List of paintings by Frans Post

This article lists paintings by Frans Post (1612–1680), a Dutch Golden Age artist who was the first European to paint landscapes of the Americas. Frans Post disembarked in Brazil in 1637, following the retinue of John Maurice, Prince of Nassau-Siegen, who had recently been appointed as the governor of the Dutch possessions in Northeast Brazil by the Dutch West India Company. Along with Albert Eckhout and Zacharias Wagener, Post was in charge of documenting the new Dutch colonies in South America, but while his companions were devoted to depicting the Brazilian flora, fauna, and people, he focused exclusively on the landscapes of the so-called "New Holland".[1][2][3]

Portrait of Frans Post (c. 1655), by Frans Hals (Worcester Art Museum).

Frans Post returned to Europe in 1644, after producing a limited number of in loco artworks, of which only seven have survived. Nevertheless, the exoticism of his landscapes, rich in tropical details yet unknown to the European public, soon attracted the attention of new clients. As a result, Post would devote the rest of his artistic career to the production of paintings with Brazilian themes, based on the sketches and drawings of what he had observed onsite. Post's known output numbers about 160 paintings, practically all of them of Brazilian landscapes. With one known exception[4] he did not date his paintings, making it difficult to establish a precise timeline of his production. A large part of his oeuvre is currently housed in Brazilian museums and collections (Ricardo Brennand Institute in Recife, National Museum of Fine Arts in Rio de Janeiro, São Paulo Museum of Art, etc.), but several examples of his works may be found around the world, mainly in Europe (Louvre, Rijksmuseum) and the United States. In the following list, artworks are presented in loose chronological order.[1]

Paintings

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Image Title Date Medium and size Other information Collection / Location
  View of the Island of Itamaracá, Brazil [5] 1637
Oil on canvas,
63.5 × 89.5 cm
Rijksmuseum, Amsterdam
(on loan to the Mauritshuis, The Hague)
 
  The Old Portuguese Forte dos Reis Magos, or Fort Ceulen, at the Mouth of the Rio Grande [6] 1638
Oil on canvas,
62 × 95 cm
Louvre,
Paris
 
  The Ox Cart — Brazilian Landscape [7] 1638
Oil on canvas,
61 × 88 cm
Louvre,
Paris
 
  View of Frederiksstad in Paraíba, Brazil [8] 1638
Oil on canvas,
61 × 91.4 cm
Fundación Cisneros,
Caracas
 
  The Rio São Francisco and Fort Maurits, with a Capybara in the Foreground [9] 1639
Oil on canvas,
62 × 95 cm
Louvre,
Paris
 
  Landscape near Porto Calvo, with a Fig Tree in the Foreground [10] 1639
Oil on panel,
63 × 89 cm
Louvre,
Paris
 
  Fort Fredrik Hendrik 1640
Oil on canvas,
66 x 88 cm
Signed and dated ("F. Post 1640").[11]
Instituto Ricardo Brennand,
Recife
 
  Landscape of Pernambuco c. 1644–1659
Oil on panel,
34.3 × 47.3 cm
Unsigned.[12]
Museu Nacional de Belas Artes,
Rio de Janeiro
 
  Church of Saints Cosmas and Damian in Igarassu c. 1644–1659
Oil on panel,
33.4 × 41.4 cm
Signed ("F. Post").[12]
Museu Nacional de Belas Artes,
Rio de Janeiro
 
  A village in Brazil [13] c. 1645–1680
Oil on panel,
51.1 x 59.1 cm
Royal Collection,
London
 
  Brazilian landscape with Manoah's sacrifice [14] 1648
Oil on canvas,
167 x 193 cm
Museum Boijmans Van Beuningen,
Rotterdam
 
  Brazilian landscape with anteater [15] 1649
Oil on canvas,
53 × 69.4 cm
Alte Pinakothek,
Munich
 
  Brazilian landscape with an armadillo 1649
Oil on canvas,
53 x 69 cm
Alte Pinakothek,
Munich
 
  Paulo Afonso Falls 1649
Oil on panel,
58.5 × 46 cm
Signed and dated ("F. Post 1649").[16]
Museu de Arte de São Paulo,
São Paulo
 
  Brazilian landscape 1650
Oil,
unknown dimensions
Nederlands Scheepvaartmuseum,
Amsterdam
 
