The 1950s (pronounced nineteen-fifties; commonly abbreviated as the "Fifties" or the "'50s") (among other variants) was a decade that began on January 1, 1950, and ended on December 31, 1959.
The film was an attempt to portray the moral decay of American youth, critique parental style, and explore the differences and conflicts between generations, namely the Interbellum Generation and the Silent Generation. The title was adopted from psychologist Robert M. Lindner's 1944 book, Rebel Without a Cause: The Hypnoanalysis of a Criminal Psychopath, although the film itself does not make any other references to Lindner's book. Warner Bros. released the film on October 27, 1955, nearly a month after Dean's death in a car accident on September 30, 1955. (Full article...)
Ashes and Diamonds (Polish: Popiół i diament) is a 1958 Polishdrama film directed by Andrzej Wajda, based on the 1948 novel by Polish writer Jerzy Andrzejewski. Starring Zbigniew Cybulski and Ewa Krzyżewska, it completed Wajda's war films trilogy, following A Generation (1954) and Kanal (1956). The action of Ashes and Diamonds takes place in 1945, shortly after World War II. The main protagonist of the film, former Home Army soldier Maciek Chełmicki, is acting in the anti-Communist underground. Maciek receives an order to kill Szczuka, the local secretary of the Polish Workers' Party. Over time, Chełmicki increasingly doubts if his task is worth doing.
Ashes and Diamonds, although based on the novel that directly supported the postwar Communist system in Poland, was subtly modified in comparison with the source material. Wajda sympathized with the soldiers of the Polish independence underground; thus, he devoted most of the attention to Chełmicki. During the three-month development of Ashes and Diamonds, the director made drastic changes to the baseline scenario, thanks to his assistant director Janusz Morgenstern, as well as Cybulski, who played the leading role. The film received permission from the authorities to be distributed only through Andrzejewski's intercession. The film did not receive permission to be screened at the main competition at the Cannes Film Festival. However, Ashes and Diamonds appeared at the Venice Film Festival, where it won the FIPRESCI award. (Full article...)
The film is loosely based on the story of Veerapandiya Kattabomman, the 18th-century South Indian king who rebelled against the East India Company. It was an adaptation of the play of the same name by Sakthi T. K. Krishnasamy which featured Sivaji Ganesan as the title character, and premiered in August 1957. Principal photography began in October the same year, and took place mainly in Jaipur and Madras (now Chennai) until late 1958. This was the first full-length Tamil film released in Technicolor. (Full article...)
Executive producer Iwao Mori instructed producer Tomoyuki Tanaka to immediately commence production on a second Godzilla film, fearing to lose the momentum of the first film's success. Oda was chosen to direct the film as Ishirō Honda was busy directing Lovetide. (Full article...)
In 1955, Edmund Goldman acquired the 1954 film from Toho and enlisted the aid of Paul Schreibman, Harold Ross, Richard Kay, and Joseph E. Levine to produce a revised version for American audiences. This version dubbed most of the Japanese dialogue into English, and altered and removed key plot points and themes. New footage was produced with Burr interacting with body doubles and Japanese-American actors in an attempt to make it seem like Burr was part of the original Japanese production. (Full article...)
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I Vampiri (lit. The Vampires) is a 1957 Italian horror film directed by Riccardo Freda and completed by the film's cinematographer, Mario Bava. It stars Gianna Maria Canale, Carlo D'Angelo and Dario Michaelis. The film is about a series of murders on young women who are found with their blood drained. The newspapers report on a killer known as the Vampire, which prompts young journalist Pierre Lantin to research the crimes. Lantin investigates the mysterious Du Grand family who lives in a castle occupied by Gisele Du Grand who is in love with Lantin. She lives with her aunt, who hides her face in a veil, as well as the scientist Julian Du Grand, who is trying to find the secret to eternal youth.
The film was developed during a growth in the Italian film industry which allowed for the market to expand beyond a local Italian audience and would allow Italian film makers to explore new genres of filmmaking. Freda made a deal with producers at the Italian film studio Titanus to create a low budget horror film by writing a story in one day and filming it in two weeks. The producers agreed and Freda began filming. On the final day of shooting, Freda left the set which led to the cinematographer Mario Bava to direct the rest of the film, which changed various plot points and added the inclusion of stock footage. (Full article...)
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Nadodi Mannan (transl. The Vagabond and the King) is a 1958 Indian Tamil-language action adventure film directed by M. G. Ramachandran in his debut as a filmmaker. He stars in dual roles alongside P. Bhanumathi, M. N. Rajam and B. Saroja Devi. P. S. Veerappa, M. N. Nambiar, M. G. Chakrapani, T. K. Balachandran and Chandrababu play supporting roles. The film revolves around a king being replaced by a look-alike after getting abducted on the eve of his coronation. The look-alike begins to implement social and economic reforms to uplift the poor which irks the kingdom's high priest, who has kidnapped the very person the look-alike resembles. The rest of the film shows how the look-alike saves the man he impersonates and defeats the high priest.
