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Up in Central Park is a 1948 American musical comedy film directed by William A. Seiter and starring Deanna Durbin, Dick Haymes and Vincent Price. Based on the play Up in Central Park by Herbert Fields with a screenplay by Karl Tunberg, the film is about a newspaper reporter and the daughter of an immigrant maintenance man who help expose political corruption in New York City in the 1870s.[2][3]

Up in Central Park
Up in Central Park 1948 Poster.jpg
Theatrical release poster
Directed byWilliam A. Seiter
Produced byKarl Tunberg
Screenplay byKarl Tunberg
Based onUp in Central Park (play)
by Herbert Fields
Music byJohnny Green (director)
CinematographyMilton R. Krasner
Edited byOtto Ludwig
Distributed byUniversal Pictures
Release date
  • May 26, 1948 (1948-05-26) (US)
Running time
84 minutes
CountryUnited States
Budget$2 million[1]



In New York City in the 1870s, as the city prepares for the upcoming election, corrupt political boss William Tweed (Vincent Price) and his Tammany Hall political machine are working hard to re-elect their candidates, including Mayor Oakley (Hobart Cavanaugh), in order to continue exploiting the coffers of the city and state. The one voice opposing Boss Tweed's organization is John Matthews (Dick Haymes), a young naïve reporter for The New York Times.

When Irish immigrant Timothy Moore (Albert Sharpe) and his singing daughter Rosie (Deanna Durbin) arrive in New York City hoping for a better life, they are set upon immediately by Rogan (Tom Powers), one of Boss Tweed's men. The illiterate Timothy agrees to vote twenty-three times for the Tammany ticket, and is rewarded with $50 and an invitation to Boss Tweed's victory party. At the party, Rosie inadvertently overhears Boss Tweed's latest plan to embezzle the city's coffers through the unnecessary renovation of Central Park. Fearing that Rosie may know about his plan, Boss Tweed appoints the unknowing Timothy to the post of Park Superintendent.

Sometime later, John meets Timothy, the new Park Superintendent. Unaware that John is a reporter, Timothy reveals that some of the park's zoo animals are actually being raised for Boss Tweed's consumption. After John's story appears in the paper, Timothy is fired, but when Rosie appeals to an infatuated Boss Tweed to give her father another chance, he agrees. Also smitten with Rosie, John offers Timothy a job with his newspaper. Soon after, John tries to convince Rosie of Boss Tweed's dishonesty, but is unsuccessful. Later that night, Rosie almost discovers Boss Tweed's true character when he makes numerous, lecherous advances toward her during dinner, but is interrupted by Timothy, who mistakenly believes that he was invited.

After Rosie arranges a meeting between John and Boss Tweed, the political boss offers to sponsor John's proposed novel if he agrees to quit his job at The New York Times. John refuses the bribe. Later, John discovers Timothy attending grammar school classes; with the help of a schoolteacher named Miss Murch, the old man learns of Boss Tweed's corruption. When Timothy tries to tell his daughter about Boss Tweed's true character, she refuses to listen, having become romantically involved with the married man.

Through Boss Tweed's influence, Rosie soon auditions for an opera company, and though she is offered a role in an upcoming production, Tweed insists that she be cast in the current show. Meanwhile, Timothy, upset over his daughter's involvement with Tweed, approaches John and offers to help him gain evidence against the political boss by breaking into city hall and examining the city's financial records. The two men are discovered by a drunken Mayor Oakley when he wanders into his office, but they trick him into giving his copies of Boss Tweed's financial dealings to the newspaperman.

After their corruption is exposed in the newspapers, Boss Tweed and his associates prepare to flee the country, but Tweed offers no apologies to Rosie for his actions, stating his belief in the rights of the strong over the weak. After he leaves her, Rosie wanders through Central Park, where she is discovered by Timothy and John. After requesting her father's forgiveness, Rosie is reunited with John.




  • "When She Walks in the Room" (Sigmund Romberg and Dorothy Fields)
  • "Carousel in the Park" (Sigmund Romberg and Dorothy Fields)
  • "Oh Say, Can You See (What I See)" (Sigmund Romberg and Dorothy Fields)
  • "Pace, pace mio Dio" from the opera La forza del destino (Giuseppe Verdi, Francesco Maria Piave)[5]


In his 1948 review in The New York Times, T.M.P. wrote that the film was "somewhat less successful as entertainment than the play."[6] The producers' decision to reduce the number of songs does not help matters.

Gone, too, are most of the songs, a regrettable elimination, since Deanna Durbin is on hand and in extremely good voice. Her introductory number, "Oh! Say Can You See," is a new, if not too sprightly addition; "Carousel in the Park" is old but good, and then there is the classical "Pace, Pace Mio Dio" to complete the vocal range. Miss Durbin's voice is clear and bell-like, but such a limited repertoire is hardly enough to provide her with a decent workout. And Dick Haymes, who sings pleasantly, is restricted to "When She Walks in the Room" and to participating in "Carousel in the Park."[6]

Regarding the casting, the reviewer wrote, "Durbin is fresh looking in a nice girlish way and displays a convincing amount of naïveté, and Mr. Haymes is agreeable enough, though he looks and acts more like a professional juvenile than a seasoned reporter. Albert Sharpe contributes some mil dhumor as Miss Durbin's doting parent."[6] Regarding the casting of Vincent Price in the role of Boss Tweed, the reviewer wrote, "a more inappropriate choice could hardly be imagined."[6] Finally, the film fails to exploit the obvious filming location choices in Central Park, restricting them to a few shots of the zoo, the carousel, and a bit of greenery around the superintendent's house. According to the reviewer, the director should have "moved his camera out onto the meadows instead of focusing so much on plush, stuffy interiors."[6]

In his review for Rovi, Hal Erickson wrote that the best scene of the film was Currier & Ives ballet, one of the few holdovers from the stage version.[2]

Radio adaptationEdit

Up in Central Park was presented on Screen Guild Players June 28, 1948. The 30-minute adaptation starred Durbin and Haymes in their screen roles. Charles Irwin and Willard Waterman were also featured.[7]

See alsoEdit


  1. ^ Up in Central Park' Reshaped for the Camera -- Recording Aid -- Other Items By THOMAS F. BRADY. New York Times (1923-Current file) [New York, N.Y] 12 Oct 1947: X5.
  2. ^ a b c "Up in Central Park (1948)". The New York Times. Retrieved September 15, 2012.
  3. ^ "Up in Central Park". Internet Movie Database. Retrieved September 15, 2012.
  4. ^ "Full cast and crew for Up in Central Park". Internet Movie Database. Retrieved September 15, 2012.
  5. ^ "Soundtracks for Up in Central Park". Internet Movie Database. Retrieved September 14, 2012.
  6. ^ a b c d e T.M.P. (May 27, 1948). "'Up in Central Park,' Musical About Boss Tweed and His Times". The New York Times. Retrieved September 15, 2012.
  7. ^ "Those Were The Days". Nostalgia Digest. 40 (1): 32-39. Winter 2014.

External linksEdit