Univision(Redirected from Univisión)
Univision is an American Spanish language broadcast television network that is owned by Univision Communications. The network's programming is aimed at Hispanic Americans and includes telenovelas and other drama series, sports, sitcoms, reality and variety series, news programming, and imported Spanish-language feature films.
|Launched||September 25, 1962|
|Owned by||Univision Communications|
|Picture format||1080i HDTV|
|Slogan||La que nos Une
(The one that unites us)
|Headquarters||605 Third Avenue
New York, NY 10158
|Formerly called||Spanish International Network (1962–1987)|
|Affiliated with broadcast television stations in many markets||See list of affiliates|
|DirecTV||402 (east; HD/SD)
403 (west; SD)
|OTA affiliates available on certain U.S. cable systems||Consult your local cable provider or program listings source for channel availability
(availability is at the discretion of the station and provider)
|National feed available on select U.S. cable systems in markets without a local affiliate||Consult your local cable provider or program listings source for channel availability|
|Sling TV||Internet Protocol television|
|FuboTV||Internet Protocol television|
Univision is headquartered in Midtown Manhattan, New York City, and has its major studios, production facilities, and business operations based in Doral, Florida (near Miami). In recent years, the network has reached viewership parity with the five major English language U.S. television networks.[clarification needed]
Univision is available on cable and satellite television throughout most of the United States, with local stations in over 60 markets with large Hispanic and Latino populations. Most of these stations air full local newscasts and other local programming in addition to network shows; in major markets such as Los Angeles, Miami, and New York City, the local newscasts carried by the network's owned-and-operated stations are equally competitive with their English language counterparts ratings-wise. Chief operating officer Randy Falco (who was appointed in the position on January 18, 2011, and officially took over as CEO on June 29 of that year) has been in charge of the company since the departure of Univision Communications president and CEO Joe Uva in April 2010.
Beginnings as Spanish International NetworkEdit
Univision's roots can be traced back to 1955, when Raul Cortez started KCOR-TV, a Spanish language independent station in San Antonio, Texas, which eventually changed the station's call letters to KUAL-TV in 1958. The station was not profitable during its early years, and in 1961, Cortez sold KUAL-TV (now known as KWEX-TV) to a group headed by his son-in-law Emilio Nicolas, Sr., who had helped produce local variety programs for the station, and Mexican entertainment mogul Emilio Azcárraga Vidaurreta – owner of Mexico-based Telesistema Mexicano (the forerunner of Televisa). The new owners helped to turn around the station's fortunes by heavily investing in programming.
On September 29, 1962, Nicolas and Azcárraga signed on a second Spanish language station, KMEX-TV in Los Angeles; then in 1968, the duo expanded their holdings to the New York City area when it signed on WXTV in Paterson, New Jersey. These three stations – which became part of the Spanish International Communications group – formed the nucleus of the Spanish International Network, the first television network in the United States to broadcast its programming in a language other than English.
Over the next 20 years, SIN would acquire other top-rated Spanish-language television stations throughout the United States; as part of its expansion, the network acquired additional stations, WLTV in Miami and KTVW in Phoenix; and reached a part-time affiliation with WCIU-TV in Chicago. Televisa's ownership interest in SIN transferred posthumously from Emilio Azcárraga Vidaurreta to his son, Emilio Azcárraga Milmo, in 1972. In the mid-1970s, the network began distributing its national feed via satellite, which originally was delivered as a superstation-type feed of San Antonio's KWEX-TV, before eventually switching to a direct programming feed of SIN, allowing cable television providers to carry the network on their systems at little cost. During the 1980s and in some cases, the mid- and late-1970s, Univision began affiliating with startup Spanish language stations in markets such as Dallas–Fort Worth (KUVN), Houston (KXLN) and San Francisco (KDTV), as well as affiliating with independent stations that previously broadcast in English.
In Chicago, SIN moved its programming from WCIU-TV to new full-time affiliate WSNS-TV in July 1985. After WSNS was sold to Telemundo in 1988, what had become Univision moved its programming back to WCIU-TV, which agreed to air Univision programming on weekday evenings and weekends. In 1994, the network purchased English-language independent WGBO-TV after WCIU-TV turned down Univision's request to become a full-time affiliate in favor of maintaining its longtime multi-ethnic programming format. WGBO-TV became an Univision-owned station in January 1995.
Relaunch as UnivisionEdit
1987 became a pivotal year for the Spanish International Network and its owned-and-operated station group; in 1987, Nicolas sold his stake in the network to a partnership of Hallmark Cards and Televisa, which formed Univision Holdings Inc. to operate the network and its stations. The Federal Communications Commission and SIN's competitors had long questioned whether the relationship between SIN and the Azcárraga family was impermissibly tight. Both the FCC and other Spanish-language broadcasters had long suspected that Televisa was merely using Nicolas to skirt FCC rules prohibiting foreign ownership of broadcast media.
