkata, Prayagraj, Mumbai and Bengaluru. The leaderless protest became politicized and was generally against the Bharatiya Janata Party (BJP) government. The blockade became a campaign issue in the 2020 Delhi Legislative Assembly elections, especially for the BJP. BJP's campaign was negative towards the Shaheen Bagh protests with a number of campaigners making controversial statements such as "goli maaro" (English: Shoot them). Some BJP campaigners promised to immediately remove the blockade after being voted into power and were accused by their opponents of prolonging the demonstration to agitate voters. BJP won an extra six seats as compared to the last election while Aam Aadmi Party retained a clear majority with 62 seats. (Full article...)

    Shaheen Bagh women protesters blocking a major road (Road 13A GD Birla Marg, Shaheen Bagh - Kalindi Kunj area) in New Delhi

    The Shaheen Bagh protest was a peaceful sit-in protest in Delhi, India, that began on 15 December 2019 and lasted until 24 March 2020. The protest was led by women who blocked a major road at Shaheen Bagh using non-violent resistance 24×7. Mainly consisting of Muslim women, the protest began in response to the passage of the Citizenship (Amendment) Act (CAA) on 11 December 2019 and the ensuing police intervention against students at Jamia Millia Islamia who were opposing the Amendment. Protesters agitated against the citizenship issues of the CAA, National Register of Citizens (NRC) and National Population Register (NPR), in addition to police brutality, unemployment, and poverty, and for women's safety. The Delhi Police barricaded major roads in and around the area, affecting more than 100,000 vehicles a day and adding hours to some journeys. Following the North East Delhi riots, police presence in the area temporarily increased with over 1000 personnel being assigned to Shaheen Bagh. After the COVID-19 outbreak in India and subsequent government-enforced restrictions the protest continued for several days in a more controlled manner. Following the complete lockdown imposed in Delhi on 23 March 2020, the remaining protesters were arrested or forcefully removed from the site by the Delhi Police.

    The barricaded and tented venue drew large crowds with tens of thousands of protesters participating. Some days saw over 150,000 at the venue. The protest inspired similar copycat protests across the country, such as those in Gaya, Kolkata, Prayagraj, Mumbai and Bengaluru. The leaderless protest became politicized and was generally against the Bharatiya Janata Party (BJP) government. The blockade became a campaign issue in the 2020 Delhi Legislative Assembly elections, especially for the BJP. BJP's campaign was negative towards the Shaheen Bagh protests with a number of campaigners making controversial statements such as "goli maaro" (English: Shoot them). Some BJP campaigners promised to immediately remove the blockade after being voted into power and were accused by their opponents of prolonging the demonstration to agitate voters. BJP won an extra six seats as compared to the last election while Aam Aadmi Party retained a clear majority with 62 seats. (Full article...)
  • Image 18 Neila Sathyalingam (8 February 1938 – 9 March 2017) was a Singaporean classical Indian dancer, choreographer and instructor of Sri Lankan Tamil origin. An alumna of Kalakshetra in Madras (now Chennai) under the tutelage of Srimathi Rukmini Devi Arundale, she emigrated with her family to Singapore in 1974. In 1977 she and her husband founded the performance arts company Apsaras Arts, which has staged performances throughout the world. She was the company's artistic director and continued to teach dance. In 1983, Neila was appointed the dance instructor and choreographer for the Indian Dance Group of the People's Association (PA)—a state board in Singapore—where she remained a resident choreographer. She was also an artistic adviser to Singapore's National Arts Council. For her contributions to dance, Neila was awarded the Singaporean Cultural Medallion in 1989. She became a Singapore citizen in 1994. (Full article...)
    Neila Sathyalingam (8 February 1938 – 9 March 2017) was a Singaporean classical Indian dancer, choreographer and instructor of Sri Lankan Tamil origin. An alumna of Kalakshetra in Madras (now Chennai) under the tutelage of Srimathi Rukmini Devi Arundale, she emigrated with her family to Singapore in 1974. In 1977 she and her husband founded the performance arts company Apsaras Arts, which has staged performances throughout the world. She was the company's artistic director and continued to teach dance.