  A Brazilian landscape [17] 1650
Oil on panel,
61 x 91.4 cm
Metropolitan Museum of Art,
New York
 
  View of Olinda c. 1650
Oil on canvas,
90 × 122 cm
Fundação Cultural Ema Gordon Klabin,
São Paulo
 
  Ruins of the Mother Church of Olinda mid-17th century
Oil on canvas,
67.5 x 86.5 cm
Private collection,
Rio de Janeiro
 
  Landscape with chapel [18] mid-17th century
Oil on panel,
43.5 x 58.7 cm
.
Fundación Cisneros,
Caracas
 
  Lowlands mid-17th century
Oil on panel,
38 × 57.2 cm
Unsigned.[12]
Museu Nacional de Belas Artes,
Rio de Janeiro
 
  Sugar mill mid-17th century
Oil on canvas,
90.8 × 115.5 cm
Unsigned.[12] Contested authorship.
Museu Nacional de Belas Artes,
Rio de Janeiro
 
  Village on a wooded plain [19] mid-17th century
Oil on panel,
46 × 75 cm
Itaú Unibanco collection,
São Paulo
 
  Landscape of Paraíba – Sugar mill with a river [20] mid-17th century
Oil on panel,
93 x 79cm
Palácio Laranjeiras,
Rio de Janeiro
 
  Landscape [21] mid-17th century
Oil on panel,
22.5 × 32.5 cm
Museu do Estado de Pernambuco,
Recife
 
  Landscape [21] mid-17th century
Oil on panel,
22.5 × 32.5 cm
Museu do Estado de Pernambuco,
Recife
 
  Franciscan monastery in Igaraçu mid-17th century
Oil on panel,
48 x 70 cm
Historisches Museum,
Frankfurt
 
  Sugar mill in Pernambuco 17th century
Oil on panel,
50 × 74.5 cm
Palácio Itamaraty,
Brasília
 
  Village and a coconut tree 17th century
Oil on canvas,
50.5 x 68 cm
Signed ("F.Post").
Beatriz and Mário Pimenta Camargo collection,
São Paulo
 
  Brazilian landscape with a procession of blacks 17th century
Oil on panel,
48 x 65 cm
Beatriz and Mário Pimenta Camargo collection,
São Paulo
 
  Village 17th century
Oil on canvas,
43.5 x 67 cm
Beatriz and Mário Pimenta Camargo collection,
São Paulo
 
  Church of Saints Cosmas and Damian in Igarassu 17th century
Oil on panel,
39 × 48.5 cm
Fundação Cultural Ema Gordon Klabin,
São Paulo
 
  Sugar mill 17th century
Oil on canvas,
67 × 89 cm
Museu da Chácara do Céu,
Rio de Janeiro
 
  Brazilian Landscape with the Monastery of Igaraçú 17th century
Oil on panel,
55 x 69 cm
Gemäldegalerie,
Berlin
 
  View of Olinda c. 1650–1655
Oil on panel,
79 x 111.5 cm
Signed ("F. Post").[12]
Museu Nacional de Belas Artes,
Rio de Janeiro
 
  Ruins of the Mother Church of Olinda [22] c. 1650–1655
Oil on panel,
45 x 70 cm
Fundação Maria Luisa e Oscar Americano,
São Paulo
 
  A Monastery of the Capuchin Fathers — The House of a Portuguese Nobleman [23] c. 1650–1655
Oil on canvas,
101 x 136 cm
Louvre,
Paris
 
  A Sugar Mill Driven by a Small River [24] c. 1650–1655
Oil on canvas,
117 x 167 cm
Louvre,
Paris
 
  The Home of a "Labrador" (Sugar Cane Planter) in Brazil (or The Village of Serinhaem) [25] c. 1650–1655
Oil on canvas,
112 x 146 cm
Louvre,
Paris
 
  Three Different Houses, or "Homes of the Labradores who Plant Sugar" [26] c. 1650–1655
Oil on canvas,
104x 130 cm
Louvre,
Paris
 
  Landscape in Brazil [27] 1652
Oil on canvas,
282.5 × 210.5 cm
Rijksmuseum,
Amsterdam
 
  Brazilian landscape ("Hacienda") c. 1652
Oil on panel,
45 × 65 cm
Landesmuseum Mainz,
Mainz
 
