The Confluence Project is a series of outdoor installations and interpretive artworks located in public parks along the Columbia River and its tributaries in the U.S. states of Washington and Oregon. Each art installation explores the confluence of history, culture and ecology of the Columbia River system.[1] The project draws on the region's history, including Native American traditional stories and entries from the Lewis and Clark Expedition journals, to "evoke a landscape and a way of life submerged in time and memory."[2] The project reaches from the mouth of the Columbia River to Hells Canyon.[3]

Artist Maya Lin designed installations that followed the path of Lewis and Clark through the Columbia River Basin. Lin collaborated with landscape architects, such as Johnpaul Jones, to produce earthen works that helped restore natural environments. Each artwork was based on traditions grounded in Native American cultures and drew text from Lewis and Clark's journals.[1]

Confluence is a community supported nonprofit 501(C)(3) based in Vancouver, Washington, incorporated in 2002. The mission is to connect people to the history, living cultures, and ecology of the Columbia River system through Indigenous voices.

Sites

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Washington

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Oregon

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Bird Blind in 2008

References

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  1. ^ a b Cipolle, Alex V. (May 20, 2021). "Along the Columbia River, Making a Monument of the Land". The New York Times. Retrieved 22 May 2021.
  2. ^ Raymond, Camela (November 2007). "The Shape of Memory". Portland Monthly.
  3. ^ "Event Calendar". Archived from the original on 2014-11-24. Retrieved 2014-11-14.
  4. ^ "Cape Disappointment State Park". Archived from the original on 2010-12-06. Retrieved 2010-12-09.
  5. ^ Fort Vancouver National Historic Site (U.S. National Park Service)
  6. ^ Sacajawea State Park Archived 2006-09-07 at the Wayback Machine
  7. ^ Confluence Project: project sites
  8. ^ Confluence Project: project sites: Sandy River Delta
  9. ^ Fogarty, Colin (March 14, 2014). "Art Installation Will Recall Silenced Celilo Falls". The Oregonian. Retrieved 2014-03-14.
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