    In 1983, Neila was appointed the dance instructor and choreographer for the Indian Dance Group of the People's Association (PA)—a state board in Singapore—where she remained a resident choreographer. She was also an artistic adviser to Singapore's National Arts Council. For her contributions to dance, Neila was awarded the Singaporean Cultural Medallion in 1989. She became a Singapore citizen in 1994. (Full article...)
  • Image 19 1990 Andhra Pradesh cyclone The 1990 Andhra Pradesh cyclone was the worst disaster to affect Southern India since the 1977 Andhra Pradesh cyclone. The system was first noted as a depression on 4 May 1990, while it was located over the Bay of Bengal about 600 km (375 mi) to the southeast of Chennai, India. During the next day the depression intensified into a cyclonic storm and started to intensify rapidly, becoming a super cyclonic storm early on 8 May. The cyclone weakened slightly before it made landfall on India about 300 km (190 mi) to the north of Madras in the Andhra Pradesh state as a very severe cyclonic storm with winds of 165 km/h (105 mph). While over land the cyclone gradually dissipated. The cyclone had a severe impact on India, with over 967 people reported to have been killed. Over 100,000 animals also died in the cyclone with the total cost of damages to crops estimated at over $600 million (1990 USD). (Full article...)

    1990 Andhra Pradesh cyclone

    The 1990 Andhra Pradesh cyclone was the worst disaster to affect Southern India since the 1977 Andhra Pradesh cyclone. The system was first noted as a depression on 4 May 1990, while it was located over the Bay of Bengal about 600 km (375 mi) to the southeast of Chennai, India. During the next day the depression intensified into a cyclonic storm and started to intensify rapidly, becoming a super cyclonic storm early on 8 May. The cyclone weakened slightly before it made landfall on India about 300 km (190 mi) to the north of Madras in the Andhra Pradesh state as a very severe cyclonic storm with winds of 165 km/h (105 mph). While over land the cyclone gradually dissipated. The cyclone had a severe impact on India, with over 967 people reported to have been killed. Over 100,000 animals also died in the cyclone with the total cost of damages to crops estimated at over $600 million (1990 USD). (Full article...)
  • Image 20 Mouna Ragam (/maʊnə rɑːɡəm/ transl. Silent Symphony) is a 1986 Indian Tamil-language romantic drama film written and directed by Mani Ratnam, and produced by G. Venkateswaran. The film stars Mohan and Revathi, with Karthik in a guest appearance. V. K. Ramasamy, Ra. Sankaran, Bhaskar, Kanchana, Vani, Kalaiselvi and Sonia play supporting roles. It narrates the life of Divya (Revathi), a free-spirited college girl who is forced into an arranged marriage with Chandrakumar (Mohan) by her father (Sankaran) though she still lives with the memory of her deceased lover Manohar (Karthik). The story follows Divya's inner conflict between holding on to her past and coming to terms with the present. The film's development began when Ratnam began writing a short story tiled "Divya" with no cinematic plans until he finished it. Since production on his directorial debut Pallavi Anu Pallavi (1983) was delayed, he took a break for a month and developed "Divya" into a film script, which would eventually be renamed Mouna Ragam. Although Ratnam began work on the script during Pallavi Anu Pallavi, it languished in development hell and ended up becoming his fifth film. Mouna Ragam was the first film produced by Venkateswaran's Sujatha Films, and was shot primarily in Madras, with additional filming taking place in Delhi and Agra. The music was composed by Ilaiyaraaja, with lyrics by Vaali. P. C. Sreeram was the cinematographer, and the art director was Thota Tharani. The film was edited by B. Lenin and V. T. Vijayan. (Full article...)
    Mouna Ragam (/mnə rɑːɡəm/ transl. Silent Symphony) is a 1986 Indian Tamil-language romantic drama film written and directed by Mani Ratnam, and produced by G. Venkateswaran. The film stars Mohan and Revathi, with Karthik in a guest appearance. V. K. Ramasamy, Ra. Sankaran, Bhaskar, Kanchana, Vani, Kalaiselvi and Sonia play supporting roles. It narrates the life of Divya (Revathi), a free-spirited college girl who is forced into an arranged marriage with Chandrakumar (Mohan) by her father (Sankaran) though she still lives with the memory of her deceased lover Manohar (Karthik). The story follows Divya's inner conflict between holding on to her past and coming to terms with the present.

