X-Men (TV series)
X-Men, also known as X-Men: The Animated Series, is an American animated television series which debuted on October 31, 1992, in the United States on the Fox Network, as part of its Fox Kids Saturday morning lineup. X-Men was Marvel Comics' second attempt at an animated X-Men TV series after the pilot, X-Men: Pryde of the X-Men, was not picked up.
by Stan Lee and Jack Kirby
|Developed by||Eric Lewald
|Voices of||Norm Spencer
Cathal J. Dodd
Iona Morris (1992–93)
Alison Sealy-Smith (1993–97)
Chris Potter (1992–96)
Tony Daniels (1997)
|Theme music composer||Ron Wasserman|
|Composer(s)||Ron Wasserman (1992–95)
|Country of origin||United States|
|No. of seasons||5|
|No. of episodes||76 (list of episodes)|
|Executive producer(s)||Avi Arad
Eric S. Rollman
|Running time||22 minutes|
|Production company(s)||Marvel Entertainment Group
|Distributor||New World Animation
|Original network||Fox Kids|
|Original release||October 31, 1992– September 20, 1997|
|Preceded by||X-Men: Pryde of the X-Men|
|Followed by||X-Men: Evolution|
In 1991, Margaret Loesch became head of Fox Children's Network. Having championed the Pryde of the X-Men pilot in 1989, she was quick to set up an order for 13 episodes of X-Men. Saban Entertainment was contracted to produce the show and hired a small studio Graz Entertainment to produce the episodes as it did not have sufficient staff at the time to handle production in house. Graz employed the creative staff, wrote and designed each episode, and drew the storyboards. The voice work was done using Canadian studios and South Korean studio AKOM was hired to animate the episodes. X-Men was originally to premiere over the Labor Day weekend in September; due to production delays, it was pushed to the end of October. When the animation team AKOM turned in the first episode, it contained hundreds of animation errors, which AKOM refused to fix. Because of time constraints, the episode was aired in an unfinished form. The second episode was turned in just before deadline, with 50 scenes missing and only a single day reserved for editing. The "Night of the Sentinels" two-part episode originally aired as a "sneak preview" on October 31.
Because of the production delays and animation errors in these two episodes, Fox threatened to sever AKOM's contracts. When Fox re-aired the pilot in early 1993, the errors were corrected. The series earned top ratings throughout its first season, and was renewed for a second season of 13 episodes.
After the box office success of the live-action X-Men film in the summer of 2000, Fox began airing reruns of the cartoon on weekday afternoons. At first, only episodes that primarily featured content in the movie were broadcast. Later, the series was aired in proper order, but it was pulled from the air in early 2001. Soon after, ABC Family and Toon Disney began airing reruns, due to Disney's buyout of all Saban Entertainment programs. X-Men was taken off the air again after Toon Disney was discontinued and Disney XD took over its programming.
The show features X-Men similar in look and line-up to the early 1990s X-Men drawn by Jim Lee (specifically, Cyclops's Blue Team, established in the early issues of X-Men: Legacy), composed of Cyclops, Wolverine, Rogue, Storm, Beast, Gambit, Jubilee, Jean Grey, Professor X, as well as an original character, Morph (an adaptation of previous X-Men member Changeling).
The series deals with social issues, including divorce ("Proteus"), Christianity ("Nightcrawler" and "Bloodlines"), the Holocaust ("Enter Magneto", "Deadly Reunions", "Days of Future Past" and "The Phalanx Covenant") and AIDS hysteria ("Time Fugitives"), and feelings of loneliness ("No Mutant Is an Island"). Television was satirized in the episodes "Mojovision" and "Longshot".
