One Arm and Other Stories

One Arm and Other Stories is a collection of short fiction by Tennessee Williams published by New Direction in 1948.[1]

One Arm and Other Stories
First edition
AuthorTennessee Williams
LanguageEnglish
PublisherNew Directions Publishers
Publication date
1948
Publication placeUnited States
Media typePrint (hardback)
Pages210
ISBN978-1135114442

The volume was released the same year that Williams received the Pulitzer Prize for his play A Streetcar Named Desire.[2]

Stories edit

Those pieces originally published in magazines before being collected in this volume are indicated.[3]

Reception edit

Though granting that Tennessee Williams is "an interesting writer and a sensitive man," and that these eleven works of fiction in the collection are “electrifying,” The New York Times critic James Kelly reports: "[E]ven healthy optimism is nearly invisible in the lurid studies of perversion, madness and human decay covered…"[4]

In the Saturday Review, literary critic William H. Peden wrote that Williams "is at his best" in several of the stories:[5]

Tennessee Williams is in a class by himself. Even at his worst he creates magical, terrifying, and unforgettable effects; his only limitations seem to be self-imposed.[6]

Twenty years later, in Sewanee Review, Peden stated that "The Field of Blue Children" and "Portrait of a Girl in Glass" and several other pieces from the collection were "as good as anything produced during recent years."[7]

Theme edit

"I cannot write any kind of story unless there is at least one character in it for whom I have physical desire."—Tennessee Williams, as reported by biographer Gore Vidal, in the Introduction to Tennessee Williams: Collected Stories (1985)[8]

Literary critic Signi Falk offers this overview of the thematic elements that appear in One Arm and Other Stories:

Some of the stories have the aura of confession. Williams indicates his sympathy for the unfortunate and his fascination for the macabre. He also indicates his own system of values as he rejects workers in favor of ne’er-do-wells and seems to prefer the vagrant of both sexes.[9]

Falk emphasizes that the stories were informed by "Williams' wandering years through sordid rooming houses, on city streets, and on obscure corners where derelicts hide."[10][11]

Footnotes edit

  1. ^ Williams, 1985 pp. 571-574: Bibliographical Notes
  2. ^ Vannatta, 1988 p. 131: Chronology
  3. ^ Williams, 1985 pp. 571-574: Bibliographical Notes
  4. ^ Kelly, 1955
  5. ^ Peden, 1955
  6. ^ Peden, 1955
  7. ^ Peden, 1974
  8. ^ Vidal, 1985 p. xxiii
  9. ^ Falk, 1978 p. 25-26
  10. ^ Falk, 1978 p. 25
  11. ^ Bloom, 1987 p. 102: “The theme of punishment for an act of rejection is...expressed most explicitly in the short story ‘Desire and the Black Masseur” one of the works in the collection.

Sources edit