The Palacio de Aldama is a neoclassical mansion located diagonally opposite to the old Plaza del Vapor (Parque del Curita), and in front of the old Campo de Marte; present day Parque de la Fraternidad, in Havana, Cuba. Built in 1840 by the Dominican architect and engineer Manuel José Carrera, its main facade of columns spans one block on Calle Amistad between Calles Reina and Estrella. (Full article...)
Image 21Defense of a train attacked by Cuban insurgents (from History of Cuba)
Image 22Cuban PT-76 tank crew on routine security duties in Angola (from History of Cuba)
Image 23Rebel leaders engaged in extensive propaganda to get the U.S. to intervene, as shown in this cartoon in an American magazine. Columbia (the American people) reaches out to help oppressed Cuba in 1897 while Uncle Sam (the U.S. government) is blind to the crisis and will not use its powerful guns to help. Judge magazine, 6 February 1897. (from History of Cuba)
Image 24Banrarra Afro-Cuban dance troupe (from Culture of Cuba)
Image 25A 1736 colonial map by Herman Moll of the West Indies and Mexico, together comprising "New Spain", with Cuba visible in the center. (from History of Cuba)
... that Rudi Kappel, co-founder of the first airline of Suriname, was arrested both on entering and leaving Santiago de Cuba?
... that after his movement's victory in the Cuban Revolution, television broadcasts showed Camilo Cienfuegos freeing parrots from birdcages, declaring that the birds had "a right to liberty"?
... that Brooklyn Nine-Nine actress Melissa Fumero is the daughter of Cubans who fled to the U.S. as teenagers?
Eusebia Cosme Almanza (5 March 1908 – 11 July 1976) was a Cuban poetry reciter and actress who gained widespread fame in the 1930s. Because of racial segregation, Cosme did not pursue an acting career in the traditional Cuban theater, instead focusing on the art of declamation, or poetry reading. She was the sole Cuban woman and one of the few black women to participate in African-themed declamation. Her performances went beyond reciting the poems, as she used gestures, facial expression and vocal rhythm to convey the emotion of the written word. Focusing on works that served as social commentary on race, gender, and the disparity of the position of blacks in both Latin America and the United States, Cosme was recognized as a master of her craft. Beginning her career in variety shows, she performed in Cuba until the late 1930s, before embarking on international tours.
In 1938, Cosme moved to the United States. She became a naturalized US citizen in the 1940s. She performed to sold-out houses at venues including Carnegie Hall, The Town Hall, and historically black universities. She performed with both Marian Anderson and Langston Hughes, and brought the works of African-American poets to Hispanic audiences via The Eusebia Cosme Show, which aired on CBS Radio from 1943 to 1945. She performed recitations in the United States through the late 1950s, worked as an abstract painter in the 1960s, and began acting in film and television in 1964. Cosme lived in Mexico City from 1966 to 1973, when she appeared in such films as The Pawnbroker and White Roses for My Black Sister. Her most noted role was as "Mamá Dolores", which she played repeatedly in her career. She first played this character, from Felix B. Caignet's radio drama El Derecho de nacer (The Right of Birth), in a 1955 stage performance in New York City. She repeated it in both the 1966 film and telenovela by the same name. In 1971 she filmed a spin-off, Mamá Dolores. Her performance in the 1966 film was recognized with the Premio Ónix as best actress. (Full article...)
Enrique González Castillo (1890 – January 1, 1957), nicknamed La Pulga (The Flea), was a Cuban singer-songwriter from Santiago de Cuba. His two most famous works are the boleros "Injusta duda" and "Lupina", which have been recorded by artists such as Arsenio Rodríguez and Compay Segundo, respectively. The latter was written for danzonete singer Pablo Quevedo in 1934. His repertoire included boleros, canciones, guarachas and guajiras written by himself. The height of his career took place in the 1930s and '40s in Havana, where he was the guitarist for Benny Moré before he joined Conjunto Matamoros to tour Mexico. In addition, he was part of several other vocal groups, collaborating with famous guaracheroÑico Saquito.
In March 2014, Cuban trova musicians paid homage to González in his hometown of Santiago. (Full article...)
...that Raúl Martínez was a Cuban painter, designer and graphic artist best known for colorful pop-art portraits of leading Cuban political figures including José Martí and Camilo Cienfuegos?
...that Tomás Gutiérrez Alea was a Cuban filmmaker who wrote and directed more than 20 features, documentaries, and short films, and is known for his sharp insight into post-Revolutionary Cuba?
...that Baconao, a large park region, located about 20 kilometers away from the city of Santiago de Cuba, was declared a World Heritage Biosphere Reserve by UNESCO?
...that Guamá was a Taíno rebel chief who led a rebellion against Spanish rule in Cuba in the 1530s?
I began singing ‘Dos gardenias’ (by Isolina Carrillo) and Ry Cooder recorded it. It was that way that I joined, without being in the project, because I was not part of the Buenavista (Social Club) project. I recorded four songs. Afterwards, came the tours, the Grammy. I did not know what the Grammy was, and I was told it is an award. I liked it a lot. I am still here, singing, and I will continue to sing as long as I have strength.
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