X-Men crossed over with the animated series Spider-Man, when Spider-Man seeks out the X-Men's help to stave off his progressing mutation. In the abbreviated form of the Secret Wars storyline, the Beyonder and Madame Web selected Spider-Man to lead a team of heroes including Storm against a group of villains. An earlier draft of "Secret Wars" involved all of the X-Men, but transporting the voice cast to Los Angeles where production for the Spider-Man animated series was based from Canada had been too costly in previous crossovers, so the episode was re-written to include only Storm, whose actress, Iona Morris, lived in Los Angeles. Hulk and She-Hulk were excluded from the episodes because the Incredible Hulk animated series featuring the characters was airing on rival network UPN.
The first season of the show brought the X-Men into conflict with human conspirators building mutant-exterminating Sentinel robots, Magneto and his attempts to instigate a human-mutant war, and the powerful mutant Apocalypse's plans to eradicate the weak, both human and mutant alike. Other storylines including X-Men member Morph's death at the hands of Sentinels, Beast's incarceration, and an assassination attempt on US senator Kelly by Apocalypse's minions to turn human sentiment against the mutants. The second season sees Cyclops and Jean get married and become the targets of Mister Sinister, who hopes to use the genetically perfect combination of their DNA to create an army of obedient mutants. Morph returns, having been rescued by Sinister and brainwashed into forcing the X-Men apart. The season also features the growing rift between humans and mutants, spearheaded by the Friends of Humanity, an anti-mutant group who lead the persecution of all mutants. Apocalypse also returns, developing a deadly plague to be blamed on mutants, fueling mutant hatred.
The third season focuses on the cosmic force, the Phoenix, which merges with Jean Grey and eventually turns her into the malevolent and powerful Dark Phoenix. The season also introduced the Shi'ar Empire who want to stop the Dark Phoenix, including Lilandra and Gladiator. Other storylines include the introduction of Wolverine's former lover turned mercenary, Lady Deathstrike, former X-Men member Iceman, and the villainous Shadow King.
Although the majority of series's stories are original, a number of storylines and events from the comics are loosely adapted in the series, such as:
- The 2-part Pilot episode "Night of the Sentinels" features "The Mutant Registration Act" which was first used in "Days of Future Past" from Uncanny X-Men #141 (January, 1981). Also the battle at the shopping mall is adapted from Jubilee's first appearance in the story "Ladies' Night" from Uncanny X-Men #244 (May, 1989). In that story, Jubilee is attacked by the M-Squad and is rescued by female X-Men and the final sequence wherein Jubilee arrives at the X-Mansion is based on a similar sequence when Kitty Pryde first arrived at the X-Mansion following the funeral for Phoenix in "Elegy" from X-Men #138 (October, 1980).
- The episode, "Enter Magneto", features a confrontation at a missile base: this is largely based on the X-Men's first battle with Magneto, as told in their 1963 debut story "X-Men" in X-Men #1 (September, 1963).
- "Captive Hearts" is loosely based on events depicted in "Catacombs" and "Dancin' in the Dark" from Uncanny X-Men #169-170 (May–June, 1983), except that the X-Man kidnapped by The Morlocks in those stories was Angel, rather than Cyclops.
- In the episode "Slave Island", Genosha's treatment of mutants as slave labor is adapted from "Welcome to Genosha"/"Busting Loose"/"Who's Human?"/"Gonna be a Revolution" in Uncanny X-Men #235-#238 (October–November, 1989). However, the premise of how the Genoshan's enslaved mutants is greatly retooled, likely to be more appropriate for children's television.
- In the episode "The Unstoppable Juggernaut", The Juggernaut's origins is adapted from the story "The Origin of Professor X!" in X-Men #12 (July, 1965). Also the X-Men clashing with Juggernaut at the bank is adapted loosely from the story "Juggernaut's Back in Town" in Uncanny X-Men #194, particularly the portions where the X-Men are staking out the bank before the Juggernaut attacks and the origin of Colossus is adapted from Deadly Genesis! in Giant-Size X-Men #1 (May, 1975).
- "The Cure" features a flashback to Rogue's origins detailing her kiss with Cody Robbins, which is adapted from "Public Enemy" in Uncanny X-Men #185 (September, 1984).
