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Woman in Gold is a 2015 drama film and biographical film directed by Simon Curtis and written by Alexi Kaye Campbell. The film stars Helen Mirren, Ryan Reynolds, Daniel Brühl, Katie Holmes, Tatiana Maslany, Max Irons, Charles Dance, Elizabeth McGovern and Jonathan Pryce.

Woman in Gold
Woman in Gold (UK poster).jpg
UK theatrical release poster
Directed by Simon Curtis
Produced by
Written by Alexi Kaye Campbell
Starring
Music by
Cinematography Ross Emery
Edited by Peter Lambert
Production
companies
Distributed by
Release date
  • 9 February 2015 (2015-02-09) (Berlin)
  • 1 April 2015 (2015-04-01) (United States)
  • 10 April 2015 (2015-04-10) (United Kingdom)
Running time
109 minutes[1]
Country
  • United Kingdom
  • United States[2]
  • Germany
  • Austria
Language English
German
Budget $11 million[3]
Box office $61.6 million[3]

The film is based on the true story of Maria Altmann, an elderly Jewish refugee living in Cheviot Hills, Los Angeles, who, together with her young lawyer, Randy Schoenberg, fought the government of Austria for almost a decade to reclaim Gustav Klimt's iconic painting of her aunt, Portrait of Adele Bloch-Bauer I, which was stolen from her relatives by the Nazis in Vienna just prior to World War II. Altmann took her legal battle all the way to the Supreme Court of the United States, which ruled on the case Republic of Austria v. Altmann (2004).

The film was screened in the Berlinale Special Galas section of the 65th Berlin International Film Festival on 9 February 2015, and was released in the United Kingdom on 1 April 2015 and in the United States on 10 April.[4]

Contents

PlotEdit

In a series of flashbacks throughout the film, Maria Altmann recalls the arrival of Nazi forces in Vienna, and the subsequent suppression of the Jewish community and the looting and pillaging conducted by the Nazis against Jewish families. Seeking to escape before the country is completely shut off, Maria Altmann and members of her family attempt to flee to the United States. While Altmann and her husband are successful in their escape, she is forced to abandon her parents in Vienna.

In the present, living in Los Angeles, a now elderly and widowed Altmann attends the funeral for her sister. She discovers letters in her sister's possession dating to the late 1940s, which reveal an attempt to recover artwork owned by the Bloch-Bauer family that was left behind during the family's flight for freedom and subsequently stolen by the Nazis. Of particular note is a painting of Altmann's aunt, Adele Bloch-Bauer, now known in Austria as the "Woman in Gold".

Altmann enlists the help of E. Randol Schoenberg (the son of her close friend, Barbara), a lawyer with little experience, to make a claim to the art restitution board in Austria. Reluctantly returning to her homeland, Altmann discovers that the country's minister and art director are unwilling to part with the painting, which they feel has become part of the national identity. Altmann is told that the painting was in fact legitimately willed to the gallery by her aunt. Upon further investigation by her lawyer and Austrian journalist Hubertus Czernin, this claim proves to be incorrect, as the alleged will is invalid due to the fact that her aunt did not own the painting in question, the artist's fee having been paid by Altmann's uncle; moreover, Adele Bloch-Bauer wanted the painting to go to the museum at her husband's death while in fact it was taken from him by the Nazis and placed in the museum by a Nazi-collaborating curator, well before his death. Schoenberg files a challenge with the art restitution board, but it is denied and Altmann does not have the money needed to challenge the ruling. Defeated, she and Schoenberg return to the United States.

Months thereafter, happening upon an art book with "Woman in Gold" on the cover, Schoenberg has an epiphany. Using a narrow rule of law and precedents in which an art restitution law was retroactively applied, Schoenberg files a claim in US court against the Austrian government contesting their claim to the painting. An appeal goes to the Supreme Court of the United States, where in the matter of Republic of Austria v. Altmann, the court rules in Altmann's favor, which results in the Austrian government attempting to persuade Altmann to retain the painting for the gallery, which she refuses. After a falling out over the issue of returning to Austria for a second time to argue the case, Altmann agrees for Schoenberg to go and argue the case in front of an arbitration panel of three arbiters in Vienna.

