Upgrade is a 2018 cyberpunk action body horror film written and directed by Leigh Whannell and starring Logan Marshall-Green, Betty Gabriel, and Harrison Gilbertson. The film follows a man who is implanted with a chip that allows him to control his body after a mugging leaves him paralyzed. The film was produced by Jason Blum, under his Blumhouse Productions banner.
Theatrical release poster
|Directed by||Leigh Whannell|
|Written by||Leigh Whannell|
|Music by||Jed Palmer|
|Edited by||Andy Canny|
|Box office||$16.6 million|
After premiering on 10 March 2018 at South by Southwest, the film was released on 1 June 2018 in the United States by OTL Releasing and Blumhouse Tilt, and on 14 June 2018 in Australia. The film received positive reviews from critics, who called it "one part The Six Million Dollar Man, one part Death Wish revenge fantasy", and praised the film's dark humor and action sequences.
Grey Trace, a mechanic, asks his wife Asha to help him return a refurbished car to his client Eron Keen, a renowned tech innovator. While visiting his home, Eron reveals his latest creation, a chip called STEM that can manage a human’s motor functions. Returning home, Grey and Asha's self-driving car malfunctions and crashes. Four men attack the couple. Asha is killed and Grey is shot in the neck, severing his spinal cord.
Grey returns home months later as a wheelchair-bound quadriplegic, under the care of his mother, Pamela. Asha's death and the inability of Det. Cortez to identify their attackers causes Grey to sink into depression. After a suicide attempt, he is visited by Eron, who convinces him to accept a STEM implant. Grey regains control of his limbs and Eron has Grey sign a non-disclosure agreement, requiring Grey to pretend to still be paralyzed. While watching a drone video feed of his wife's murder, Grey hears STEM speak in his mind. STEM says it can help Grey get revenge and quickly identifies one of the assailants, Serk Brantner, from the video.
Grey breaks into Serk's home and finds proof Serk was "upgraded" with cybernetic implants, and finds messages connecting him with a local bar called the Old Bones. Serk arrives and attacks Grey, but STEM convinces Grey to allow it to take full control of his body, and easily overpowers and kills Serk. Cortez later sees drone footage of Grey’s wheelchair approaching Serk’s house, but his paralysis negates him as a suspect.
Eron has tracked STEM's movements and berates Grey for potentially exposing STEM. Grey reveals STEM is speaking to him, which surprises Eron, who demands that Grey stop his investigation. Grey proceeds to the Old Bones and finds Tolan, another of the assailants. Grey allows STEM to torture Tolan to death, obtaining the name of the assailants' ringleader, Fisk. Leaving the bar, Grey stumbles, and STEM informs him that Eron is attempting to shut them down remotely. STEM directs Grey to a nearby hacker, formerly known as Jamie, and Grey manages to reach the hacker's address just as STEM shuts down completely, rendering Grey paralyzed again. The hacker manages to remove STEM's input guard, and leaves just as Fisk arrives. Grey, with STEM's control restored, kills Fisk's remaining companion.
Grey returns home only for Pamela to see him walking, forcing him to reveal STEM's existence. Cortez arrives to interrogate them after finding Grey's wheelchair abandoned at the Old Bones; she leaves after planting a listening device on Grey's jacket. Grey wishes to give up the hunt, but STEM explains that Fisk will track them down and kill them. STEM reveals that the hack gives him free control of Grey’s body. STEM uses Grey to drive to Fisk, causing an automated car to malfunction and crash into Cortez’, who is tailing them. Cortez returns to Grey's home, where Pamela explains STEM to her.
Grey and STEM find Fisk, who reveals he was only hired to paralyze Grey so he could be implanted. Fisk’s own upgrades outpace Grey's movements, enabling him to gain the upper hand until Grey taunts Fisk with the death of Serk, his brother. With Fisk distracted, STEM is able to kill him. Fisk's phone reveals messages from Eron, suggesting that he had orchestrated all the events.
