Zulu Dawn

Zulu Dawn is a 1979 American adventure war film about the historical Battle of Isandlwana between British and Zulu forces in 1879 in South Africa. The screenplay was by Cy Endfield, from his book, and Anthony Storey. The film was directed by Douglas Hickox. The score was composed by Elmer Bernstein.

Zulu Dawn
Zuludawnposter.jpg
film poster by Tom Chantrell
Directed byDouglas Hickox
Written byCy Endfield
Anthony Storey
Produced byNate Kohn
James Sebastian Faulkner
StarringBurt Lancaster
Peter O'Toole
Simon Ward
Nigel Davenport
Michael Jayston
Peter Vaughan
Denholm Elliott
James Faulkner
John Mills
CinematographyOusama Rawi
Edited byMalcolm Cooke
Music byElmer Bernstein
Distributed byAmerican Cinema Releasing
Release date
  • 15 May 1979 (1979-05-15)
Running time
117 minutes
CountryUnited States
LanguageEnglish
Budget$11.75 million[1]($41 million in 2020 dollars)[2]

Zulu Dawn is a prequel to Zulu, released in 1964, which depicts the historical Battle of Rorke's Drift later the same day, and which was co-written and directed by Cy Endfield.

PlotEdit

The film opens in the Cape Colony in January 1879. British Army officer Lord Chelmsford plots with diplomat Sir Henry Bartle Frere to annex the neighbouring Zulu Empire, which they perceive as a threat to the Cape Colony's emerging industrial economy. Frere issues an ultimatum to the Zulu king, Cetshwayo, demanding that he dissolve the Zulu military; an indignant Cetshwayo rebuffs the demand, providing Lord Chelmsford and Frere with a casus belli against the Zulus. Despite objections from prominent individuals in the Cape Colony and Great Britain, Frere authorises Lord Chelmsford to command a British expeditionary force to invade the Zulu Empire.

The British expeditionary force marches into the Zulu Empire, with Lord Chelmsford directing it towards the Zulu capital, Ulundi. Eager to bring the war to a swift conclusion, the British become increasingly frustrated as the Zulu military adopts a Fabian strategy, refusing to engage in a pitched battle; a few skirmishes occur between British and Zulu scouts with indecisive results. Three Zulu warriors allow themselves to be captured in a skirmish and are interrogated by the British, but refuse to divulge any information and eventually escape, informing their commander of the British dispositions. Halfway to Ulundi, Lord Chelmsford, orders the British force to make camp at the base of Mount Isandlwana, ignoring the advice of his Boer attendants to fortify the camp and transform his supply wagons into a laager.

Upon receiving inaccurate reports from his scouts concerning the Zulus' dispositions, Lord Chelmsford leads half the British force on a wild goose chase far from the camp against a phantom Zulu force. The next day, the British camp receives reinforcements led by Colonel Durnford, who dispatches scouts to reconnoiter the surrounding area before leaving the camp to personally scout the region. One of the British scouting parties discovers a Zulu force massing at the bottom of a nearby valley. The Zulu force quickly attacks the British camp, but are initially repulsed; however, they spread out and adopt a strategy of encircling the British, who are eventually pushed back after they run out of ammunition. A massed infantry charge by the Zulu force breaks the British lines, causing them to retreat back towards their camp. Overwhelmed by the attacking Zulus, the British force collapses and is quickly massacred.

Zulu warriors quickly hunt down any British survivors fleeing the battle, while several British soldiers attempt an unsuccessful last stand. The British camp's commander, Colonel Pulleine, entrusts a regimental colour to his soldiers who attempt to carry it safely back to the Cape Colony; they pass numerous dead and dying British soldiers during their journey. Eventually reaching the Buffalo River, the British soldiers are discovered and killed by Zulu warriors; the colour is captured by a Zulu. One of the British soldiers, who lies mortally wounded, shoots and kills the Zulu wielding the colour, who drops it into the river, where it floats out of reach of the Zulu force. In the evening, Lord Chelmsford returns to the scene of the battle, and receives news that a Zulu force has attacked Rorke's Drift. The film ends with Zulu warriors dragging captured artillery back to Ulundi.