  View of Mauritsstad and Recife [28] c. 1653
Oil on panel,
48.2 x 83.6 cm
Private collection,
São Paulo
 
  Settlement in Brazil [29] 1654
Oil on panel,
51 x 70 cm
Nederlands Scheepvaartmuseum,
Amsterdam
 
  Wall with horses and slaves c. 1655
Oil on panel,
19.5 x 19.5 cm
Unsigned. Probably a fragment of a larger painting.[30]
Instituto Ricardo Brennand,
Recife
 
  Brazilian landscape with a worker's house [31] c. 1655
Oil on panel,
47 × 62.9 cm
Los Angeles County Museum of Art,
Los Angeles
 
  Brazilian landscape with a house under construction [32] c. 1655–1660
Oil on panel,
46 x 70 cm
Mauritshuis,
The Hague
 
  Brazilian landscape [33] 1656
Oil on panel,
41 x 59 cm
Frans Hals Museum,
Haarlem
 
  Plantation settlement in Brazil [34] 1656
Oil on panel,
36.9 x 54 cm
Carmen Thyssen-Bornemisza collection, on deposit at the Museo Thyssen-Bornemisza,
Madrid
 
  Brazilian landscape [35] 1656
Oil on panel,
59 × 94 cm
Wadsworth Atheneum,
Hartford, Connecticut
 
  Waterfall in the forest 1657
Oil on panel,
47 x 44 cm
Signed and dated ("F. Post 1657).[36]
Instituto Ricardo Brennand,
Recife
 
  River crossing the lowlands 1658
Oil on canvas,
62 x 87,5 cm
Signed and dated ("F. Post 1658).
Beatriz and Mário Pimenta Camargo collection,
São Paulo
 
  Brazilian landscape with the village of Igaraçú. To the left the church of Sts Cosmas and Damian [37] 1659
Oil on panel,
40 × 61 cm
Rijksmuseum,
Amsterdam
 
  Lowlands 1659
Oil on panel,
39 x 60 cm
Signed and dated ("F. Post 1659).[38]
Instituto Ricardo Brennand,
Recife
 
  Huts 1659
Oil on panel,
34 × 51 cm
Signed and dated ("F. Post 1659").[12]
Museu Nacional de Belas Artes,
Rio de Janeiro
 
  Village in the interior of Pernambuco [22] 1660
Oil on panel,
55 x 84 cm
Fundação Maria Luisa e Oscar Americano,
São Paulo
 
  Landscape in Brazil with Sugar Plantation [22] 1660
Oil on canvas,
87 x 113 cm
Statens Museum for Kunst,
Copenhagen
 
  View of a sugar mill c. 1660
Oil on panel,
25.7 × 41.4 cm
Signed ("F. Post").[12]
Museu Nacional de Belas Artes,
Rio de Janeiro
 
  Landscape with a boa c. 1660
Oil on canvas,
119 × 172 cm
Signed ("F. Post").[39]
Museu de Arte de São Paulo,
São Paulo
 
  Landscape c. 1660
Oil on panel,
20 × 30 cm
Unsigned.[38]
Instituto Ricardo Brennand,
Recife
 
  Village of Olinda, Brazil [40] c. 1660
Oil on canvas,
82.5 × 130.81 cm
Chazen Museum of Art,
Madison, Wisconsin
 
  The Sugar Factory and Plantation of Engenho Real c. 1660
Oil on panel,
71.5 x 91.5 cm
Museum Boijmans Van Beuningen,
Rotterdam
 
  Landscape with an antbear after 1660
Oil on panel,
56 x 79 cm
Signed ("F. Post").[41]
Museu de Arte de São Paulo,
São Paulo
 
  Rural landscape c. 1660–1667
Oil on panel,
30 x 37 cm
Possibly a pendant of Ruins of Olinda, housed in the same collection.[22]
Fundação Maria Luisa e Oscar Americano,
São Paulo
 
  Ruins of Olinda c. 1660–1667
Oil on panel,
30 x 37 cm
Possibly a pendant of Rural landscape, housed in the same collection.[22]
Fundação Maria Luisa e Oscar Americano,
São Paulo
 
  Landscape with river and forest [22] c. 1660–1667
Oil on panel,
63 × 93 cm
Fundação Maria Luisa e Oscar Americano,
São Paulo
 