The FCC and the U.S. Justice Department eventually encouraged a sale of the network to a properly constituted domestic organization. Spanish International Communications ultimately began discussions with various prospective buyers, culminating in Hallmark Cards (which owned a 63.5% interest), private equity firm First Chicago Venture Capital (which acquired 21.5%) and several other private investors (which collectively owned the remaining 15% held in a trust) purchasing the SIN stations for $600 million, while forming a new relationship with Televisa for the distribution of programs; the new group also adopted a new name for the network, Univision.
Joaquin Blaya, the network's new chief executive officer, would sign agreements to carry two programs that would change the face of the network. He signed contracts to develop programs hosted by Cristina Saralegui (who became the host of the long-running talk show El Show de Cristina ("The Cristina Show"), which aired on the network for 22 years) and Chilean-born Mario Kreutzberger – better known as Don Francisco (who brought his popular variety series Sábado Gigante ("Giant Saturday") to the U.S., which aired on Univision for 29 years until its cancellation in September 2015) – for the network. Univision also began production of its first morning program, Mundo Latino, which was anchored by Cuban natives Lucy Pereda and Frank Moro; Moro left the network to move to Mexico to continue his career as a soap opera actor, the network then brought in Jorge Ramos to replace him.
To appeal to Hispanics and Latinos of all nationalities, the network soon instituted a policy of maintaining neutrality with its use of Spanish dialects, slang and humor on its domestically produced programs, enforcing program producers to limit the use of humor and slang relatable only to a specific Hispanic nationality. It also prohibited the use of English in its programming or advertisements (outside of product titles and dialogue featured in film trailers), most obvious in the use of Spanish equivalent placenames such as "Nueva York" rather than New York. In 1988, Blaya also substantially ramped up production of American-based programs on Univision's lineup, reducing the share of programming imported from Latin America (most of which came from Televisa) on its schedule. With this, the network began producing programs with a national audience in mind, resulting in Univision's schedule consisting of 50% foreign programming and 50% U.S.-produced programming.
The first such program, TV Mujer ("Woman TV"), was a magazine-style talk show aimed at American Hispanic females – originally hosted by Pereda and Gabriel Traversari – featuring a mix of cooking and entertainment segments. The following year, Pereda was replaced as co-host by Mexican-American Lauri Flores, who previously served as director of programming, promotions, special events and public information at Houston affiliate KXLN-TV – where she also hosted a local community affairs program, Entre Nos. During Flores' tenure as host of TV Mujer, the program remained the #1 daytime show on Spanish-language television, outperforming its competition in its time period by 33%. Telemundo's Dia a Dia, which debuted prior to the premiere of TV Mujer, saw its ratings diminish as a result. Sábado Gigante model Jackie Nespral was added as host of the program for its final year on the network; she was originally hired to serve as a fill-in co-host while Flores went on maternity leave, before becoming a full-time host during the show's final season. TV Mujer inspired a series of other programs, including Hola, America ("Hello, America") and Al Mediodia ("At Noon"), which never garnered the ratings of the original concept and were ultimately cancelled.
However, the network's fortunes began to wane following the Hallmark purchase, when Televisa terminated its programming agreement with Univision, taking along with it the company's popular telenovelas. The network opted to replace the Mexican-produced serials with novelas produced in South America; however, viewership for its telenovelas declined with the programming shift. To make matters worse, with limited revenue from advertising, the sale to Hallmark left Univision with a huge debt load to cover. On February 1, 1990, Univision Holdings disclosed that it had failed to make an interest payment of about $10 million (totaling about $3 million to be paid to its bank lenders and about $7 million to holders of its junk-bond debt) that was due a day prior as part of its efforts to restructure its debt, citing insufficient cash flow for the missed payments. At the time, Univision had owed about $315 million to a group of banks led by Continental Bank of Chicago, about $135 million in senior subordinated zero-coupon debt and $105 million in 13 3/8% in outstanding subordinated debentures.
On March 30, Univision filed a motion in U.S. Bankruptcy Court to seek Chapter 11 creditor protection and financial reorganization unless it could convince its bondholders to accept an increased offer by Hallmark Cards Inc., in which they would receive $131 million for a face value of $270 million in securities on a blended basis, following an initial bid that was widely turned down by the bondholders. The holders of two different series of Univision Holdings' debt accepted the bid and tendered their securities by April 13, preventing the bankruptcy protection proceedings, with Hallmark's offer to purchase the debt securities being completed by April 25.