Made on a budget of ₹1.8 million, Ramachandran co-produced the film with Chakrapani and R. M. Veerappan under the banner of Em.Gee.Yar Pictures. C. Kuppusami, K. Srinivasan, and P. Neelakantan were in charge of the screenplay. Kannadasan and Ravindar undertook the responsibility of writing the dialogues. The cinematography was handled by G. K. Ramu while K. Perumal and C. P. Jambulingam did the editing. S. M. Subbaiah Naidu and N. S. Balakrishnan composed the film's soundtrack and score. Songs from the soundtrack like "Thoongathey Thambi Thoongathey", "Thadukkathey", "Summa Kedandha", and "Senthamizhe" became popular hits. (Full article...)
Fellini described La Strada as "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever". As a result, the film demanded more time and effort than any of his other works, before or later. The development process was long and tortuous; there were problems during production, including insecure financial backing, problematic casting, and numerous delays. Finally, just before the production completed shooting, Fellini suffered a nervous breakdown that required medical treatment so that he could complete principal photography. Initial critical reaction was harsh, and the film's screening at the Venice Film Festival was the occasion of a bitter controversy that escalated into a public brawl between Fellini's supporters and detractors. (Full article...)
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Devadasu is a 1953 Indian romance film directed by Vedantam Raghavayya and produced by D. L. Narayana for Vinodha Pictures. Chakrapani wrote the script based on Sarat Chandra Chattopadhyay's novel, Devdas. C. R. Subbaraman composed the film's music. The film was edited by P. V. Narayanan, while B. S. Ranga provided the cinematography.
The film focuses on Devadasu and Parvati, who have been in love since childhood. Devadas' father rejects the proposal from Parvati's family. Parvati's father forces her to marry a middle-aged zamindar. Unable to cope with his failure to win Parvati, Devadas turns into a drunkard, and the rest of the film is about whether or not Devadas meets Parvati again. (Full article...)
Pathala Bhairavi is based on Kasi Majilee Kathalu, written by Madhira Subbanna Deekshitulu, though it was also partially inspired by the story of Aladdin. As the film is shot as a bilingual, production lasted for a whole year starting from 5 February 1950 until 8 February 1951. Ghantasala composed the film's music and Marcus Bartley served as the cinematographer. The film was edited by the duo C. P. Jambulingam and M. S. Money, while Madhavapeddi Gokhale and Kaladhar were the film's art directors. (Full article...)
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Mallishwari is a 1951 Indian Telugu-language historical romance film produced and directed by B. N. Reddy under his banner Vauhini Studios. N. T. Rama Rao and P. Bhanumathi star as a couple – Nagaraju and Mallishwari – who are separated by Mallishwari's greedy mother. Mallishwari is sent to the king's palace according to the custom of "Rani Vasam", a tradition during the Vijayanagara Empire wherein young women were fetched to the palace with an offering of gold and jewellery to their parents. The rest of the film focuses on the consequences faced by Nagaraju when he, against all rules, surreptitiously enters the palace to meet Mallishwari.
Reddy wanted to make a film based on Krishnadevaraya's character ever since his visit to Hampi for the filming of his debut film Vandemataram (1939). He employed Devulapalli Krishnasastri to write the film's script and took inspiration from Buchibabu's play "Rayalavari Karunakruthyamu" and Devan Sharar's short story "The Emperor and the Slave Girl". He also incorporated into the script a few incidents from his childhood for the pranks between Nagaraju and Mallishwari. S. Rajeswara Rao composed the film's music, Adi M. Irani and B. N. Konda Reddy provided the cinematography, H. R. Narayana and Vasu edited the film, and A. K. Shekhar was the film's production designer. (Full article...)
The film's iconic soundtrack was written by songwriters Mike Stoller and Jerry Leiber. The dance sequence to the film's title song is often cited as "Presley's greatest moment on screen." (Full article...)
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Loving You is a 1957 American musicaldrama film directed by Hal Kanter and starring Elvis Presley, Lizabeth Scott, and Wendell Corey. The film was Presley's first major starring role, following his debut in a supporting role in the 1956 film Love Me Tender. The film follows a delivery man who is discovered by a music publicist and a country–western musician who wants to promote the talented newcomer.
The film was written by Herbert Baker and Hal Kanter, and based on the short story "A Call from Mitch Miller". Kanter expanded the script after being inspired by Presley's last appearance on the Louisiana Hayride and his manager Colonel Tom Parker's antics. Paramount Pictures chose to ignore the first-run theater system, opting instead to release the film in sub-run neighborhood theaters, a system later dubbed the "Presley Pattern". (Full article...)
