Venus on Trial
Venus on Trial (German: Venus vor Gericht) is a 1941 German drama film directed by Hans H. Zerlett and starring Hannes Stelzer, Hansi Knoteck, and Paul Dahlke. The film was part of the Nazis' campaign against 'degenerate art', and depicts the trial of a young artist who has resisted the trend towards it.
|Venus on Trial|
|Directed by||Hans H. Zerlett|
|Produced by||Ottmar Ostermayr|
|Written by||Hans H. Zerlett|
|Music by||Leo Leux|
|Edited by||Gottlieb Madl|
|Distributed by||Bavaria Film|
The film is set in the 1920s. Peter Brake, a sculptor, believes modern art to be decadent. He creates a neoclassical-style statue of Venus, which he then buries in a Bavarian field in order to protect the identity of Charlotte, the woman who modelled for it. When it is dug up, experts believe that Venus vom Acker ('Venus of the Fields') is an ancient statue made by Praxiteles.
Peter is unable to prove that he is the creator of the statue, as the only person able to verify his claim is the model. He tries to keep her out of the matter, as she is now a respectable housewife. Ultimately, however, she decides to come forward as a witness.
- Hannes Stelzer as Peter Brake, Bildhauer
- Hansi Knoteck as Charlotte Böller
- Paul Dahlke as Gottlieb Böller, Bürgermeister
- Siegfried Breuer as Benjamin Hecht, Kunsthändler
- Charlott Daudert as Marianne
- Ernst Fritz Fürbringer as Paul Dreysing, Zeichner
- Josef Eichheim as Prof. Semmel, Bildhauer
- Erhard Siedel as Der Kultusminister
- Carl Wery as Senior Prosecutor
- Hans Brausewetter as Prosecutor
- Hubert von Meyerinck as Dr.Knarre, Sachverständiger
- Justus Paris as Prof. Grimm, Sachverständiger
- Fritz Reiff as Judge
- Peter Elsholtz as Defense lawyer
- Adolf Gondrell as Bronsky, Agent
- Albert Hörrmann as Dr. Wertheimer, Referent des Kultusministers
- Peter Pasetti as Parteigenosse
- Liesl Karlstadt as Hausmädchen
- Fritz Hoopts as Brinkmann, Gerichtsvollzieher
- Eva Tinschmann as Rita, Empfangsdame
- Carl Ballhaus as Alfred, Peters Freund
- Heini Handschumacher as Reporter
- Rudolf Vogel as Dr. Gerhard Hümmelmann
- Heinrich Hauser as Obersturmbannführer Lotze
- Gabriele Reismüller as Sekretärin
- Charles Willy Kayser
- Walter Lantzsch
- Kurt Stieler
Role as propagandaEdit
The filmmakers used sculptures that had been seized by the government, including Ernst Kirchner's Das Paar ('The Couple'), Otto Freundlich's Kopf (Head), and Marg Moll's Tanzerin (Dancer), as props.
The art experts who misidentify Brake's sculpture are all coded as effete, homosexual or Jewish, etc. Susan Felleman suggests that the film's attempt at propaganda were weak, finding that its portrayals of a 'decadent' Berlin nightlife and the character of Benjamin Hecht (a Jewish art dealer) significantly more interesting than those Brake and his circle.
- Hake p. 59–60
- Jacobs, Steven. (2017). Screening Statues : Sculpture in Film. Edinburgh University Press. ISBN 978-1-4744-1091-5. OCLC 1063797549.
- Felleman, Susan, author. (2 June 2015). Real objects in unreal situations : modern art in fiction films. ISBN 978-1-78320-250-8. OCLC 875151757.CS1 maint: multiple names: authors list (link)