Open main menu

Wikipedia β

Woman on the Run is a 1950 crime film noir directed by Norman Foster starring Ann Sheridan and Dennis O'Keefe.[1] The film was based on the April 1948 short story "Man on the Run" by Sylvia Tate and filmed on location in San Francisco.

Woman on the Run
Woman on the Run.jpg
Directed by Norman Foster
Produced by Howard Welsch
Screenplay by Alan Campbell
Norman Foster
Ross Hunter (dialogue)
Based on the short story "Man on the Run"
by Sylvia Tate
Starring Ann Sheridan
Dennis O'Keefe
Music by Arthur Lange
Emil Newman
Cinematography Hal Mohr
Edited by Otto Ludwig
Production
company
Fidelity Pictures
Distributed by Universal Pictures
Release date
  • November 29, 1950 (1950-11-29) (New York City)
Running time
77 minutes
Country United States
Language English

The film was recently restored and preserved by the UCLA Film & Television Archive. It is available on DVD and Blu-ray (2016).

Contents

PlotEdit

One night, a man tries to blackmail "Danny Boy", but is shot. The killer then spots unsuccessful painter Frank Johnson (Ross Elliott), out walking his dog, and shoots at him, before fleeing.

The victim was going to testify before a grand jury against a gangster. Since Frank saw the shooter, Police Inspector Ferris (Robert Keith) wants to place him in protective custody so he can testify. Frank has second thoughts and slips away. Ferris speaks to Frank's wife, Eleanor (Ann Sheridan). She comments, "Just like him, always running away." Ferris asks her, "Running away from what?" She replies, "From everything." She is not especially cooperative or concerned about her husband.

Eleanor later tries to sneak out without being spotted by the police and encounters reporter Danny Legget (Dennis O'Keefe). He offers help and $1000 for an exclusive story. Sam, a friend, passes along a message that Frank will send her a letter addressed to his co-worker Maibus.

When Eleanor returns to her apartment, Ferris informs her that he has spoken with Frank's doctor. He is taking medicine for a bad heart, a condition she was unaware of. Ferris has instructed all druggists to notify him if someone asks for it. Eleanor gets some from his doctor.

Frank's letter is intercepted by Legget, who gains Eleanor's trust. The letter gives cryptic instructions on where Frank is. They speak to Sam again; his friend Suzie mentions to Legget that Frank made a sketch that looks like him. Legget later returns, gets the drawing and tears it up; Suzie dies from a fall from a building.

During the course of her investigation, Eleanor learns things she never knew about Frank, including that he still loves her. She begins to question herself, her feelings for him and how she treated him.

Once Eleanor figures out Frank's riddle, she and Legget go to a beachside amusement park at night. Ferris follows them there. Then Ferris receives a phone call from Sam, who tells him that the only thing missing from Suzie's possessions is Frank's drawing. When Eleanor finds Frank, she reconciles with him. She then goes to find Legget. When they spot Ferris, they get on the roller coaster to avoid being spotted. Legget has Eleanor stay on the roller coaster, while he goes to meet Frank. She suddenly realizes that Legget is the killer (he remarked that Frank was shot at, a detail known only to her, the police and the gunman), but she is trapped on the ride. Leggett tries to induce a heart attack in Frank. The two fight and shots ring out. Eleanor runs to the scene to discover that Ferris has shot the corrupt reporter. She finds her husband and the two embrace.

CastEdit

ProductionEdit

The film was shot on location in San Francisco and at Pacific Ocean Park, Santa Monica, California, during the amusement park roller coaster scene.

ReceptionEdit

Critical responseEdit

Film critic Bosley Crowther gave the film a generally positive film review. He wrote, "Since it never pretends to be more than it is, Woman on the Run, which began a stand at the Criterion yesterday, is melodrama of solid if not spectacular proportions. Working on what obviously was a modest budget, its independent producers may not have achieved a superior chase in this yarn about the search by the police and the fugitive's wife for a missing witness to a gangland killing. But as a combination of sincere characterizations, plausible dialogue, suspense and the added documentary attribute of a scenic tour through San Francisco, Woman on the Run may be set several notches above the usual cops-and-corpses contributions from the Coast ... Woman on the Run will not win prizes but it does make crime enjoyable."[2]

Film Comment reviewer Farran Smith Nehme praised Sheridan's performance.[3]

See alsoEdit

ReferencesEdit

  1. ^ Woman on the Run at the American Film Institute Catalog.
  2. ^ Crowther, Bosley. The New York Times, film review, November 30, 1950. Accessed: August 18, 2013.
  3. ^ "Too Late for Tears (1949) + Woman on the Run (1950) - Film Comment". Film Comment. 2016-05-06. Retrieved 2017-08-09. 

External linksEdit