    The film's development began when Ratnam began writing a short story tiled "Divya" with no cinematic plans until he finished it. Since production on his directorial debut Pallavi Anu Pallavi (1983) was delayed, he took a break for a month and developed "Divya" into a film script, which would eventually be renamed Mouna Ragam. Although Ratnam began work on the script during Pallavi Anu Pallavi, it languished in development hell and ended up becoming his fifth film. Mouna Ragam was the first film produced by Venkateswaran's Sujatha Films, and was shot primarily in Madras, with additional filming taking place in Delhi and Agra. The music was composed by Ilaiyaraaja, with lyrics by Vaali. P. C. Sreeram was the cinematographer, and the art director was Thota Tharani. The film was edited by B. Lenin and V. T. Vijayan. (Full article...)
  • Image 21 Yevadu (transl. Who is he?) is a 2014 Indian Telugu-language action thriller film co-written and directed by Vamsi Paidipally. The film stars Ram Charan, Shruti Haasan, and Amy Jackson while Allu Arjun and Kajal Aggarwal in cameo roles with Jayasudha, Sai Kumar, Rahul Dev and Brahmanandam play supporting roles. The film was produced by Dil Raju under the banner Sri Venkateswara Creations. Devi Sri Prasad composed the film's music, while Marthand K. Venkatesh was the film's editor. Vakkantham Vamsi co-wrote the film's script with Paidipally. The core plot was partially inspired by John Woo's 1997 American film Face/Off, and revolves around two strangers, Satya and Charan. The film was made on a budget of ₹35 crore, and was officially launched on 9 December 2011. Principal photography began on 27 April 2012 and lasted until 22 July 2013. The majority of the film was shot in Visakhapatnam and Hyderabad, mostly in Ramoji Film City, while two songs were shot in Switzerland and Bangkok. (Full article...)
    Yevadu (transl. Who is he?) is a 2014 Indian Telugu-language action thriller film co-written and directed by Vamsi Paidipally. The film stars Ram Charan, Shruti Haasan, and Amy Jackson while Allu Arjun and Kajal Aggarwal in cameo roles with Jayasudha, Sai Kumar, Rahul Dev and Brahmanandam play supporting roles. The film was produced by Dil Raju under the banner Sri Venkateswara Creations. Devi Sri Prasad composed the film's music, while Marthand K. Venkatesh was the film's editor. Vakkantham Vamsi co-wrote the film's script with Paidipally.

    The core plot was partially inspired by John Woo's 1997 American film Face/Off, and revolves around two strangers, Satya and Charan. The film was made on a budget of 35 crore, and was officially launched on 9 December 2011. Principal photography began on 27 April 2012 and lasted until 22 July 2013. The majority of the film was shot in Visakhapatnam and Hyderabad, mostly in Ramoji Film City, while two songs were shot in Switzerland and Bangkok. (Full article...)
  • Image 22 The Param Vir Chakra (PVC) is India's highest military decoration, awarded for displaying distinguished acts of valour during wartime. Param Vir Chakra translates as the "Supreme Wheel of Bravery", and the award is granted for "most conspicuous bravery in the presence of the enemy". , the medal has been awarded 21 times, of which 14 were posthumous and 16 arose from actions in Indo-Pakistani conflicts. Of the 21 awardees, 20 have been from the Indian Army and one has been from the Indian Air Force. Major Somnath Sharma was the first recipient. A number of state governments of India as well as ministries of the central government provide allowances and rewards to recipients of the PVC (or their family members in case of the recipient's death). The history of present-day Indian gallantry awards can be traced back to the rule of the East India Company, when the first formal award was instituted by Lord William Bentinck in 1834 as the Order of Merit, later renamed the Indian Order of Merit in 1902. During the First World War, the British awards system was adopted and continued through the Second World War. Post-independence, new awards were instituted on 26 January 1950, with retroactive effect from 15 August 1947. The PVC is equivalent to the Victoria Cross in the United Kingdom and the Medal of Honor in the United States. (Full article...)
    The Param Vir Chakra (PVC) is India's highest military decoration, awarded for displaying distinguished acts of valour during wartime. Param Vir Chakra translates as the "Supreme Wheel of Bravery", and the award is granted for "most conspicuous bravery in the presence of the enemy". , the medal has been awarded 21 times, of which 14 were posthumous and 16 arose from actions in Indo-Pakistani conflicts. Of the 21 awardees, 20 have been from the Indian Army and one has been from the Indian Air Force. Major Somnath Sharma was the first recipient. A number of state governments of India as well as ministries of the central government provide allowances and rewards to recipients of the PVC (or their family members in case of the recipient's death).