Revamp and competition with Telemundo in the 1990s and 2000sEdit
On April 8, 1992, Hallmark sold Univision to a group that included Los Angeles-based investor A. Jerrold Perenchio (a former partner in Norman Lear's Embassy Communications, who was outbid by the Hallmark-led consortium for the network in 1986), Emilio Azcárraga Milmo, and brothers Ricardo and Gustavo Cisneros (co-owners of Venezuelan broadcaster Venevision) for $550 million, in order to refocus its television operation efforts on cable provider Cencom Cable Associates, which it acquired the previous year for about $500 million. In order to comply with FCC rules on foreign ownership of television stations, the deal was structured to give Perenchio a controlling 75% interest in Univision's station group and 50% ownership of the network itself; Azcárraga and the Cisneroses held a 25% stake in the network and a 12.5% stake in the station group. The deal placed Univision under common ownership with competing cable channel Galavisión, which the Azcárraga-run Grupo Televisa owned at the time.
The sale raised concerns by several Latino activist groups such as the National Hispanic Media Coalition – which subsequently filed a petition to the FCC to deny the sale of Univision and its television stations – that it would lead to a drastic reduction in Univision's domestically originated programming output in favor of lower-cost, imported Latin American content, and allow Azcárraga to potentially expand control of American Spanish language television in the manner of Televisa's near-monopoly in Mexican media. Indeed, this concern was effectively confirmed in the release of an FCC filing for the Perenchio-Televisa-Venevision purchase in which Perenchio indicated "the programs offered[...] by Televisa and Venevision will include at least a quantity of programs sufficient to fill a 24-hour-a-day, seven-day-a-week broadcast schedule", with local content consisting only of newscasts. This led Joaquin Blaya to resign from his role as Univision's president in May 1992 – after Perenchio had earlier assured him that the amount of domestic national programming on the network and its nine owned-and-operated stations would not be reduced before the filing was disclosed – concerned that it would limit opportunities to increase the amount of local programming content on Univision's stations.
Blaya was then hired by Telemundo to serve as its president and chief executive officer, and was subsequently joined by four other Univision senior executives on that network's production and management team. The FCC expedited its review of the deal, and approved the purchase on September 30, 1992, stating that the consortium was quantified to acquire Univision and that it was "unconvinced" about the petitioners' arguments that it would dilute the amount of American programming on the network. Subsequently, in January 1993, Univision canceled three U.S.-produced programs – the newsmagazines Portada ("Cover Story") and Al Mediodía and the variety series Charytin International – resulting in the layoffs of 70 production staffers based at Univision's Miami headquarters and at Al Mediodía's base in Los Angeles; although two of the three programs were replaced by Televisa series (Portada was replaced in its Wednesday night slot with the variety series El Nuevo Show ("The New Show"), a Los Angeles-based series hosted by Paul Rodriguez, which had aired on Saturdays for several years prior), Univision executives cited that all three programs were discontinued due to low ratings and not because of any plan to eschew American programming with imported content. Televisa and Venevision's stakes in the network in exchange the two foreign partners get 14.7% of Univision's revenue also gave Univision access to a broad selection of programs from Televisa and Venevision are locked up through 2017;.
In 1993, Perenchio appointed Carlos Barba – who had been serving as general manager of Univision's New York City station WXTV – to turn around the operations of the station group including flagship KMEX, which generated a large portion of the company's revenue. Under Barba, the network increased monetary investments in the stations, expanding staff and resources, introducing new sets for its newscasts, purchasing updated production and transmission equipment, and increasing travel budgets for news stories and local program remotes done on-location. KMEX became the first Spanish-language television station ever to outperform English-language network stations (NBC station KNBC, CBS station KCBS-TV, ABC station KABC-TV and Fox station KTTV), and overcame what had been Telemundo's national competitive edge against Univision. That year, Univision also acquired KXLN, the first Spanish-language television station in the Houston market. Perenchio also invested $37 million, in conjunction with rival Telemundo, to develop the National Hispanic Television Index, a ratings system created by A.C. Nielsen to track viewership of Spanish language television networks. Perenchio also implemented new programming requirements in which non-sports programs were no longer allowed to run 20 minutes over their allotted timeslot.
