The Theatre Portal

Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

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This naval battle was one of the sets for Elkanah Settle's Empress of Morocco
The Restoration spectacular, or elaborately staged "machine play", hit the London public stage in the late 17th-century Restoration period, enthralling audiences with action, music, dance, moveable scenery, baroque illusionistic painting, gorgeous costumes, and special effects such as trapdoor tricks, "flying" actors, and fireworks. These shows have always had a bad reputation as a vulgar and commercial threat to the witty, "legitimate" Restoration drama; however, they drew Londoners in unprecedented numbers and left them dazzled and delighted. Basically home-grown and with roots in the early 17th-century court masque, though never ashamed of borrowing ideas and stage technology from French opera, the spectaculars are sometimes called "English opera". The expense of mounting ever more elaborate scenic productions drove the two competing theatre companies into a dangerous spiral of huge expenditure and correspondingly huge losses or profits.

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Punch

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Katherine Hepburn circa 1941
Katharine Hepburn (1907–2003) was an American actress of film, stage, and television. Known for her headstrong independence and spirited personality, Hepburn's career as a Hollywood leading lady spanned more than 60 years. She won a record four Academy Awards, and in 1999 was named by the American Film Institute as Hollywood's top female legend. Hepburn began acting in college, and spent four years in the theatre before entering films in 1932. She became an instant star, but after a series of unsuccessful films was named "box office poison". The Philadelphia Story revived her career, and she subsequently formed a popular alliance with Spencer Tracy that lasted 25 years. In middle age Hepburn found a niche playing spinsters, such as in The African Queen, and became a Shakespearean stage actress. She continued to work into old age, making her final screen appearance in 1994 at the age of 87. Hepburn is remembered as an important cultural figure, as she came to epitomize the "modern woman" in 20th-century America and helped change perceptions of women.
  • ... that Jochen Schmidt, a dance critic for the FAZ for 30 years, wrote a book about Pina Bausch and her Wuppertal dance theatre?
  • ... that the studios of Basin PBS had once been a movie theater, a church meeting space, and a nightclub?
  • ... that a 40-foot-tall (12 m) mural outside Broadway's St. James Theatre was painted over due to a broken foot?
  • ... that 1920s actress Susie Sutton created her own vaudeville troupe and toured her company throughout the TOBA circuit?
  • ... that Lili Marberg, an actress at the Burgtheater in Vienna from 1911 to 1950, was painted performing Wilde's Salome in Munich?
  • ... that the Carib Theatre in Kingston, Jamaica, was the British West Indies' first building to offer air conditioning upon its opening?

Selected quote

August Strindberg
A playwright is a lay preacher peddling the ideas of his time in popular form.

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