Grey enters Eron's home, but is held at gunpoint by Cortez before he can kill Eron. Eron confesses how STEM forced him to do its bidding, having long since come to dominate all aspects of Eron's life in pursuit of its goal to become human. STEM kills Eron and attempts to kill Cortez, but Grey fights for control over his own body, managing to shoot himself. Grey wakes up in a hospital room, not paralyzed. Asha explains he has been unconscious for two days following their crash. In reality, Grey is still in Eron's home. STEM, in full control, explains to Cortez that the psychological strain has finally broken Grey's mind; this was STEM's objective all along, as this allowed STEM to assume control over Grey's mind and body. Grey's consciousness believes the idyllic dream state it has found, while STEM kills Cortez and leaves.
- Logan Marshall-Green as Grey Trace
- Betty Gabriel as Det. Cortez
- Harrison Gilbertson as Eron Keen
- Melanie Vallejo as Asha Trace
- Benedict Hardie as Fisk Brantner
- Linda Cropper as Pamela Trace
- Simon Maiden as STEM (voice)
- Christopher Kirby as Tolan
- Clayton Jacobson as Manny
- Sachin Joab as Dr. Bhatia
- Michael M. Foster as Jeffries
- Richard Cawthorne as Serk Brantner
- Kai Bradley as Jamie
Principal photography on the film began in March 2017 in Whannell's hometown of Melbourne; The chase scene taking place on the southern section of the Craigieburn bypass Hume Freeway (M31) and is actually going the opposite direction to what would have been normal traffic flow to appear that it was filmed in a left hand drive country. editing took place in Sydney.
After premiering on 10 March 2018 at South by Southwest and winning the Midnighters Award, the film was released on 1 June in the United States, and 14 June in Australia by Blumhouse Tilt.
In the United States, Upgrade was released on 1 June 2018, alongside Adrift and Action Point, and was projected to gross around $3 million from 1,457 theaters in its opening weekend. It ended up debuting slightly above estimates with $4.6 million and finished sixth at the box office. It was the second best opening for a BH Tilt film, after The Darkness' $4.95 million in 2016. It made $2.2 million in its second weekend, finishing ninth.
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 87% based on 173 reviews, and an average rating of 7.27/10. The website's critical consensus reads, "Like its augmented protagonist, Upgrade's old-fashioned innards get a high-tech boost – one made even more powerful thanks to sharp humor and a solidly well-told story." On Metacritic, the film has a weighted average score of 67 out of 100, based on 33 critics, indicating "generally favorable reviews". Audiences polled by PostTrak gave the film a 78% overall positive score and a 46% "definite recommend".
In The Sunday Times (UK) Ed Potton muses, "apart from a few flimsy special effects ... this is a satire that cleaves dangerously close to reality at times." Emily Yoshida, writing for New York magazine's blog Vulture, said, "A great and grimy little screw-turner of sci-fi schlock, the kind that they truly don't make anymore, the kind that would make Carpenter and Cameron proud." On the other hand, Charles Bramesco of The Guardian said, "While Whannell wrestles with warring desires to fret over the techno oblivion we’re hurtling towards or have a laugh about it, that conflict manifests in a disappointing tonal clash that robs the film of the low-rent fun it could be having."
|Award||Date of ceremony||Category||Recipient(s)||Result||Ref(s)|
|AACTA Awards||3 December 2018||Best Original Screenplay||Leigh Whannell||Nominated|||
|Best Editing||Andy Canny||Nominated|
|Best Original Music Score||Jed Palmer||Nominated|
|Best Sound||Will Files, P.K. Hooker, Andrew Ramage||Nominated|
|Best Production Design||Felicity Abbott, Katie Sharrock||Nominated|
|Best Visual Effects or Animation||Kate Bernauer, Aevar Bjarnason, Matt Daly, Jonathan Dearing, Angelo Sahin||Nominated|
|Best Hair and Makeup||Larry Van Duynhoven, Chiara Tripodi||Nominated|
|SXSW Film Awards||13 March 2018||Audience Award – Midnighters||Leigh Whannell||Won|||
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