In 1996, Perenchio took Univision Holdings public for the first time. Univision also appointed Mario Rodriguez as its president of programming; Rodriguez developed a strategy to provide programming that would appeal to both Latino immigrants and native citizens, and increased domestic programming production (much of which consisted primarily of news, talk and variety shows) to encompass 52% of the network's schedule. Univision also adopted the standard Latin American model of programming its prime time telenovela lineup to appeal to different target audiences (with novelas aimed children airing at 7:00 p.m., those aimed teenagers at 8:00 p.m. and novelas targeted toward adults scheduled at 9:00 p.m. Eastern and Pacific). The following year, the network appointed former Housing and Urban Development secretary Henry Cisneros as its president and CEO, a post he remained in until his resignation in 2000 to head American CityVista, a contracting company that builds residential communities in inner cities.
At the same time, citing its dominance in the Spanish-language television market, having consistently beaten Telemundo and other smaller Spanish language networks in the ratings, the network decided to refocus its efforts on attracting Hispanic and Latinos viewers who preferred watching programs on English language broadcast and cable networks to grow its viewership further. The strategy helped Univision to nearly double its ratings during prime time by 1998, ranking as the fifth most-watched American broadcast network by the 1998–99 season (beating fledgling English-language networks UPN and The WB), as it steadily began to attract bilingual viewers away from the English-language networks. In September 1998, the network added two new shows to shore up its struggling afternoon lineup leading into the highly rated Cristina. While one of the programs – the game show El Bla-Blazo – lasted only a few years, it experienced more long-term success with the newsmagazine that followed it, El Gordo y La Flaca ("The Scoop and the Skinny", although alternately translated as "The Fat Man and the Skinny Girl"), a Miami-based entertainment news program hosted by Raul De Molina and Lili Estefan, who had become popular with viewers for their entertainment reports on the network's news programs.
In June 2001, Univision entered into a local marketing agreement (LMA) with Raycom Media to operate two television stations in Puerto Rico, WLII in Caguas and WSUR in Ponce, as part of a planned and protracted purchase of the two stations. At the time, WLII had long maintained an LMA with another Puerto Rican station, WSTE, which Univision maintained. Also around this time, Univision resumed its broadcast expansion by converting several television stations that it had acquired into affiliates of the network, including those in Raleigh, North Carolina (WUVC), Cleveland, Ohio (WQHS), Philadelphia, Pennsylvania (WUVP) and Atlanta, Georgia (WUVG) – including one acquired from USA Broadcasting that had previously been affiliated with the Home Shopping Network, which was left out of the group's charter affiliation deals for Univision Communications' secondary network TeleFutura (now UniMás) when it launched in January of that year. Both WLII and WSUR were sold to Univision Communications outright in 2005. Since that point, Univision also signed affiliation agreements with television stations owned by other media companies in cities such as Detroit, Seattle, Portland, Oregon, Minneapolis, Oklahoma City, Nashville and Kansas City – expanding its affiliate body further outside the Univision-owned stations and stations owned by Entravision Communications.
In June 2002, Univision acquired Dallas, Texas-based Hispanic Broadcasting Corp., owner of Spanish language radio stations in markets such as New York City (WADO), Los Angeles (KLVE), San Antonio (KGSX, now KMYO) and Dallas (KESS), in a $3.5 billion all-stock transaction. Following the FCC's long-awaited approval of the acquisition, the group was renamed Univision Radio. The negotiations to merge the two companies followed years of on-again/off-again negotiations in which each company made an offer to acquire the other, as well as occasional takeover attempts of other television and radio station groups (HBC once attempted to broker a deal to merge with the Spanish Broadcasting System, and made a failed attempt to acquire Telemundo before Sony Pictures Entertainment and Liberty Media acquired that network in 1998).
In late 2004, a feud began between Perenchio and Televisa head Emilio Azcárraga Jean, regarding Univision's continual editing of Televisa's programming, and the failure to pay for rights to broadcast Televisa-produced sports and specials. The feud intensified to the point where Grupo Televisa filed a breach of contract lawsuit against Univision in a U.S. federal court in June 2005, accusing the network of several actions, including "unauthorized editing" of Televisa programming; Televisa also barred its most famous stars from appearing on any Univision-produced series and specials. Rumors also circulated that Univision would form a partnership with Televisa's longtime rival TV Azteca, which for a short period of time, bought airtime rights and allowed its video footage to be used on Univision's news programs.
During the 2000s, Univision also lost several key on-air personalities to Telemundo, including longtime weekend news anchor Maria Antonieta Collins (who left to host the morning program Cada Dia), Primer Impacto anchor María Celeste Arrarás (who became the host of a similarly formatted newsmagazine, Al Rojo Vivo) and sports announcers Andrés Cantor (known to many Americans for his exuberant announcement of "Goal!" during football matches) and Norberto Longo. By the middle of the decade, Univision overtook UPN and The WB – which shut down in September 2006 and were replaced by The CW, which Univision also outranks – as the fifth highest-rated network in total viewership; since then, it also sometimes posts higher viewership in the key age demographics of Adults 18–34 and Adults 18–49.
