Talk:Port of Shadows

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Latest comment: 16 years ago1 comment1 person in discussion

This article was automatically assessed because at least one article was rated and this bot brought all the other ratings up to at least that level. BetacommandBot 07:53, 27 August 2007 (UTC)Reply

Excision from Style section

Latest comment: 7 years ago1 comment1 person in discussion

Removed passage below, on three grounds. One that it contains inaccuracies, two that it is a point of view rather than encyclopedic, and three because as written it does not really fit under the heading Style:

Carné uses a ship-in-a-bottle and Nelly's translucent raincoat as metaphors for the sense of entrapment and ephemerality. Michèle Morgan's character falls in line with Carné's theme of androgynous women (that is further emphasized in Les Visiteurs du Soir, 1942). Throughout the film Nelly wears a beret and a trenchcoat, and walks with her head bent and hands in her pockets, presenting a tomboyish variant of Gabin's uniform and gait.^[1]

Clifford Mill (talk) 11:09, 22 December 2016 (UTC)Reply

References

^ Turk, Edward Baron (1989). Marcel Carné and the Golden Age of French Cinema. Cambridge: Harvard University Press. pp. 127–128.

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[1] Turk, Edward Baron (1989). Marcel Carné and the Golden Age of French Cinema. Cambridge: Harvard University Press. pp. 127–128.

[1]