- Apocalypse's creation of his Four Horsemen in "Come the Apocalypse" is very loosely adapted from Issues #10 "Falling Angel!", #12 "Boom Boom Boom!", #15 "Whose Death is it, Anyway?", #19 "All Together Now!" and #24 "Masks" from X-Factor .
- The first part of the 2-part episode story "Days of Future Past" is loosely based on X-Men #141 (January, 1981), the first part of the "Days of Future Past" story arc. The entire story was retooled to fit the continuity established in the animated series, however some original elements remained such as Wolverine leading a resistance against the Sentinels. However Bishop's role as a tracker of Mutant rebels is reminiscent of Rachel Summer's role as a Hound, likely adapted from Uncanny X-Men #189. Similarly, Bishop's betrayal of the Sentinels and travel back in time is adapted from Kate Pryde's similar stunt in X-Men' #141 and Nimrod's appearance and battle with the X-Men is likely adapted from "Raiders of the Lost Temple!" in Uncanny X-Men #191 (March, 1985) and 194 (June, 1985). Also Bishops' assertion that Gambit betrayed the X-Men is adapted from "Bishop to King's Five!" in Uncanny X-Men #287 (April, 1992) wherein Bishop's future the X-Men were apparently killed by one of their own, and as Gambit was the only survivor Bishop long suspected him of betraying the X-Men.
- The second part of "Days of Future Past" is adapted from "Mind Out of Time" in Uncanny X-Men #142 (February, 1981), wherein the X-Men prevent the Brotherhood of Evil Mutants from assassinating Senator Robert Edward Kelly. The story was altered to fit the continuity of the animated series, wherein Bishop takes the place of Kate Pryde, however it deviates from the original story when Magneto abducts Kelly.
- The entire Sentinel plot from the episode "The Final Decision", including Master Mold forcing Trask to do his bidding is adapted from "Among Us Stalk... the Sentinels"/"Prisoners of the Mysterious Master Mold!"/"The Supreme Sacrifice!" in X-Men #14-16 (November, 1965-January, 1966). Whilst Scott's marriage proposal to Jean and Mister Sinister's interest, which is explored fully in Season 2, is very loosely adapted on "Inferno, Part the Fourth: Ashes!" in Uncanny X-Men #243 (April, 1989) among other issues where Sinister manipulated Scott's marriage to Madelyne Pryor for his own twisted ends.
- The episode "Whatever It Takes" features a flashback depicting Mjnari's birth is based on the story "Life-Death II" from Uncanny X-Men #198 (October, 1985). In that story, Storm discovered Shani's tribe after losing her mutant powers, and resuscitated Shani's (unnamed) son as in this episode. The story also featured a tribal elder named MjNari, who chose to die when Shani's son was born, so that the tribe would not become too numerous for its resources.
- The episode "Repo Man" is based on "Shoot-Out at the Stampede!" from Uncanny X-Men #121 (May, 1979), and the ""Weapon X" story from Marvel Comics Presents #72-84 (March–September 1991).
- The episode "X-Ternally Yours" is based upon the "Gambit" 4 issue mini-series featuring "Tithing"/"Honor Amongst Thieves"/"The Benefactress"/"Thief of Time" (which was published literally around the same time that episode first aired) (December, 1993-March, 1994) though in it Gambit's brother is named Henri instead of Bobby.
- In "Time Fugitives (parts 1 & 2)" features a variation of the "Legacy Virus" story line where it was the creation of Apocalypse, who had created the virus with the aid of Graydon Creed and the Friends of Humanity, infecting innocent people and claiming that mutants were the ones who had caused the plague. In an attempt to stop the plague, Bishop came back from the future to destroy Apocalypse's work before the virus could move on to mutants, but as a result vital antibodies that would allow the mutant race to survive future plagues were never created. Traveling back from even further in the future, Cable was able to come up with a compromise that allowed both Bishop's and his own missions to succeed; although the plague never made the jump to mutants on a large-scale basis, Cable nevertheless ensured that Wolverine would be infected, thus creating the necessary antibodies while not killing any mutants thanks to Wolverine's healing factor.