    The history of present-day Indian gallantry awards can be traced back to the rule of the East India Company, when the first formal award was instituted by Lord William Bentinck in 1834 as the Order of Merit, later renamed the Indian Order of Merit in 1902. During the First World War, the British awards system was adopted and continued through the Second World War. Post-independence, new awards were instituted on 26 January 1950, with retroactive effect from 15 August 1947. The PVC is equivalent to the Victoria Cross in the United Kingdom and the Medal of Honor in the United States. (Full article...)
  • Image 23 Nishidhi, a 14th-century memorial stone depicting the observance of the vow of Sallekhana with old Kannada inscription. Found at Tavanandi forest, Karnataka, India. Sallekhana (IAST: sallekhanā), also known as samlehna, santhara, samadhi-marana or sanyasana-marana, is a supplementary vow to the ethical code of conduct of Jainism. It is the religious practice of voluntarily fasting to death by gradually reducing the intake of food and liquids. It is viewed in Jainism as the thinning of human passions and the body, and another means of destroying rebirth-influencing karma by withdrawing all physical and mental activities. It is not considered a suicide by Jain scholars because it is not an act of passion, nor does it employ poisons or weapons. After the sallekhana vow, the ritual preparation and practice can extend into years. Sallekhana is a vow available to both Jain ascetics and householders. Historic evidence such as nishidhi engravings suggest sallekhana was observed by both men and women, including queens, in Jain history. However, in the modern era, death through sallekhana has been a relatively uncommon event. (Full article...)
    Nishidhi stone with 14th century old Kannada inscription from Tavanandi forest
    Nishidhi, a 14th-century memorial stone depicting the observance of the vow of Sallekhana with old Kannada inscription. Found at Tavanandi forest, Karnataka, India.

    Sallekhana (IAST: sallekhanā), also known as samlehna, santhara, samadhi-marana or sanyasana-marana, is a supplementary vow to the ethical code of conduct of Jainism. It is the religious practice of voluntarily fasting to death by gradually reducing the intake of food and liquids. It is viewed in Jainism as the thinning of human passions and the body, and another means of destroying rebirth-influencing karma by withdrawing all physical and mental activities. It is not considered a suicide by Jain scholars because it is not an act of passion, nor does it employ poisons or weapons. After the sallekhana vow, the ritual preparation and practice can extend into years.