Other key on-air personalities that join Telemundo from Univision or Televisa in the 2000s are Lucero, Pedro Fernandez, Kate del Castillo, Aracely Arámbula, Raúl González, Blanca Soto, Laura Flores, Ana María Canseco, Cristina Saralegui.
On April 7, 2005, Univision aired Selena ¡VIVE! ("Selena Lives!"), a three-hour tribute concert in honor of slain singer Selena (who was murdered via gunshot in March 1995 by a fan who worked as part of her managerial staff). The concert earned a 35.9 Nielsen household rating, becoming the highest-rated program that night on all of network television as well as the most-watched Spanish-language program in American television history.
On February 9, 2006, Univision Communications announced that it was putting itself up for sale. News Corporation chairman Rupert Murdoch stated that his company was considering buying Univision, but backed off that position (the company had already owned duopolies in several markets, and could not acquire the existing Univision stations in any event as FCC rules prohibit common ownership of three television stations in a single market except in cases where a market has 20 full-power stations, and sell some of its stations to get below the FCC's 39% market reach cap for any individual station owner). Other expected bidders included Grupo Televisa (which would have had to acquire the network under a partnership, due to FCC laws that restrict ownership of a television station or network by a foreign company to a percentage of no more than 25%), Time Warner, CBS Corporation, Viacom, The Walt Disney Company, Bill Gates, and several private equity firms. The Tribune Company was rumored to be interested in buying Univision's sister network TeleFutura.
On June 27, 2006, Univision Communications was acquired by Broadcasting Media Partners Inc. – a consortium of investment firms led by the Haim Saban-owned Saban Capital Group (which had previously owned Saban Entertainment until its sale to The Walt Disney Company in June 2001, as part of News Corporation's sale of Fox Family Worldwide), TPG Capital, L.P., Providence Equity Partners, Madison Dearborn Partners and Thomas H. Lee Partners – for $12.3 billion (increasing to $13.7 billion or $36.25 per share by the sale's closure), plus the assumption of $1.4 billion in debt. The sale received federal approval and was formally consummated on March 27, 2007.
The buyout left the company with a debt level of twelve times its annual cash flow, which was twice the debt incurred in buyouts that occurred over the previous two years. However, Univision's shareholders filed two class action lawsuits against Univision Communications and its board members to stop the buyout – one of which claimed that the board members structured the deal to only benefit the company's insiders and not average stockholders, while the other was filed on behalf of a shareholder identified as L A Murphy, who claimed that the board put its own personal interests and the interests of the winning bidder ahead of shareholders, and also failed to adequately evaluate the company's worth. Additional lawsuits were filed in the meantime, including one against the Univision Records division for heavy-handed tactics, and a suit filed by a winner of a $30,000 makeover prize in a contest held by the network's morning program ¡Despierta América! who alleged that Univision broke its own contest rules.
On June 25, 2007, with the finale of La Fea Más Bella ("The Prettiest Ugly Girl"), a telenovela based on the Colombian series Yo Soy Betty, la Fea), Univision led all U.S. broadcast networks – English and Spanish – with a 3.0 rating out of 9 share, placing as the second most-watched network television program that week. Later that year, Univision hosted the first Spanish-language presidential debate in the United States at the University of Miami, featuring candidates vying for the Democratic nomination. In May 2008, Univision Music Group was sold to Universal Music Group and combined with the latter's Latin music label to become Universal Music Latin Entertainment.
In 2009, the network sponsored a countdown in Times Square, similar to the New Year's Eve event. On the evening of June 12, at 11:59 p.m. Eastern Time, a 60-second countdown appeared on the Jumbotron-size screen in the Manhattan district to mark the shutdown of full-power analog television signals in the Eastern Time Zone, culminating in the message "BIENVENIDOS A LA ERA DIGITAL" ("welcome to the digital era"). The countdown was aired live by the network during Ultima Hora: Una Nueva Era, a special edition of its late-evening newscast Noticiero Univision: Ultima Hora. The ball was lighted in white but was not dropped, remaining positioned at the bottom where the lighted "2009" sign also remained, despite the four-month delay of the digital television transition from February 17. On December 7 of that year, Univision announced it would launch an in-house production division, Univision Studios, a Doral, Florida-based company that would produce original programming content for Univision and TeleFutura; former RTVE president Luis Fernandez was appointed to lead the new division.