  Landscape with a front porch house [22] c. 1660–1667
Oil on panel,
21 × 26.5 cm
Fundação Maria Luisa e Oscar Americano,
São Paulo
 
  Waterfall with indians [22] c. 1660–1667
Oil on panel,
30 x 35 cm
Fundação Maria Luisa e Oscar Americano,
São Paulo
 
  River and village landscape c. 1660–1669
Oil on panel,
35 x 89 cm
Signed ("F. Post").[42]
Instituto Ricardo Brennand,
Recife
 
  Sugar mill c. 1660–1669
Oil on panel,
50 x 69 cm
Signed ("F. Post"). Pendant of Village and chapel with portico, housed in the same collection.[43]
Instituto Ricardo Brennand,
Recife
 
  Village and chapel with portico c. 1660–1669
Oil on panel,
50 x 69 cm
Signed ("F. Post"). Pendant of Sugar mill, housed in the same collection.[44]
Instituto Ricardo Brennand,
Recife
 
  Village and chapel with portico c. 1660–1669
Oil on canvas,
54.5 x 70 cm
Signed ("F. Post").[45]
Instituto Ricardo Brennand,
Recife
 
  View of the area around Olinda [46] c. 1660–1670
Oil on panel,
43.7 x 59 cm
Staatsgalerie Stuttgart,
Stuttgart
 
  Brazilian landscape c. 1660–1670
Oil on panel,
48.3 x 62.2 cm
Signed ("F. Post").[47]
National Gallery of Ireland,
Dublin
 
  The Church of St. Cosmas and St. Damian and The Franciscan Monastery at Igaraçu, Brazil [48] c. 1660–1680
Oil on panel,
2.8 x 58.8 cm
Carmen Thyssen-Bornemisza collection, on deposit at the Museo Thyssen-Bornemisza,
Madrid
 
  Sugar plantation 1661
Oil on panel,
43 x 48cm
Beatriz and Mário Pimenta Camargo collection,
São Paulo
 
  View of Olinda, Brazil [49] 1662
Oil on canvas,
107.5 × 172.5 cm
Rijksmuseum,
Amsterdam
 
  Brazilian landscape or Rural landscape in Brazil [50] 1664
Oil on panel,
34.3 x 41.3 cm
John and Mable Ringling Museum of Art,
Sarasota, Florida,
 
  Landscape with ruins of Olinda 1664
Oil on panel,
34.3 x 47.7 cm
Signed and dated ("F. Post 1664").[51]
Instituto Ricardo Brennand,
Recife
 
  Ruins of the Mother Church of Olinda [52] c. 1665
Oil on canvas,
86 x 114 cm
Instituto Histórico e Geográfico Brasileiro,
Rio de Janeiro
 
  Brazilian landscape [53] 1665
Oil on canvas,
56.2 x 83.5 cm
Detroit Institute of Arts,
Detroit
 
  Brazilian landscape [54] 1665
Oil on canvas,
46.8 × 62.1 cm
Herbert F. Johnson Museum of Art,
Ithaca, New York
 
  Landscape of Pernambuco with manor house 1665
Oil on panel,
59 x 94 cm
Signed and dated ("F. Post 1665").[41]
Museu de Arte de São Paulo,
São Paulo
 
  Landscape with large tree to the right 1665
Oil on panel,
34 x 47 cm
Signed and dated ("F. Post 1665").[55]
Instituto Ricardo Brennand,
Recife
 
  Landscape of Paraíba 1665
Oil on panel,
45 x 53 cm
Signed ("F. Post").[12]
Museu Nacional de Belas Artes,
Rio de Janeiro
 
  View of the Ruins of Olinda, Brazil [56] 1665
Oil on canvas,
79.8 x 111.4 cm
Museo Thyssen-Bornemisza,
Madrid
 
  Landscape in Brazil [57] c. 1665–1669
Oil on canvas,
66 x 88 cm
National Gallery,
London
 
  Landscape in Brazil [58] c. 1665–1669
Oil on canvas,
66 x 88 cm
Rijksmuseum,
Amsterdam
 
  Sugar mill with a chapel [22] 1667
Oil on panel,
41 × 53 cm
Fundação Maria Luisa e Oscar Americano
São Paulo
 
  Landscape of Pernambuco – Indians hunting and fighting [20] 1667
Oil on panel,
57.8 x 72.5 cm
Palácio Laranjeiras
Rio de Janeiro
 
