William Victor Higgins

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William Victor Higgins (June 28, 1884 – August 23, 1949) was an American painter and teacher, born in Shelbyville, Indiana. At the age of fifteen, he moved to Chicago,[1] where he studied at the Art Institute in Chicago and at the Chicago Academy of Fine Arts. In Paris he was a pupil of Robert Henri, René Menard and Lucien Simon, and when he was in Munich he studied with Hans von Hayek.[2] He was an associate of the National Academy of Design. Higgins moved to Taos, New Mexico in 1913 and joined the Taos Society of Artists (alongside E. Irving Couse, Joseph Henry Sharp, Oscar E. Berninghaus and others)[3] in 1917. In 1923 he was on the founding board of the Harwood Foundation with Elizabeth (Lucy) Harwood and Bert Phillips.[4]

The White Gate (1919)
Victor Higgins
Born
William Victor Higgins

(1884-06-28)June 28, 1884
DiedAugust 23, 1949(1949-08-23) (aged 65)
Resting placeSierra Vista Cemetery, Taos, New Mexico, U.S.
Alma materArt Institute of Chicago
Known forPainting
StyleRealist, modernist
MovementTaos Society of Artists
Spouse(s)Sara Parsons; Marion Koogler McNay
Patron(s)Carter H. Harrison

Personal edit

He married Sara Parsons, daughter of Santa Fe painter, Sheldon Parsons, and they had a daughter, Joan. He was later briefly married to Marion Koogler McNay of San Antonio, Texas.[5]

Artwork edit

While living in New Mexico, he often painted portraits of Native American women.[6] During the Depression, he was commissioned to paint a mural inside the Taos County Courthouse financed by the PWAP, titled Moises, El Legislador.[7]

 
WLA ima Higgins Indian Girl with Parrot and Hoop

Among his paintings are:

References edit

  1. ^ "Victor Higgins – The Butler Institute of American Art". Retrieved March 11, 2020.
  2. ^ Fisher, Reginald (1947). An Art Directory of New Mexico. Santa Fe: Museum of New Mexico. p. 28.
  3. ^ "Victor Higgins – The Butler Institute of American Art". Retrieved March 11, 2020.
  4. ^ Hoefer, Jacqueline (2003). A More Abundant Life : New Deal Artists and Public Art in New Mexico. Santa Fe, NM: Sunstone Press. p. 95. ISBN 0865343713.
  5. ^ Victor Higgins 1884-1949: Retrospective Exhibition. Santa Fe, NM: Museum of New Mexico, Fine Arts Museum. 1971.
  6. ^ "Exchange: Oka and Walmacho". exchange.umma.umich.edu. Retrieved March 11, 2020.
  7. ^ Porter, Dean A. (1991). Victor Higgins : An American master. Salt Lake City, UT: Peregrine Smith Books. p. 187. ISBN 0879053623.
  8. ^ "Collections :: The Harwood Museum of Art :: Taos :: University of New Mexico". collections.harwoodmuseum.org. Retrieved March 11, 2020.
  9. ^ "Victor Higgins – The Butler Institute of American Art". Retrieved March 11, 2020.
  10. ^ "The Pueblo of Taos, New Mexico, (painting)". Smithsonian Institution. Retrieved March 11, 2020.
  11. ^ V.C. Wald (April 19, 2013), Baking Bread, Taos Victor Higgins ~1915, retrieved March 11, 2020
  12. ^ "Snite Museum of Art | Western Arts — New Mexico Skies (pt. 1)". Snite Museum of Art | Western Arts. Retrieved March 11, 2020.
  13. ^ "Floral Still Life". sam.nmartmuseum.org. Retrieved March 11, 2020.
  14. ^ "Indian Paint Brush". sam.nmartmuseum.org. Retrieved March 11, 2020.
  15. ^ "Exchange: Oka and Walmacho". exchange.umma.umich.edu. Retrieved March 11, 2020.
  16. ^ "Arroyo Landscape | Smithsonian American Art Museum". americanart.si.edu. Retrieved March 11, 2020.
  17. ^ "Mountain Forms #2 | Smithsonian American Art Museum". americanart.si.edu. Retrieved March 11, 2020.
  18. ^ "Valley Spring | Smithsonian American Art Museum". americanart.si.edu. Retrieved March 11, 2020.
  19. ^ "Victor Higgins (1884-1949) Biography | Medicine Man Gallery". Medicinemangallery.com. Retrieved March 11, 2020.

Sources edit

External links edit