Whiplash (2014 film)
Theatrical release poster
|Directed by||Damien Chazelle|
|Written by||Damien Chazelle|
|Music by||Justin Hurwitz|
|Edited by||Tom Cross|
|Distributed by||Sony Pictures Classics|
|Box office||$49 million|
Whiplash is a 2014 American drama film written and directed by Damien Chazelle. It depicts the relationship between an ambitious jazz student (Miles Teller) and an abusive instructor (J. K. Simmons). Paul Reiser and Melissa Benoist co-star.
Whiplash premiered in competition in the US Dramatic Category at the 2014 Sundance Film Festival on January 16, 2014, as the festival's opening film. Sony Pictures Worldwide acquired the international distribution rights. The film opened in limited release domestically in the United States and Canada on October 10, 2014, gradually expanding to over 500 screens and finally closing after 24 weeks on March 26, 2015. Over this time the film grossed $49 million, against a production budget of $3.3 million. At the 87th Academy Awards, Whiplash won Best Film Editing, Best Sound Mixing, and Best Supporting Actor for Simmons, and was nominated for Best Adapted Screenplay and Best Picture.
Andrew Neiman is a first-year jazz student at the prestigious Shaffer Conservatory in New York. He has been playing drums from a young age and aspires to become like Buddy Rich. Famed conductor Terence Fletcher invites him into his studio band as the alternate for core drummer Carl Tanner. Fletcher is strict and abusive, mocking and insulting his students; when the band rehearses the Hank Levy piece "Whiplash" and Andrew struggles to keep the tempo, Fletcher hurls a chair at him, slaps him and berates him in front of the class.
At a jazz competition, Andrew misplaces Carl's sheet music. Since Carl cannot play without it, Andrew tells Fletcher that he can perform "Whiplash" from memory. After a successful performance, Fletcher promotes him to core drummer. Soon after, Fletcher recruits Ryan Connolly, the core drummer from Andrew's former lower-level class. Andrew believes Connolly is the less talented drummer and is infuriated when Fletcher promotes him to core. Determined to impress, Andrew practices until his hands bleed and breaks up with his girlfriend Nicole, believing she will hold him back. After a grueling five-hour audition with Fletcher and the other drummers in the class, in which Fletcher kicks furniture and screams at him, Andrew earns back the core spot.
On the way to another competition, Andrew's bus breaks down. He rents a car but arrives late and realizes he left his drumsticks at the rental office. He races back to retrieve them, but his car is broadsided. He crawls from the wreckage, runs back to the theater, and arrives on stage bloody and injured. When he struggles to play "Caravan" due to his injuries, Fletcher halts the performance to fire Andrew. Enraged, Andrew attacks Fletcher in front of the audience and is dismissed from Shaffer Conservatory.
At his father's request, Andrew meets a lawyer representing the parents of Sean Casey, Fletcher's former student. Contrary to Fletcher's claim that Sean had died in a car accident, the lawyer explains that Sean committed suicide, having suffered anxiety and depression as Fletcher's student. Sean's parents want to prevent Fletcher from teaching again. Andrew agrees to testify on the condition of anonymity and Fletcher is fired.
Months later, Andrew has abandoned drumming and is working in a restaurant. He discovers Fletcher performing at a jazz club. After the performance, Fletcher invites Andrew to have a drink with him. He explains that he pushed his students so that they might become the next Louis Armstrong or Charlie Parker. Andrew accepts Fletcher's invitation to drum with his band at the JVC Jazz Festival. He invites Nicole to the performance, but she is in a new relationship.
On stage, before the performance begins, Fletcher reveals that he knows Andrew testified against him, and leads the band with a piece Andrew does not know. Andrew leaves the stage humiliated, but returns, begins playing "Caravan", and cues the band. As the piece ends and the lights go down, Andrew continues his solo. Fletcher is taken aback, but begins to guide Andrew. As the solo ends, they share a smile and Fletcher cues the finale.