  Ipojuca Village [59] 1667
Oil on canvas,
45 × 59.7 cm
Coleção de Arte da Cidade de São Paulo (on loan to the Pinacoteca do Estado de São Paulo),
São Paulo
 
  Manor house on the lowlands 1667
Oil on canvas,
60 x 90 cm
Signed and dated ("F.Post 1667").
Beatriz and Mário Pimenta Camargo collection,
São Paulo
 
  Brazilian landscape [60] 1667
Oil on panel,
50 x 69 cm
Mauritshuis,
The Hague
 
  River landscape in Pernambuco 1668
Oil on panel,
47 x 55 cm
Signed and dated ("1668 – F. Post").[41]
Museu de Arte de São Paulo,
São Paulo
 
  Sugar mill c. 1670
Oil on canvas,
52.5 x 66 cm
Unsigned.[61]
Instituto Ricardo Brennand,
Recife
 
  Landscape on the Rio Senhor de Engenho, Brazil [62] c. 1670–1680
Oil on panel,
22.5 × 28 cm
Rijksmuseum,
Amsterdam
 
  Brazilian landscape [63] c. 1670–1680
Oil on panel,
22.5 × 28 cm
Rijksmuseum,
Amsterdam
 
  Village with church c. 1670–1680
Oil on panel,
30 x 39.5 cm
Signed ("F. Post").[64]
Instituto Ricardo Brennand,
Recife
 
  Village c. 1670–1680
Oil on panel,
54.9 x 62.9 cm
Signed ("F. Post").[65]
Instituto Ricardo Brennand,
Recife
 
  Northeastern Landscape c. 1670–1680
Oil on panel,
7.9 x 11.4 cm
Signed ("F. Post").[66]
Instituto Ricardo Brennand,
Recife
 
  Church Building in Brazil [67] c. 1675–1680
Oil on panel,
16.5 × 25 cm
Rijksmuseum,
Amsterdam
 
  Brazilian Village [68] c. 1675–1680
Oil on panel,
20.5 × 26.5 cm
Rijksmuseum,
Amsterdam
 

