Wristcutters: A Love Story
Wristcutters: A Love Story is a 2006 American black comedy road movie written and directed by Goran Dukić and starring Patrick Fugit, Shea Whigham, and Shannyn Sossamon. Its premise is set in a strange afterlife way-station that has been reserved for people who have died by suicide.
|Wristcutters: A Love Story|
Theatrical release poster
|Directed by||Goran Dukić|
|Produced by||Chris Coen|
Mikal P. Lazarev
|Screenplay by||Goran Dukić|
|Based on||"Kneller's Happy Campers"|
by Etgar Keret
|Music by||Bobby Johnston|
|Edited by||Jonathan Alberts|
No Matter Pictures
|Distributed by||Autonomous Films|
The film was originally intended to be shot on super-16 color infrared film, which was produced specially by Kodak. The color-shifts inherent in using this kind of film were thought to enhance the parallel world feel to the action. In the end, it proved to be too time-consuming and the film was shot using normal filmstock manipulated in post-processing.
The film was produced on an estimated budget of $1 million. Premiered at the 2006 Sundance Film Festival, it was distributed in limited release on October 19, 2007, before being expanded into wide release on November 2, 2007. It was released on DVD on March 25, 2008, courtesy of Lionsgate Home Entertainment. The film received positive reviews and has garnered a cult following.
After Zia takes his own life, he finds himself in an afterlife limbo much the same as life, just slightly worse. Here the color is dim, there are no stars, and no one can smile. This strange realm is populated by people who have died by suicide, such as Eugene, a Russian musician who lives with his mother, father, and brother – all suicide victims. Together they waste most of their afterlives in bars, until Zia learns from a friend, Brian, that his ex-girlfriend, Desiree, has also taken her own life. He and Eugene take to the road to find her, in Eugene's rundown car. Early on, it is revealed that Eugene's car has two idiosyncrasies: a sort of black hole underneath the passenger seat where items that are dropped disappear forever and broken headlights that cannot be fixed by even the most adept of mechanics. On their trip, they pick up hitchhiker Mikal, who insists there has been a mistake, and is seeking the "people in charge" (a.k.a. the PIC) in order to be sent back.
After a few adventures across the country, as the trio journey along a desolate highway, Mikal pushes a button, miraculously activating the broken headlights on Eugene's car. Shortly thereafter, they come upon a man lying in the middle of the dark highway, forcing them to veer off the road in order to avoid hitting him and wrecking the car in the process.
They discover the man, Kneller, an eccentric commune leader, had fallen asleep while looking for his dog. Kneller invites them back to his camp, where they quickly discover that minor "miracles" occur, as long as the campers remain apathetic about the result. The group stays with the camp longer than intended, and Zia begins to obsess over the miracles and his inability to perform them. When contrasting this to Mikal's obsession with the people in charge, she reveals that her death was an accidental overdose. Eugene meets a young woman, Nanuk, whom he romances. Just as Mikal and Zia discuss their plans to leave Kneller's camp, another camper, Yan, emerges from the woods with news that Kneller's dog has been abducted by a cult leader called "Messiah King". Kneller, Zia, Mikal, and Yan set off in search of King and Kneller's dog.
The group soon find themselves lost and decide to bed down for the night. Unable to sleep, Mikal and Zia discover a nearby ocean shore, where they kiss and spend the night together. In the morning, Kneller discovers them lying among a mass of (presumably used) condoms and needles. The group eventually reach King's camp, where they discover that King is readying himself for a "real" miracle – to separate his soul from his body. As Kneller confronts King, Zia discovers that his Desiree is a devout cult follower, having taken her own life for the purpose of following King into the afterlife.
As King is about to perform public, ritual suicide, Kneller reveals himself to be an undercover agent for the people in charge. King and Desiree are taken away, while Mikal leaves with them, promising Zia that she'll return. As Zia waits, Eugene and Nanuk arrive, explaining that Mikal has been returned to life and Kneller's camp has been shut down. They depart together on a train, giving Eugene's car to Zia. After finally performing a miracle - creating a star in the sky next to one that Mikal had created earlier - Zia enters the black hole under the car seat.
In a large warehouse filled with halls of boxes, Kneller is seen picking up Zia's file from a box, placing it into his inside breast pocket, and commenting on how fortunate it is to know people in high places. Zia wakes up in a hospital bed. He turns his head, noting his parents outside talking to doctors. When he looks at the person in the bed next to his, he sees Mikal. Both look at each other and smile, as the film comes to an end.
- Patrick Fugit as Zia
- Shannyn Sossamon as Mikal
- Shea Whigham as Eugene
- Leslie Bibb as Desiree Randolph
- Tom Waits as Kneller
- Mark Boone, Jr. as Mike
- Clayne Crawford as Jim
- Will Arnett as Messiah King
- Nick Offerman as Cop
- Mary Pat Gleason as Eugene's mother
- Anatol Rezmeritza as Eugene's father
- Cameron Bowen as Kostya
- Chase Ellison as young Kostya
- Abraham Benrubi as Erik
- John Hawkes as Yan
- Anthony Azizi as Hassan
- Sarah Roemer as Rachel
- Azura Skye as Tania
- Mikal P. Lazarev as Nanuk
- Adam G. as Gas station attendant
- Jazzmun and George Weiss Vando as Transvestites
- Amy Seimetz as Nina
Gogol Bordello's music forms the backbone of the soundtrack for the film; the character Eugene is partly based on the band's lead singer, Eugene Hütz. Tom Waits, who plays Kneller in the film, also appears on the soundtrack with the song "Dead and Lovely" (from his 2004 album Real Gone) in the opening credits. Joy Division's "Love Will Tear Us Apart" and Christian Death's "Deathwish" can be heard in the background of the first bar scene of the film (both bands were fronted by singers who died by suicide), and an arrangement of "Gloomy Sunday" can be heard at a later point, songs about or associated with suicide.
The film received a positive review in The New York Times, which named it a "Critics' Pick" and said in part that it "has an offbeat, absurdist charm that turns a potentially creepy concept into an odd, touching adventure." As of March 2015, the film had a 67% "fresh" rating on Rotten Tomatoes.
- Independent Spirit Award for Best First Screenplay – Nominee
- Independent Spirit Award for Best First Feature – Nominee
- 2006 Sundance Film Festival – Grand Jury Prize – Nominee
- Seattle International Film Festival Awards – Best Director – Won
- Gen Art 06 – Best Feature Film – Won
- Philadelphia 06 – Best First Feature – Won
- Humanitas Prize 2006 – Best Screenplay – Nominee
- Motovun Film Festival 2006 – Best Film Audience Award – Won
- The screenplay was an official Selection of the 2004 Sundance Screenwriter's Lab.
- "Wristcutters: A Love Story". The Numbers. Retrieved July 12, 2011.
- Finney, Andy. "Invisible Light". atsf.co.uk. Retrieved 2007-07-28.
- Goran Dukić (Director) (2008). Making The Final Cut: The Wristcutters Journey (DVD (Special Features)). Lionsgate.
- Berriman, Ian. "FREAKSHOW Wristcutters: A Love Story". SFX Magazine. Archived from the original on 29 December 2010. Retrieved 22 April 2013. Cite uses deprecated parameter
- "Life’s a Little Bit Worse Now That They’re Dead," A. O. Scott, The New York Times, October 19, 2007
- Wristcutters: A Love Story at Rotten Tomatoes