During the first week of September 2010, the network reached a milestone, earning its first #1 ranking in the ratings among all American broadcast television networks – English and Spanish – in the 18–49 age demographic, assisted by a prime time football match between Mexico and Ecuador and the season finale of the Colombian reality game show Desafío: La Gran Batalla ("Challenge: The Great Battle"), along with the English networks having traditionally weak programming that time of year, prior to the launch of the fall television season.
In October 2010, Televisa reached an agreement to acquire a 5% ownership stake in Univision (marking the third time that the company held equity in Univision Communications in its history), with the option of expanding its interest in the future. As part of the deal, Televisa also signed a long-term extension to its program licensing agreement with Univision – which runs through at least 2020, through with an option to extend it to 2025 or later – which expanded upon the previous agreement, which was set to expire in 2017, to give Univision rights to stream Televisa content via the internet and on mobile platforms and covers key rights to matches from Mexican football leagues.
On October 17, 2012, Univision Communications unveiled an updated corporate logo, which was adopted on-air by the Univision network during the broadcast of its New Year's Eve countdown program ¡Feliz 2013! ("Happy 2013!") on December 31. The new logo shares the multicolored quadrant design of the previous logo (which had been used since January 1990), but now resembles a three-dimensional heart to represent its new slogan, "El latido del corazón hispano de Estados Unidos" ("The Hispanic Heartbeat of the United States"). The revised logo's new three-dimensional shape was intended to represent Univision's recent growth as a "360-degree", multi-platform media company, while its seamless form represented the unity of Hispanic cultures.
On May 8, 2012, Univision and ABC News announced that the two companies would jointly create an English-language digital cable and satellite news channel, later given the name Fusion in February 2013, that would be primarily aimed at English-speaking Hispanic and Latino American audiences; Fusion was launched on October 28, 2013.
Univision operates on a 164-hour network programming schedule, which it adopted in January 2013. The network's base programming feed provides general entertainment programming on an uninterrupted 24-hour schedule each weekday, as well as from 5:00 to 6:00 a.m. and 8:00 a.m. to 5:00 a.m. Eastern and Pacific Time on Saturdays and Sundays (the first three hours of the secondary weekend schedule on Saturday mornings, starting at 8:00 a.m. Eastern and Pacific Time, is occupied by the children's programming block "Planeta U"). The remaining weekend time periods are filled with infomercials (prior to 2013, the network had programmed a full 168-hour schedule, with reruns of past Televisa-produced entertainment programs filling the two hours on Saturday and Sundays now occupied by paid programming).
Although Univision's owned-and-operated stations and affiliates largely rely on the network's master feed to fill their daily broadcast schedule, many of its stations also produce their own local programming, usually in the form of newscasts and public affairs programs (production of local infotainment programming, and leasing of brokered programs such as direct response and religious content, is at the station's discretion). Many Univision stations usually air limited local news programming, which are commonly reserved for early and late evening timeslots on Monday through Friday nights, with the master feed incorporating alternate programming that news programming may pre-empt on its broadcast outlets during these designated time periods (as well as others in which stations carry additional local programs); some of its stations may also air newscasts on weekday mornings (these are mainly limited to the network's O&Os in larger markets) and/or on weekend evenings.
The majority of Univision's programming consists of telenovelas and series produced by Televisa, the majority of which originated on the company's flagship network in Mexico, Canal de las Estrellas. Prior to 2009, Univision had also broadcast telenovelas and other programs produced by Venezuelan broadcaster Venevision. Otherwise, Univision produces a moderate amount of original programming, including the reality competition series Nuestra Belleza Latina ("Our Latin Beauty"), La Banda ("The Band") and Mi Pongo Mi Pie ("I Stand Up"); national news programming; entertainment news shows El Gordo y La Flaca and Sal y pimienta ("Salt and Pepper"); and sports discussion program República Deportiva ("Sports Republic"). Univision also operates its own television production unit, Univision Studios, which its corporate parent launched in 2009 and produces original content for the network.
The network's signature program, the variety show Sabado Gigante, hosted by Don Francisco, aired on Univision every Saturday night from April 12, 1986 to September 19, 2015 (its final episode was broadcast live in the U.S., Mexico and in Chile, where the program originated in 1963); in addition from September 2004 to May 2015, Univision aired Clásicos de Sábado Gigante ("Giant Saturday Classics"), an early Sunday morning program consisting of condensed two-hour episodes of the series on an approximately one-year delay from their original broadcast. After Sabado Gigante ended its 29-year run on the network, Univision continued the Saturday evening variety tradition with its move of the Televisa-produced music and game show Sabadazo – which it had aired on Saturday afternoons since the show moved from sister network TeleFutura (now UniMás) in September 2012 – into part of Gigante's former time slot on October 17, 2015, before reverting to an afternoon slot and being replaced by the investigative news program Crónicas De Sábado after four months due to low ratings. As such, Univision is one of only two American television networks that airs a first-run program during Saturday prime time (CBS is the only other, although ABC, Fox and occasionally NBC broadcast live sporting events during Saturday prime on certain weeks of the year).