See also

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References

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  1. ^ a b Lago, Bia Corrêa (2003). Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. Recife: IRB. pp. 13–22.
  2. ^ "Frans Post" (in Portuguese). Enciclopédia Itaú Cultural. Archived from the original on 2017-01-31. Retrieved 2017-01-18.
  3. ^ "Frans Post (1612–1680): le Brésil à la cour de Louis XIV". Codart. Archived from the original on 2017-01-31. Retrieved 2017-01-18.
  4. ^ Currently in the Bristol museum (2023)
  5. ^ "View of the Island of Itamaracá, Brazil, Frans Jansz Post, 1637". Rijksmuseum. Archived from the original on 2017-02-04. Retrieved 2017-02-03.
  6. ^ "The Old Portuguese Forte dos Reis Magos, or Fort Ceulen, at the Mouth of the Rio Grande". Louvre. Archived from the original on 2017-02-02. Retrieved 2017-01-18.
  7. ^ "The Ox Cart. Brazilian Landscape". Louvre. Archived from the original on 2017-02-02. Retrieved 2017-01-18.
  8. ^ "O Brasil seiscentista nas pinturas de Albert Eckhout e Frans Janszoon Post" (PDF). Instituto Camões. Archived (PDF) from the original on 2017-02-02. Retrieved 2017-01-18.
  9. ^ "The Rio São Francisco and Fort Maurits, with a Capybara in the Foreground". Louvre. Archived from the original on 2017-02-02. Retrieved 2017-01-18.
  10. ^ "Landscape near Porto Calvo, with a Fig Tree in the Foreground". Louvre. Archived from the original on 2017-02-02. Retrieved 2017-01-18.
  11. ^ Lago, Bia Corrêa (2003). Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. Recife: IRB. pp. 24–25.
  12. ^ a b c d e f g h "A presença holandesa no Brasil" (PDF) (in Portuguese). Museu Nacional de Belas Artes. 2003. Archived (PDF) from the original on 2017-11-12. Retrieved 2017-01-18.
  13. ^ "A Village in Brazil c.1645–80" (in Portuguese). Royal Collection Trust. Archived from the original on 2016-01-17. Retrieved 2017-01-30.
  14. ^ "Brasilian landscape with Manoah's sacrifice" (in Portuguese). Museum Boijmans Van Beuningen. Archived from the original on 2018-01-11. Retrieved 2017-02-03.
  15. ^ "Brasilianische Landschaft mit Ameisenbär" (in Portuguese). Alte Pinakothek. Archived from the original on 2017-02-04. Retrieved 2017-02-03.
  16. ^ Marques, Luiz (1998). Catálogo do Museu de Arte de São Paulo Assis Chateaubriand: Arte da Península Ibérica, do Centro e do Norte da Europa. São Paulo: Prêmio. p. 119.
  17. ^ "A Brazilian Landscape". Metropolitan Museum of Art. Archived from the original on 2023-08-21. Retrieved 2017-01-23.
  18. ^ "Traveler Artists to Latin America" (in Portuguese). Colección Cisneros. Archived from the original on 2017-01-07. Retrieved 2017-01-20.
  19. ^ "Espaço Olavo Setúbal" (in Portuguese). Itaú Cultural. Archived from the original on 2017-02-02. Retrieved 2017-01-20.
  20. ^ a b "Edital de concorrência" (PDF) (in Portuguese). Governo do Estado do Rio de Janeiro. Archived (PDF) from the original on 2017-02-02. Retrieved 2017-01-20.
  21. ^ a b Graça, Galindo (2003). Museu do Estado de Pernambuco. São Paulo: Safra. pp. 162–163.
  22. ^ a b c d e f g h i "A Visão do Paraíso e Frans Post: uma reavaliação em vista da prática pictórica contemporânea" (PDF) (in Portuguese). ANPAP. Archived (PDF) from the original on 2014-12-22. Retrieved 2017-01-18.
  23. ^ "A Monastery of the Capuchin Fathers — The House of a Portuguese Nobleman" (in Portuguese). Louvre. 1661. Archived from the original on 2017-02-02. Retrieved 2017-01-27.
  24. ^ "A Sugar Mill Driven by a Small River" (in Portuguese). Louvre. 1661. Archived from the original on 2017-02-02. Retrieved 2017-01-27.
  25. ^ "The Home of a "Labrador" (Sugar Cane Planter) in Brazil, formerly incorrectly known as The Village of Serinhaem" (in Portuguese). Louvre. April 1661. Archived from the original on 2017-02-02. Retrieved 2017-01-27.
  26. ^ "Three Different Houses, or "Homes of the Labradores who Plant Sugar"" (in Portuguese). Louvre. 1661. Archived from the original on 2017-02-02. Retrieved 2017-01-27.
  27. ^ "Landscape in Brazil, Frans Jansz Post, 1652" (in Portuguese). Rijksmuseum. Archived from the original on 2017-02-04. Retrieved 2017-01-27.
  28. ^ "As paisagens imaginárias de Frans Post". Dossiê História e Imagens. Archived from the original on 2018-05-14. Retrieved 2017-01-18.
  29. ^ "Een nederzetting in Brazilië". Memory of the Netherlands. Retrieved 2017-02-01.
  30. ^ Lago, Bia Corrêa (2003). Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. Recife: IRB. pp. 28–29.
  31. ^ "Brazilian Landscape with a Worker's House". Los Angeles County Museum of Art. Archived from the original on 2017-02-03. Retrieved 2017-01-18.