- Parts of the episode "A Rogue's Tale" are based on "Rogue Redux" in Uncanny X-Men #269 (October, 1990) and "By Friends -- Betrayed!" in Avengers Annual #10 (August, 1981).
- "The Phoenix Saga (Part 1): Sacrifice" is loosely based on "My Brother, My Enemy!" in Uncanny X-Men #97 (February, 1976), "Deathstar, Rising!"/"Greater Love Hath No X-Man..."/"Phoenix Unleashed!" in Uncanny X-Men #90-100 (June–August 1976).
- "The Phoenix Saga (Part 2): The Dark Shroud" is loosely based on "Like a Phoenix, from the Ashes" in Uncanny X-Men #101 (October, 1976) and "Dark Shroud of the Past!" in Uncanny X-Men #106 (August, 1977).
- "The Phoenix Saga (Part 3): The Cry of the Banshee" is loosely based on "Who Will Stop the Juggernaut?"/"The Fall of the Tower"/"The Gentleman's Name is Magneto" in Uncanny X-Men #102-105 (December, 1976-June, 1977).
- "The Phoenix Saga (Part 4): The Starjammers" is loosely based on "Where No X-Man Has Gone Before!" in Uncanny X-Men #107 (October, 1977).
- "The Phoenix Saga (Part 5): Child of Light" is loosely based on "Armageddon Now" in Uncanny X-Men #108 (December, 1977).
- "The Dark Phoenix Saga (Part 1): Dazzled" is both based heavily and loosely on different areas, of the story lines "Dazzler"/"Run for Your Life!"/ "And Hellfire is Their Name!" from Uncanny X-Men #130-132 (February–April, 1980).
- "The Dark Phoenix Saga (Part 2): The Inner Circle" is based on "Wolverine: Alone!" in Uncanny X-Men #133 (May, 1980) & "Too Late, the Heroes!" in #134 Uncanny X-Men (June, 1980). The battle with the Inner Circle follows the original comics very closely, with Beast taking the role of Nightcrawler (when juggling Shaw), and Rogue taking the role of Colossus (tearing the arm off Pierce).
- "The Dark Phoenix Saga (Part 3): The Dark Phoenix" is based on "Dark Phoenix" in Uncanny X-Men #135 (July, 1980) and "Child of Light and Darkness!" in Uncanny X-Men #136 (August, 1980).
- "The Dark Phoenix Saga (Part 4): The Fate of the Phoenix" is based on the comic of the same name ("The Fate of the Phoenix!") in Uncanny X-Men #137 (September, 1980).
- The episode "Orphan's End" is based on "Reunion" in Uncanny X-Men #154 and "First Blood" in Uncanny X-Men #155.
- "Sanctuary (Part 1)" is loosely based on "Rubicon" in X-Men (Vol 2) #1 (October, 1991) and "Firestorm" in X-Men (Vol 2) #2 (November, 1991) from the X-Men: Legacy series and the "Fatal Attractions" crossover storyline.
- "Sanctuary (Part 2)" is loosely based on "Fallout!" X-Men (Vol 2) #3 (December, 1991) from the X-Men: Legacy series and the "Fatal Attractions" crossover storyline.
- In "One Man's Worth (Parts 1 & 2)" we see a reverse of the usual book-inspiring-TV relationship. While "One Man's Worth" has a time-line similar to that in Age of Apocalypse, in fact the cartoon was an original story written a year before the comic book came out.
- The episode "Weapon X, Lies, & Videotape" is loosely based on the story-lines "The Shiva Scenario Part 1: Dreams of Gore, Phase 1"/"Shiva Scenario Part 2: Dreams of Gore: Phase Two"/"The Shiva Scenario Part 3: Dreams of Gore: Phase 3" from Wolverine #48-50 (November, 1992-January 1993), with a bit of the story-lines "Nightmare Quest!"/"Reunion!"/"Bastions of Glory!"/"What Goes Around..." from issues #61-64 (September–December 1992) thrown in, as well (though the robot Talos is called "Shiva" there, and the Weapon X project has more members).