In Austria, the arbitration panel hears the case, during which time they are reminded of the Nazi regime's war crimes by Schoenberg. Schoenberg implores the arbitration panel to think of the meaning of the word "restitution" and to look past the artwork hanging in art galleries to see the injustice to the families who once owned such great paintings and were forcibly separated from them by the Nazis. Unexpectedly, Altmann arrives during the session indicating to Czernin that she came to support her lawyer. After considering both sides of the dispute, the arbitration panel rules in favour of Altmann, returning her paintings. The Austrian government representative makes a last minute proposal begging Altmann to keep the paintings in the Belvedere against a generous compensation. Altmann refuses and elects to have the painting moved to the United States with her ("They will now travel to America like I once had to as well"), and takes up an offer made earlier by Ronald Lauder to acquire them for his New York gallery to display the painting on condition that it be a permanent exhibit.

CastEdit

ProductionEdit

On 15 May 2014 Tatiana Maslany was cast in a principal role as the younger version of Helen Mirren's character, appearing in the Second World War flashbacks.[5] On 29 May Katie Holmes joined the cast of the film.[6] On 30 May Max Irons, Charles Dance, Elizabeth McGovern, Jonathan Pryce, Moritz Bleibtreu and Antje Traue joined the cast of the film.[7] On 9 July Frances Fisher joined the film to play Reynolds' character's mother.[8]

The reproduction of the key painting, Portrait of Adele Bloch-Bauer I, was painted by scenic artist Steve Mitchell, who spent five weeks making the re-creation. He also made a partly finished version as well as a partial version for a close-up.[9]

FilmingEdit

Principal photography began on 23 May 2014 and lasted for eight weeks in the United Kingdom, Austria, and the United States.[7][10] On 9 June Katie Holmes was spotted filming some scenes in London.[11] On 16 June the filming was under way in London.[12] On 1 July Reynolds and Mirren were spotted filming in Vienna, Austria.[13] On 9 July the filming was reportedly under way in Los Angeles.[8]

The Vienna airport scenes were filmed in the UK at Shoreham Airport in West Sussex.

ReceptionEdit

Box officeEdit

Woman in Gold grossed $33.3 million in North America and $28.3 million in other territories for a total gross of $61.6 million, against a budget of $11 million.[3]

In the film's limited release weekend, 3–5 April, it grossed $2.1 million from 258 cinemas. In its wide release weekend, expanding to 1,504 cinemas on 10 April it grossed $5.5 million, finishing 7th at the box office.

Critical responseEdit

On Rotten Tomatoes the film had a rating of 53% based on 120 reviews, with an average rating of 6/10. The site's critical consensus reads, "Woman in Gold benefits from its talented leads, but strong work from Helen Mirren and Ryan Reynolds isn't enough to overpower a disappointingly dull treatment of a fascinating true story."[14] On Metacritic the film has a score of 51 out of 100, based on 31 critics, indicating "mixed or average reviews".[15]

AccoladesEdit

Helen Mirren received a Screen Actors Guild Award nomination for Outstanding Performance by a Female Actor in a Leading Role.[16]

Historical accuracyEdit

Altmann's efforts actually addressed five Klimt paintings owned by her family, including Portrait of Adele Bloch-Bauer I and Portrait of Adele Bloch-Bauer II, as well as three landscapes. The decisions by the US Supreme Court and the Austrian arbitrators covered all five paintings.

Film critics in Austria and Germany noted various deviations of the film from historical reality. Olga Kronsteiner from the Austrian daily Der Standard wrote that, contrary to the film, it was not Maria Altmann's lawyer, Randol Schönberg, who researched and initiated the restitution case, but Austrian journalist Hubertus Czernin, who had worked on a number of restitution files at the time, who found the decisive documents and subsequently informed Maria Altmann.[17]

Hubertus Czernin, who is depicted in the movie, is suggested to have been motivated by the fact that his father had been a member of the Nazi Party; but Stefan Grissemann from Austrian weekly Profil pointed out that his father's party membership was not known to Czernin until 2006, long after he had started to work on this and other restitution cases; and that in addition Czernin's father was imprisoned by the Nazis late in the war for high treason.[citation needed]

Thomas Trenkler from the Viennese daily Kurier criticized the film's reference to a time limit for restitution claims in Austria, writing that there has never been such a time limit. He also wrote that his least favorite scene in the film was when Maria Altmann leaves her ailing father in Vienna in 1938. Despite the imminent danger, Maria Altmann stayed in Vienna, having said, "I would never have left my father! He died of natural causes in July 1938". Only then did she and her husband escape from Vienna.[18]