  32. ^ "Brazilian Landscape with a House under Construction, c. 1655 – 1660". Mauritshuis. Archived from the original on 2017-02-04. Retrieved 2017-02-03.
  33. ^ "Brazilian Landscape, 1656". Frans Hals Museum. Archived from the original on 2017-02-02. Retrieved 2017-01-18.
  34. ^ "Plantation Settlement in Brazil". Museo Thyssen-Bornemisza. Archived from the original on 2017-02-04. Retrieved 2017-03-02.
  35. ^ "Brazilian Landscape". Wadsworth Atheneum Museum of Art. Archived from the original on 2019-03-25. Retrieved 2017-02-01.
  36. ^ Lago, Bia Corrêa (2003). Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. Recife: IRB. pp. 26–27.
  37. ^ "Brazilian landscape with the village of Igaraçú. To the left the church of Sts Cosmas and Damian, Frans Jansz Post, 1659". Rijksmuseum. Archived from the original on 2017-02-04. Retrieved 2017-02-03.
  38. ^ a b Lago, Bia Corrêa (2003). Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. Recife: IRB. pp. 30–31.
  39. ^ Marques, Luiz (1998). Catálogo do Museu de Arte de São Paulo Assis Chateaubriand: Arte da Península Ibérica, do Centro e do Norte da Europa. São Paulo: Prêmio. p. 121.
  40. ^ "Village of Olinda, Brazil". Chazen Museum of Art. Retrieved 2017-01-18.
  41. ^ a b c Marques, Luiz (1998). Catálogo do Museu de Arte de São Paulo Assis Chateaubriand: Arte da Península Ibérica, do Centro e do Norte da Europa. São Paulo: Prêmio. p. 120.
  42. ^ Lago, Bia Corrêa (2003). Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. Recife: IRB. pp. 38–39.
  43. ^ Lago, Bia Corrêa (2003). Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. Recife: IRB. pp. 40–41.
  44. ^ Lago, Bia Corrêa (2003). Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. Recife: IRB. pp. 42–43.
  45. ^ Lago, Bia Corrêa (2003). Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. Recife: IRB. pp. 44–45.
  46. ^ "View of the area around Olinda". Staatsgalerie Stuttgart. Archived from the original on 2023-08-21. Retrieved 2017-01-18.
  47. ^ "Brazilian Landscape, 1660s". National Gallery of Ireland. Retrieved 2017-01-30.
  48. ^ "The Church of St. Cosmas and St. Damian and The Franciscan Monastery at Igaraçu, Brazil". Museo Thyssen-Bornemisza. Archived from the original on 2017-02-04. Retrieved 2017-03-02.
  49. ^ "View of Olinda, Brazil, Frans Jansz Post, 1662". Rijksmuseum. Archived from the original on 2017-02-04. Retrieved 2017-02-03.
  50. ^ "Brazilian Landscape". John and Mable Ringling Museum of Art. Archived from the original on 2017-02-02. Retrieved 2017-01-18.
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  52. ^ "Brasiliana IHGB: um valioso presente à memória nacional" (in Portuguese). Expresso Liberdade. 7 September 2014. Archived from the original on 2017-02-02. Retrieved 2017-01-18.
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  56. ^ "View of the Ruins of Olinda, Brazil". Museo Thyssen-Bornemisza. Archived from the original on 2017-02-04. Retrieved 2017-03-02.
  57. ^ "Landscape in Brazil" (in Portuguese). The National Gallery. Archived from the original on 2017-02-04. Retrieved 2017-02-03.
  58. ^ "Landscape in Brazil, Frans Jansz Post, c. 1665 – c. 1669" (in Portuguese). Rijksmuseum. Archived from the original on 2017-02-04. Retrieved 2017-02-03.
  59. ^ "7 obras de nosso acervo que já estão em domínio público" (in Portuguese). CCSP. Archived from the original on 2017-02-01. Retrieved 2017-01-18.
  60. ^ "Frans Post, Brazilian Landscape, 1667". Mauritshuis. Archived from the original on 2017-02-04. Retrieved 2017-02-03.
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  62. ^ "Landscape on the Rio Senhor de Engenho, Brazil, Frans Jansz Post, 1670 – 1680". Rijksmuseum. Archived from the original on 2017-02-04. Retrieved 2017-02-03.
  63. ^ "Brazilian Landscape, Frans Jansz Post, 1670 – 1680". Rijksmuseum. Archived from the original on 2017-02-04. Retrieved 2017-02-03.
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  65. ^ Lago, Bia Corrêa (2003). Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. Recife: IRB. pp. 50–51.
  66. ^ Lago, Bia Corrêa (2003). Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. Recife: IRB. pp. 52–53.
  67. ^ "Church Building in Brazil, Frans Jansz Post, 1675 – 1680". Rijksmuseum. Archived from the original on 2017-02-04. Retrieved 2017-02-03.
  68. ^ "Brazilian Village, Frans Jansz Post, 1675 – 1680". Rijksmuseum. Archived from the original on 2017-02-04. Retrieved 2017-02-03.

Further reading

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  • Lago, Pedro Corrêa, and Lago, Bia Corrêa. Frans Post: (1612–1680): obra completa, Rio de Janeiro: Editora Capivara, 1996.
  • Lago, Bia Corrêa. Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand, Recife: IRB, 2003.
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