    Sallekhana is a vow available to both Jain ascetics and householders. Historic evidence such as nishidhi engravings suggest sallekhana was observed by both men and women, including queens, in Jain history. However, in the modern era, death through sallekhana has been a relatively uncommon event. (Full article...)
  • Image 24 Vishnu's Vaikuntha Chaturmukha form holding Gadadevi (right hand) and Chakrapurusha in his hands. Ayudhapurusha is the anthropomorphic depiction of a divine weapon in Hindu art. Ayudhapurushas are sometimes considered as partial incarnates of their divine owners. The sex of the personified weapon is determined by the gender of the weapon in the Sanskrit language. The suffix "purusha" (man) is added to masculine weapons and "devi" (goddess) to female ones. The weapons Shakti, Heti (a Hatchet-like weapon) and Gada (mace), especially Kaumodaki (the mace of Vishnu), Dhanus/Dhanushya ("bow") are women. Chakra, especially Vishnu's Sudarshana Chakra (discus of Vishnu), Shankha ("conch"), Padma (lotus), Ankusha (elephant goad), Pasha (noose), Trisula (trident), vajra (thunderbolt), Khadga (sword), Danda (a sceptre or club), Bana/Shara ("arrow") and Bhindi (sling) are depicted male. (Full article...)
    Vishnu's Vaikuntha Chaturmukha form holding Gadadevi (right hand) and Chakrapurusha in his hands.


    Ayudhapurusha is the anthropomorphic depiction of a divine weapon in Hindu art. Ayudhapurushas are sometimes considered as partial incarnates of their divine owners.

    The sex of the personified weapon is determined by the gender of the weapon in the Sanskrit language. The suffix "purusha" (man) is added to masculine weapons and "devi" (goddess) to female ones. The weapons Shakti, Heti (a Hatchet-like weapon) and Gada (mace), especially Kaumodaki (the mace of Vishnu), Dhanus/Dhanushya ("bow") are women. Chakra, especially Vishnu's Sudarshana Chakra (discus of Vishnu), Shankha ("conch"), Padma (lotus), Ankusha (elephant goad), Pasha (noose), Trisula (trident), vajra (thunderbolt), Khadga (sword), Danda (a sceptre or club), Bana/Shara ("arrow") and Bhindi (sling) are depicted male. (Full article...)
  • Image 25 Adult, Bundala National Park, Sri Lanka The purple heron (Ardea purpurea) is a wide-ranging heron species. It breeds in Africa, central and southern Europe, and southern and eastern Palearctic. The Western Palearctic populations migrate between breeding and wintering habitats whereas the African and tropical-Asian populations are primarily sedentary, except for occasional dispersive movements. It is similar in appearance to the more common grey heron but is slightly smaller, more slender and has darker plumage. It is also a more evasive bird, favouring densely vegetated habitats near water, particularly reed beds. It hunts for a range of prey including fish, rodents, frogs and insects, either stalking them or standing waiting in ambush. (Full article...)

    Adult, Bundala National Park, Sri Lanka

    The purple heron (Ardea purpurea) is a wide-ranging heron species. It breeds in Africa, central and southern Europe, and southern and eastern Palearctic. The Western Palearctic populations migrate between breeding and wintering habitats whereas the African and tropical-Asian populations are primarily sedentary, except for occasional dispersive movements.

    It is similar in appearance to the more common grey heron but is slightly smaller, more slender and has darker plumage. It is also a more evasive bird, favouring densely vegetated habitats near water, particularly reed beds. It hunts for a range of prey including fish, rodents, frogs and insects, either stalking them or standing waiting in ambush. (Full article...)
  • News

    9 June 2024 – Insurgency in Jammu and Kashmir
    At least nine people are killed and 33 others are injured near Reasi, Jammu and Kashmir, India, when a bus carrying Hindu pilgrims falls into a ravine after being shot at. (Al Jazeera)
    9 June 2024 – 2024 Indian general election
    Narendra Modi is sworn in for his third term as Prime Minister of India. (Al Jazeera)
    6 June 2024 – 2024 Uttarakhand snowstorm disaster
    A blizzard in the Himalaya mountains of Uttarakhand, India, kills nine Indian trekkers. (Reuters)
    6 June 2024 –
    SpaceX launches Starship's Integrated Flight Test 4, successfully guiding both the Super Heavy booster and Starship upper stage to soft water landings in the Gulf of Mexico and the Indian Ocean, respectively. (The New York Times)
    4 June 2024 – 2024 Indian general election
    The alliance of parties led by Narendra Modi reaches the 272 seats threshold needed to form a government, but Modi's BJP party loses its outright parliamentary majority. (BBC News)

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