- The 2-part final season opener "Phalanx Covenant" was adapted from the comic of the same name (September–October 1994) with Beast as the central character. The Phalanx were conceived to be fully alien and not mutant hating humans who were infected with the technology, becoming more like the Technarchy, with Cameron Hodge working along with them serving much the same role as in the comics. During the two parter, Beast teams up with Warlock, Forge (part of X-Factor), Mr Sinister, Amelia Voght (who was working on Muir Island at the time) and Magneto.
- The episode "Jubilee's Fairytale Theater" is based on "Kitty's Fairy Tale" in Uncanny X-Men #153 (January, 1982). Where Kitty Pryde told a fairytale to Illyana Rasputina, replacing Kitty Pryde with Jubilee and Illyana Rasputina with school children.
- The episode "Old Soldiers" is loosely based on "Madripoor Knights" in Uncanny X-Men #268 (September, 1990).
The series' voice acting was recorded in Toronto studios, with Dan Hennessey serving as voice director. Toronto voice actors had been already used for the 1960s Marvel Comics cartoons.
- Cyclops / Scott Summers (Norm Spencer): The second-in-command and field commander of the X-Men. He possesses the ability to fire concussive blasts from his eyes. He and Jean Grey are in a longstanding relationship, and marry at the end of the final season.
- Wolverine / Logan (Cathal J. Dodd): A mutant with a regenerative healing factor, heightened senses, an adamantium-laced skeleton that render his bones virtually indestructible, and retractable claws capable of cutting virtually anything. He was attracted to Jean, but decided not to come between her and Scott.
- Rogue (Lenore Zann): She possesses the uncontrollable ability to absorb the memories, powers and energy of those she touches; however, if Rogue holds onto someone too long, their consciousness will be trapped in her subconscious. She has permanently absorbed the superhuman strength, durability and flight of Ms. Marvel; Ms. Marvel was left a vegetable due to this.
- Storm / Ororo Munroe (Iona Morris (1992–93), Alison Sealy-Smith (1993–97)): She is able to control the weather, using it to injure her foes or fly and is second in command of the X-Men. Storm has to remain in constant control of her emotions, as they are linked to her powers; if she let loose, she would call horrific weather conditions that would put lives at jeopardy.
- Beast / Dr. Henry "Hank" McCoy (George Buza): His mutation covers his body in fur and morphs his body, granting him superhuman strength and agility to complement his genius mind. He spends most of the first season imprisoned unfairly for destroying the government's records of registered mutants, which was being abused by Gyrich and Trask.
- Gambit / Remy LeBeau (Chris Potter (1992–96), Tony Daniels (1997)): He can charge virtually any object with explosive energy, turning them into bombs; they only explode once he lets go of the object. He also wields a staff for close combat, and for when he's out of playing cards to throw.
- Jubilee / Jubilation Lee (Alyson Court): The newest and youngest member of the X-Men, she is close to Wolverine. She is still getting used to her powers, which are the ability to generate firework-like explosions.
- Jean Grey / Phoenix (Catherine Disher): A telekinetic and telepath. She is in a longstanding relationship with Cyclops, and they marry at the end of the final season.
- Professor X / Charles Xavier (Cedric Smith): The founder and leader of the X-Men and a powerful telepath.
The original opening sequence featured the X-Men demonstrating their mutant abilities to a now very distinctive instrumental theme (written by Ron Wasserman). This intro is used throughout the first four seasons. A modified version is eventually introduced in season five, episode one ("Phalanx Covenant, Part One"). In this new intro, the beginning of the theme is slightly changed. When UPN began airing repeats on Sunday mornings an alternate credits sequence was used: a high-quality Japanese-animated version of the original opening. This modified version occasionally appears in the digital streaming release of the show, which was used for re-runs on Toon Disney.