- Miles Teller as Andrew Neiman, an ambitious young jazz student at Shaffer who plays the drums
- J. K. Simmons as Terence Fletcher, a ruthless jazz instructor at Shaffer
- Paul Reiser as Jim Neiman, Andrew's father, a high school teacher
- Melissa Benoist as Nicole, a movie theater concessionist, who becomes Andrew's girlfriend
- Austin Stowell as Ryan Connolly, another drummer in Fletcher's band
- Nate Lang as Carl Tanner, another drummer in Fletcher's band
- Chris Mulkey as Uncle Frank, Andrew's uncle
- Damon Gupton as Mr. Kramer
- Suanne Spoke as Aunt Emma, Andrew's aunt
- Jayson Blair as Travis, Andrew's cousin
- Charlie Ian as Dustin, Andrew's cousin
- Kofi Siriboe as Greg, bassist (Nassau)
- Kavita Patil as Sophie, assistant
- Michael Cohen as Overbrook Stagehand
- April Grace as Rachel Bornholdt
- Henry G. Sanders as Red Henderson
- Max Kasch as dorm neighbour
- C.J. Vana as Metz
- Tarik Lowe as pianist, Studio band
- Jocelyn Ayanna as bus station passer-by
- Keenan Henson as truck-driver
- Clifton 'Fou Fou' Eddie as drummer (quartet)
- Marcus Henderson as JVC bassist
- Tony Baker as stage hand (Carnegie Hall)
While attending Princeton High School, writer/director Damien Chazelle was in a "very competitive" jazz band and drew on the experience of "just dread" that he felt in those years. He based the conductor, Terence Fletcher, on his former band instructor (who died in 2003) but "pushed it further", adding in bits of Buddy Rich and other band leaders known for their harsh treatment. Chazelle would later admit to writing the film "initially in frustration", while trying to get his musical film La La Land off the ground.
In order to secure financing for the feature, Right of Way Films and Blumhouse Productions helped Chazelle turn 15 pages of his original screenplay into a short film starring Johnny Simmons as Neiman and J. K. Simmons as Fletcher. The 18-minute short film received much acclaim after debuting at the 2013 Sundance Film Festival, winning the short film Jury Award for fiction, which ultimately attracted investors to sign on and produce the complete version of the script. The feature-length film was financed for $3.3 million by Bold Films.
In August 2013, Miles Teller signed on to star in the role originated by Johnny Simmons; J. K. Simmons remained attached to his original role. Principal photography began the following month, with filming taking place throughout Los Angeles, including the Hotel Barclay, Palace Theater, and the Orpheum Theatre.
Early on, Chazelle gave J. K. Simmons direction that "I want you to take it past what you think the normal limit would be," telling him: "I don't want to see a human being on-screen anymore. I want to see a monster, a gargoyle, an animal." Many of the band members in the movie were real musicians or music students, and Chazelle tried to capture their expressions of fear and anxiety when they were pressed by Simmons. Chazelle noted that in between takes, Simmons was "as sweet as can be," which the director credits for keeping "the shoot from being nightmarish."
The film was shot in 19 days, with a schedule of 14 hours of filming per day. Chazelle was involved in a serious car accident in the third week of shooting and was hospitalized with a diagnosis of possible concussion, but he returned to filming the next day to finish the film on time. The film was shot mostly in Los Angeles, with a few exterior shots filmed in New York City to create the setting.
|Whiplash (Original Motion Picture Soundtrack)|
|Soundtrack album by Various artists|
|Released||October 7, 2014|
The soundtrack album was released on October 7, 2014, via Varèse Sarabande label. The soundtrack consists of 24 tracks divided in three different parts: original jazz pieces written for the film, original underscore parts written for the film, and classic jazz standards written by Stan Getz, Duke Ellington, and other musicians.