Univision also typically airs drama and variety series in the afternoon (telenovelas that appeal to teen or pre-teen audiences previously aired on early Saturday afternoons until 2011). Scripted series and variety shows (such as Bailando por un Sueno ("Dancing for a Dream"), Como Dice el Dicho ("As the Proverb Goes") and El Chavo Animado ("El Chavo: The Animated Series")) largely make up Univision's weekend lineup. Reality programming became a focal point of the network's Sunday prime time schedule beginning in 2007, with the debut of the beauty pageant competition series Nuestra Belleza Latina ("Our Latin Beauty"). Sitcoms, once a major part of the network's schedule, have a reduced presence on Univision in recent years; since 2008, the network has only obtained rights to two comedies produced by Televisa since that time (Durmiendo con mi Jefe ("Sleeping with My Boss") and Todo en Incluido ("All Inclusive"), both of which began airing on Univision in 2014), although it continues to air comedies that are no longer in production to which Univision continues to maintain U.S. distribution rights (including the family sitcom La Familia P. Luche and the sketch comedies La Hora Pico, Desmadruga2 and its spin-off Estrella2), mainly in overnight and select weekend timeslots.
Although its reliance on them has greatly decreased since 2009, the network also airs some feature films, generally older Mexican imported films from the 1960s to the 1980s, which occasionally air in weekend timeslots not occupied by afternoon football events or Sunday evening reality programs (this is in contrast to UniMás and Telemundo, which both air Spanish-dubbed versions of films produced for the English-language market, although Telemundo also airs Mexican-produced films in overnight timeslots). Until September 2009, when the network began ceding the time period to telenovelas, Univision filled the 10:00 p.m. (Eastern and Pacific Time) hour on Monday through Fridays with various programs each night (including Cristina, Don Francisco Presenta ("Don Francisco Presents"), the newsmagazine Aqui y Ahora ("Here and Now") and Televisa-produced sitcoms and sketch comedies), mirroring the scheduling of English language broadcast networks.
|Mexico||Televisa (XEW-TDT, XEQ-TDT, XHGC-TDT and XHTV-TDT), Televisa Regional, Televisa Networks|
|Dominican Republic||Grupo Telemicro|
|Venezuela||Venevision, Venevision Plus, VTV and TVes|
|Colombia||Radio Televisión Nacional de Colombia, Caracol Television and RCN Television|
|Honduras||TVC Channel 5|
|Argentina||TV Pública Digital and El Trece|
|Chile||UCV Television and Canal 13|
|Puerto Rico||Univision Puerto Rico|
|Costa Rica||canal 2, teletica and Repretel|
|El Salvador||Salvadoran Telecommunications|
|Panama||Telemetro and RPC|
On January 30, 2012, Univision became the second Spanish language network in the United States to provide closed captions in English (after Telemundo, which has carried English subtitles during its entire weeknight prime time schedule from September 2003 to October 2008 and again since March 2009), which are intended to attract Hispanic viewers and others who are not fluent in Spanish. The captions – which are transmitted over the CC3 caption channel – primarily appear during the network's evening telenovela block each Monday through Friday from 7:00 to 11:00 p.m. Eastern and Pacific Time. Some weekend evening programs (such as Nuestra Belleza Latina) also utilize English captions, in addition to the native Spanish-language captions on the CC1 caption stream. Unlike those transmitted by Telemundo, Univision does not include English-language captions during most repeat broadcasts of telenovelas airing outside of the network's prime time schedule following the program's original run on the network.
In 2004, Univision published a list of words it edited from programs broadcast by the network (mostly those acquired from Televisa and other distributors) to comply with broadcast decency standards set by the Federal Communications Commission. The words affected had no negative connotations in some Spanish-speaking countries, but had obscene connotations in other countries.
In June 2005, Grupo Televisa filed a lawsuit against Univision in a U.S. federal court accusing the network of several actions, including "unauthorized editing" of Televisa programming. Since 2013, Univision has edited various telenovelas aired within its prime time schedule if a telenovela does not garner sufficient ratings; as such, scenes from a single program (such examples include Qué Bonito Amor ("Beautiful Love"), La Tempestad ("The Storm"), De Que te Quiero, te Quiero ("Head Over Heels") and La Malquerida ("The Unloved")) comprising 1½ to three episodes are sometimes removed and combined to fit into a one-hour timeslot. In 2015, the network implemented further content edits, removing scenes incorporating forms of physical violence or situations of a sexual nature or incorporating substance use involving minors on some of its telenovelas and anthology serials (such as La Rosa de Guadalupe and Como Dice el Dicho), regardless of the integrality of such depictions to the episode's plotline.