CastEdit

BritishEdit

ProductionEdit

The script was originally written by Cy Endfield.[3]

The Lamitas Property Investment Corporation raised money for the film. They financed a series of films, including several in South Africa, such as The Wild Geese (1978). The company committed about £5 million to Zulu Dawn, most of it raised from a Swiss bank, the Banque de Paris et des Pay Bas.[4] HBO helped guarantee finance.[5] The budget was initially set at $6.5 million but the budget kept increasing and eventually cost $11.75 million, despite coming in only two days over schedule.[1]

Jake Eberts was involved in raising finance for the film. He had to guarantee Burt Lancaster's salary when Lancaster's agent insisted on one. This meant Eberts was liable for the loan. In 1983 the interest made this £450,000. Eberts spent years paying it back.[6]

John Hurt was cast in a lead role but was refused entry to South Africa. This confused Hurt who was not particularly political. It was thought South African Intelligence may have confused him with the actor John Hurd, who was a draft dodger.[7]

Orion Pictures picked the film up for worldwide distribution through Warner Bros. and other companies.[1]

ShootingEdit

Every day over 1,000 people were involved in filming,[8] with Zulu extras being paid £2.70 per day.[9]

In 1978, the producers and financiers agreed to defer their fees and no completion guarantee was in place to get the film finished.[1] Norma Foster was a liaison between the South African government (notably the Minister of Information, Dr Connie Mulder) and the filmmakers; she later claimed the producers owed her £20,000. Co-producers, James Faulkner and Barrie Saint Clair, claimed they were owed £100,000 in deferred fees. Over 100 creditors in South Africa claimed they were owed £250,000. Faulkner and Saint Clair sought an injunction to block screening of the film until they were paid.[1] Lamitas denied liability for the money, claiming expenses exceeded the agreed budget and the injunction was lifted May 21, 1979.[1] They later offered to settle for 25 pence on the pound.[4]

ReceptionEdit

The film has received mixed reviews. On review aggregation website Rotten Tomatoes, Zulu Dawn has an approval rating of 50% based on 8 reviews and an average rating of 6.03/10.[10]

ReferencesEdit

  1. ^ a b c d e f "Free 'Zulu Dawn' From Restraint". Variety. 23 May 1979. p. 3.
  2. ^ 1634–1699: McCusker, J. J. (1992). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy ofthe United States: Addenda et Corrigenda (PDF). American Antiquarian Society. 1700–1799: McCusker, J. J. (1992). How much is that in real money?: a historical price index for use as a deflator of money values in the economy of the United States (PDF). American Antiquarian Society. 1800–present: Federal Reserve Bank of Minneapolis. "Consumer Price Index (estimate) 1800–". Retrieved 1 January 2020.
  3. ^ Dineen, Michael (18 June 1978). "Cy's is right to type fast: Small businesses bureau". The Observer. p. 16.
  4. ^ a b Beresford, D. (10 August 1979). "Zulu victory starts a second battle". The Guardian.
  5. ^ "BUSY BUYING FOR TELEVISION". The Irish Times. 25 May 1979. p. 10.
  6. ^ Eberts, Jake; Illott, Terry (1990). My indecision is final. Faber and Faber. p. 156-157.
  7. ^ Hall, Ruth (28 July 1978). "London Diary". New Statesman. Vol. 96 no. 2471. p. 119.
  8. ^ Lukk, Tiiu (February 1979). "Filming "Zulu Dawn" on Location in South Africa". American Cinematographer. Vol. 60 no. 2.
  9. ^ "A High Shine for Olivier's Star". Los Angeles Times. 20 July 1978. p. i15.
  10. ^ "Zulu Dawn". Rotten Tomatoes. Retrieved 16 December 2020.

External linksEdit