- Snare Liftoff (I Want to Be One of the Greats) (0:43)
- Overture – Justin Hurwitz (3:19)
- "Too Hip to Retire" – Tim Simonec (3:03)
- "Whiplash" – Hank Levy (1:55)
- "Fletcher’s Song in Club" – Justin Hurwitz (1:28)
- "Caravan" – Duke Ellington and Juan Tizol (9:14)
- "What's Your Name" (If You Want the Part, Earn It) (1:30)
- "Practicing" – Justin Hurwitz (1:43)
- "Invited" – Justin Hurwitz (0:54)
- "Call From Dad" – Justin Hurwitz (0:40)
- "Accident" – Justin Hurwitz (5:21)
- "Hug from Dad" – Justin Hurwitz (1:19)
- "Drum & Drone" – Justin Hurwitz (1:34)
- "Carnegie" – Justin Hurwitz (:36)
- "Ryan / Breakup" – Justin Hurwitz (:31)
- "Drum Battle" – Justin Hurwitz (2:21)
- "Dismissed" – Justin Hurwitz (2:51)
- "Good Job" (He Was a Beautiful Player) (1:28)
- "Intoit" – Stan Getz (3:19)
- "No Two Words" – Nicholas Britell et Justin Hurwitz (1:41)
- "When I Wake" – Justin Hurwitz (3:50)
- "Casey's Song" – Justin Hurwitz (1:57)
- "Upswingin'" – Tim Simonec (2:12)
- "Rehearsal Medley" – First Nassau Band Rehearsal / Second Nassau Band Rehearsal / Studio Band Eavesdrop / Studio Band Rehearsal After Breakup (1:34)
Whiplash grossed $13.1 million in the U.S. and Canada and $35.9 million in other territories, for a worldwide total of $49 million against a budget of $3.3 million.
Whiplash received critical acclaim, with Simmons' performance receiving universal praise. The film has a score of 94% on review aggregator website Rotten Tomatoes, based on 275 reviews, with a rating average of 8.6/10. The site's critics consensus states, "Intense, inspiring, and well-acted, Whiplash is a brilliant sophomore effort from director Damien Chazelle and a riveting vehicle for stars J. K. Simmons and Miles Teller." On Metacritic, another review aggregator, the film has a score of 88 out of 100, based on 49 critics.
Simmons received wide praise for his performance and won the Academy Award for Best Supporting Actor. Peter Debruge, in his review for Variety, said that the film "demolishes the cliches of the musical-prodigy genre, investing the traditionally polite stages and rehearsal studios of a topnotch conservatory with all the psychological intensity of a battlefield or sports arena." Todd McCarthy of The Hollywood Reporter praised the performances of Teller and Simmons, writing: "Teller, who greatly impressed in last year's Sundance entry The Spectacular Now, does so again in a performance that is more often simmering than volatile ... Simmons has the great good fortune for a character actor to have here found a co-lead part he can really run with, which is what he excitingly does with a man who is profane, way out of bounds and, like many a good villain, utterly compelling." Whiplash also won the 87th Academy Award for Best Sound Mixing and the 87th Academy Award for Best Film Editing.
Amber Wilkinson from The Daily Telegraph praised the direction and editing, writing: "Chazelle's film has a sharp and gripping rhythm, with shots, beautifully edited by Tom Cross... often cutting to the crash of Andrew's drums." James Rocchi of Indiewire gave a positive review and said, "Whiplash is ... full of bravado and swagger, uncompromising where it needs to be, informed by great performances and patient with both its characters and the things that matter to them." Henry Barnes from The Guardian gave the film a positive review, calling it a rare film "about music that professes its love for the music and its characters equally."
The film received the top audience and grand jury awards in the U.S. dramatic competition at the 2014 Sundance Film Festival; Chazelle's short film of the same name took home the jury award in the U.S. fiction category one year prior. The film also took the grand prize and the audience award for favorite film at the 40th Deauville American Film Festival. Whiplash was originally planned to compete for the Academy Award for Best Original Screenplay, but on January 6, 2015, it was announced that the film would instead be competing in the Adapted Screenplay category to the surprise of many, including Chazelle. At the 87th Academy Awards, J. K. Simmons received the Academy Award for Best Supporting Actor for his performance, Tom Cross won the Academy Award for Best Film Editing and Craig Mann, Ben Wilkins and Thomas Curley won the Academy Award for Best Sound Mixing. In December 2015, the score received a Grammy nomination, and the film was nominated for the NME Award for Best Film.
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