X-Men originally aired on TV Tokyo from 1994 through 1995. For the TV Tokyo dub of the series, the intro was replaced with a new, Japanese-animated sequence as well as a new theme called "Rising" (ライジング), by the band Ambience (アンビエンス). Starting with episode 42, a second new intro was used, featuring the song "Dakishimetai Dare Yori Mo" (抱きしめたい誰よりも…). The end credits sequence was also changed: it featured shots of American X-Men comic books set to the song "Back to You" (バック･トウ･ユー), also by Ambience.
The TV Tokyo dub was directed by Yoshikazu Iwanami and featured scripts rewritten to include a more humorous, self-satirical tone as well as an emphasis on comical adlibbing (a hallmark of Iwanami's dubbing style). Episodes were edited for time so that new segments could be added to the end which promoted the X-Men: Children of the Atom video game from Capcom. The dub actors would pretend to play the game as their characters and make humorous asides and remarks. X-Men was dubbed a second time in the early 2000s for broadcast on Toon Disney (Japan). This dub was more faithful to the original English scripts and episodes were not cut for time. The Toon Disney version used the original American intro and end credits rather than the unique ones created for the TV Tokyo version.
Two versions of the episode "No Mutant is an Island" exist with completely different animation. The first version was aired for Toon Disney re-runs and can be seen in digital streaming services such as iTunes and Amazon Video, while the second version is available on region 1 DVD.
The show was both acclaimed and commercially successful. Along with Batman: The Animated Series, the series success helped launch numerous comic book shows in the 1990s.
In its prime, X-Men garnered very high ratings for a Saturday morning cartoon, and like Batman: The Animated Series, it received wide critical praise for its portrayal of many different storylines from the comics.
In 2009, IGN ranked X-Men as the 13th greatest animated show of all time in their Top 100 list, the third-highest standing for a comic book-adapted show on the list. The show also ranks in at 152 on IMDb's Highest Rated TV Shows with At Least 5,000 Votes 
X-Men Adventures vol. 1 #1 (Nov 1992).
Art by Steve Lightle.
|Publication date||November 1992–March 1997|
|No. of issues||53|
X-Men Adventures was a comic book spin-off of the animated series. Beginning in November 1992, it adapted the first three seasons of the show; in April 1996, it became Adventures of the X-Men, which contained original stories set within the same continuity. The comic book lasted until March 1997, shortly after the show's cancellation by the Fox Network.
Volume 5 of the Official Handbook of the Marvel Universe A-Z Hardcovers lists the X-Men cartoon as part of the Marvel multiverse, inhabiting Earth-92131. Also, the plague-infested future that Bishop tried to prevent in Season 2 is listed as Earth-13393 while Cable's release of the immediate cure of the plague is listed as Earth-121893.
- X-Men Adventures vol. 1 (1992–94) (15 issues)
- X-Men Adventures vol. 2 (1994–95) (13 issues)
- X-Men Adventures vol. 3 (1995–96) (13 issues)
- Adventures of the X-Men (1996–97) (12 issues)
- X-Men Cartoon Maker: The X-Men Cartoon Maker was a recreational software package that allowed the user to create animations with a minimal level of sophistication by utilizing a library of backdrops, animations and sound effects from the show. Wolverine and Storm (voice-only) help you out.
- Capcom's VS. Series: The characters in the series were licensed by Capcom and were the inspiration for the video game X-Men: Children of the Atom, which in turn would be the basis for the Marvel vs. Capcom sub-series of video games. Most of the voice actors who did the voices in the series reprised their roles for the video game. Capcom would continue to use these characters long after the show was cancelled before eventually losing the rights to create Marvel-based games to Electronic Arts in 2001. Capcom, however, would reacquire the rights in 2008 and released Marvel vs. Capcom 3: Fate of Two Worlds in 2011.
The comic book series X-Men '92, one of the many tie-in titles for Marvel's 2015 Secret Wars event and later was released in its second volume as a continuous series in early 2016, starring members of the TV show's reality.
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