In June 2006, based on an earlier agreement between Altmann and Ronald Lauder (which was shown in the film), Altmann sold Portrait of Adele Bloch-Bauer I to Lauder's Neue Galerie in New York for $135 million ($160 million today), setting a new mark for most expensive painting (since surpassed).[19] Five months later, Altmann sold the companion Portrait of Adele Bloch-Bauer II at auction (bought by Oprah Winfrey) for almost $88 million ($105 million today), then the fourth-highest priced painting.[20][21]

See alsoEdit

ReferencesEdit

  1. ^ "Woman in Gold (15)". British Board of Film Classification. 20 March 2015. Retrieved 20 March 2015. 
  2. ^ BFI Statistics 2015: UK independent films win audiences in a blockbuster box office year
  3. ^ a b c "Woman in Gold (2015)". Box Office Mojo. Retrieved 23 December 2015. 
  4. ^ Michael Rosser (15 January 2015). "The Woman in Gold, starring Helen Mirren, and Anton Corbijn's Life, starring Robert Pattinson and Dane DeHaan, to world premiere at Berlinale". Screen Daily. Retrieved 7 June 2015. 
  5. ^ a b c "Orphan Black's Tatiana Maslany joins Helen Mirren in Woman in Gold". DigitalSpy. Retrieved 14 June 2014. 
  6. ^ a b c Fleming Jr, Mike (29 May 2014). "Katie Holmes Joins 'Woman In Gold'". deadline.com. Retrieved 30 May 2014. 
  7. ^ a b c d e f g Barraclough, Leo (30 May 2014). "Max Irons, Charles Dance, Elizabeth McGovern Join 'Woman in Gold'". variety.com. Retrieved 30 May 2014. 
  8. ^ a b c Yamato, Jen (9 July 2014). "Frances Fisher Joins Helen Mirren, Ryan Reynolds In 'Woman In Gold'". deadline.com. Retrieved 10 July 2014. 
  9. ^ Gelt, Jessica (29 May 2015). ""Master Forgery" Tribune". Chicago Tribune, section 4, pp. 1 & 7. 
  10. ^ "Woman In Gold begins shoot". screendaily.com. 30 May 2014. Retrieved 30 May 2014. 
  11. ^ LEYFIELD, JAMES (11 June 2014). "Katie Holmes joins co-stars Ryan Reynolds and Dame Helen Mirren on set in London as filming for Woman In Gold gets underway". dailymail.co.uk. Retrieved 17 June 2014. 
  12. ^ Siobhan (16 June 2014). "'Woman in Gold' filming underway in London". onlocationvacations.com. Retrieved 17 June 2014. 
  13. ^ BRENNAN, BELLA (3 July 2014). "Golden co-stars! Ryan Reynolds looks geek-chic in brown sports jacket and glasses while filming with Helen Mirren". dailymail.co.uk. Retrieved 10 July 2014. 
  14. ^ "Woman in Gold". Rotten Tomatoes. Retrieved 5 July 2015. 
  15. ^ "Woman in Gold Reviews". Metacritic. CBS Interactive. Retrieved April 9, 2015. 
  16. ^ "SAG Awards Nominations: Complete List". Variety. December 9, 2015. Retrieved October 21, 2017. 
  17. ^ Kronsteiner, Olga (29 May 2015). ""Die Frau in Gold": Faktentreue ist eine schlechte Dramaturgin". Der Standard (in German). 
  18. ^ Trenkler, Thomas (2 June 2015). "Der Fall "Goldene Adele", tendenziös erzählt". Kurier (in German). 
  19. ^ Cohen, Patricia (30 March 2015). "The Story Behind 'Woman in Gold': Nazi Art Thieves and One Painting's Return". The New York Times. Retrieved 6 December 2015. 
  20. ^ Christopher Michaud, "Christie's stages record art sale," Reuter's, November 9, 2006. Accessed November 9, 2006.
  21. ^ Kazakina, Katya (2017-02-08). "Oprah Said to Snag $150 Million Selling Klimt to Chinese Buyer". Bloomberg News. Retrieved 2017-11-16. 
  22. ^ Woman in Gold (closing credits). 

External linksEdit