The film began production in February 1956, as director Corman wanted to shoot one final film in six days before a change in union contracts meant that actors were limited to working only five days a week. Filming of Gunslinger was marred by several inconveniences; rain caused the filming location to become muddy, and the two lead actresses were both injured on set. Eventually, Gunslinger was released to mixed reviews, and, in 1993, was featured in a fifth-season episode of the film-mocking comedy television series Mystery Science Theater 3000. (Full article...)
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Missamma (transl. Miss Madam) is a 1955 Indian Telugu-language romantic comedy film directed by L. V. Prasad. It was produced by Nagi Reddi and Chakrapani on Vijaya Productions banner. The film stars N. T. Rama Rao, Savitri, Akkineni Nageswara Rao and Jamuna. The script was adapted by Chakrapani from Rabindranath Maitra's Bengali play Manmoyee Girls' School. It revolves around two unemployed people — M. T. Rao and Mary — who pose as a married couple to obtain employment in a high school founded by Gopalam, a zamindar. As Rao and Mary fall in love, Gopalam's nephew A. K. Raju learns that Mary is Gopalam's missing elder daughter Mahalakshmi; she is unaware of her true identity.
Production began in early 1954 with P. Bhanumathi cast as the female lead, though she would eventually be replaced by Savitri. The film was simultaneously shot in Tamil as Missiamma, with an altered cast. Principal photography ended that December; filming was delayed because of Bhanumathi's exit after filming a few reels, and the difficulty of managing two casts simultaneously. C. P. Jambulingam and Kalyanam edited the film; Marcus Bartley was the cinematographer, and S. Rajeswara Rao composed the music. Missamma focused on social issues such as unemployment, corruption, and freedom of worship. (Full article...)
Patsy Cline (born Virginia Patterson Hensley; September 8, 1932 – March 5, 1963) was an American singer. She is considered one of the most influential vocalists of the 20th century and was one of the first country music artists to cross over into pop music. Cline had several major hits during her eight-year recording career, including two number-one hits on the BillboardHot Country and Western Sides chart.
Cline's first professional performances began at local radio station WINC when she was fifteen. In the early 1950s, Cline began appearing in a local band led by performer Bill Peer. Various local appearances led to featured performances on Connie B. Gay's Town and Country television broadcasts. It also led to the signing of her first recording contract with the Four Star label in 1954. She had minor success with her earliest Four Star singles including "A Church, a Courtroom, Then Goodbye" (1955) and "I've Loved and Lost Again" (1956). In 1957 Cline made her first national television appearance on Arthur Godfrey's Talent Scouts. After performing "Walkin' After Midnight", the single became her first major hit on both the country and pop charts. (Full article...)
Image 3In the 1950s lengthy poodle skirts were popular with women, as were leather jackets with men. Pictured is a 1950s leather jacket label. (from 1950s)
Image 17The 1950s was the beginning period of rapid television ownership. In their infancy, television screens existed in many forms, including round. (from 1950s)
Image 18The world map of military alliances during the Cold War in 1959 (from 1950s)
Image 19Liz Taylor in the 1950s, a fashion icon of the era (from 1950s)
Image 20Israeli troops preparing for combat in the Sinai peninsula during the Suez Crisis. (from 1950s)
Image 22Elvis Presley was the best-selling musical artist of the decade. He is considered as the leading figure of the rock and roll and rockabilly movement of the 1950s. (from 1950s)
Image 26The creation and expansion of many multinational restaurant chains still in existence today, including the likes of McDonald's (as a franchise), IHOP, Pizza Hut and Burger King, all occurred in the 1950s. (from 1950s)
Image 27Motorcycle clubs became more prominent in the 1950s. Pictured is a vintage 1950s motorcycle toy. (from 1950s)
Image 29The jukebox was particularly popular in the 1950s, and was used as entertainment in public establishments such as diners and malt/soda shops. (from 1950s)
Image 30Top, L-R: U.S. Marines engaged in street fighting during the Korean War, c. late September 1950; The first polio vaccine is developed by Jonas Salk. Centre, L-R: US tests its first thermonuclear bomb with code name Ivy Mike in 1952. A 1954 thermonuclear test, code named Castle Romeo; In 1959, Fidel Castro overthrows Fulgencio Batista in the Cuban Revolution, which results in the creation of the first and only communist government in the Western Hemisphere; Elvis Presley becomes the leading figure of the newly popular music genre of rock and roll in the mid-1950s. Bottom, L-R: Smoke rises from oil tanks on Port Said following the invasion of Egypt by Israel, United Kingdom and France as part of the Suez Crisis in late 1956; The Hungarian Revolution of 1956; The Soviet Union launches Sputnik 1, the first artificial satellite to orbit the Earth, in October 1957. This starts the Space Race between the Soviet Union and the United States. (from 1950s)
Image 31Castle Bravo: A 15 megaton hydrogen bomb experiment conducted by the United States in 1954. Photographed 78 miles (125 kilometers) from the explosion epicenter. (from 1950s)
Image 32Francis Crick and James Watson discover the spiral structure of DNA (from 1950s)
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