The network operates a news division, Noticias Univision ("Univision News"), which produces the network's flagship newscast Noticiero Univision, which airs in the form of two daily half-hour early and late evening broadcasts (the late-evening newscast formerly maintained a in-depth, investigative focused program Noticiero Univision Ultima Hora ("Noticiero Univision: Last Hour") from 2002 to 2008, under anchor Enrique Gratas, before reverting to the format of its early evening edition); it also produces the morning news and lifestyle program ¡Despierta América! ("Wake Up America!"), the late afternoon newsmagazine series Primer Impacto (which originally aired as a seven-day-a-week broadcast until 2007, and produces a condensed half-hour edition Primer Impacto Extra, which airs in place of late local newscasts on affiliates without their own news department or which choose to preempt regularly scheduled local newscasts on certain holidays) and the Sunday morning talk show Al Punto ("To the Point").
In 1987, Univision appointed Roberto FE Soto – a former producer at NBC News – to produce a revamped flagship evening newscast, Noticiero Univision, becoming the network's youngest executive; the network also reassigned Ramos and hired veteran journalist Maria Elena Salinas to co-anchor the evolving network newscast. Univision eventually decided to expand its news programming to afternoons; in 1992, the network debuted Noticias y Más ("News and More"), anchored by Nespral, Ambrosio Hernandez and Raúl Peimbert; Myrka Dellanos joined the program after Nespral's departure later that year. Hernandez and Peimbert left Univision in 1993 to join Telemundo, while Nespral became co-host of the weekend edition of NBC's Today. Univision had other plans for the moribund show: the network revamped its format, changed its name and its theme music, and hired Puerto Rican-born María Celeste Arrarás as a weekend reporter to serve as Dellanos' partner; the retooled newsmagazine series became Primer Impacto ("First Impact") in February 1994.
On April 14, 1997, Univision launched ¡Despierta América! as a Spanish language competitor to NBC's Today, ABC's Good Morning America and CBS This Morning. The program – which originally ran for three hours, before expanding to four in 2013 – is known for coining the catch phrase, "échate pa' acá" ("Come here"), which is also the name of an entertainment segment focusing news and gossip about Latin entertainers. This format was later carried over to another show, Un Nuevo Día, when Telemundo retooled that program originally known as ¡Levantate! in 2013. ¡Despierta América! has since developed its own style of reporting news of various topics, such as immigration, sports, consumer, health, lifestyle, fashion, beauty and entertainment content.
Today, Univision's news programs typically outrank its Spanish language competitors, with the early-evening edition of Noticiero Univision often placing ahead of its English language rivals (NBC Nightly News, ABC World News Tonight and the CBS Evening News) among viewers in the 18-49 demographic. Most of Univision's owned-and-operated stations and affiliates produce their own local programming, usually in the form of local newscasts and public affairs programs. Newscasts aired on the network's stations are usually broadcast in early and late evening timeslots – with many non-O&Os not owned by Univision Communications and Entravision Communications airing them only on Monday through Fridays – although some O&Os and affiliates also air newscasts on weekday mornings and/or weekend evenings (with morning newscasts being limited mainly to the network's larger market O&Os).
The network also maintains a sports division, Univision Deportes, which is responsible for the production of sports content on Univision, UniMás, Galavisión and its dedicated cable-satellite sports channel Univision Deportes Network. For the main Univision broadcast network, the division produces association football matches from Liga MX (which have aired since 1986), select matches involving the Mexico and United States men's national football teams, as well as tournament matches from the CONCACAF Gold Cup (the rights to which it assumed in 2000) and Copa América (which began airing in 1993). The network formerly held the Spanish language broadcast rights to the FIFA World Cup from 1978 until 2014 and the FIFA Women's World Cup from 1999 until 2011, with the rights migrating to Telemundo and NBC Universo beginning with the 2015 Women's World Cup.
In addition, the division also produces the weekly sports talk program República Deportiva, a Sunday daytime program that debuted in April 1999 with a companion late-night edition premiering in January 2015; and the weeknightly sports highlight/discussion program Contacto Deportivo ("Contact Sports"), which debuted in 2002 on what was then Telefutura, before moving to the main Univision network on March 2, 2015.
Children's programming has played a part in Univision's programming since its initial roots as the Spanish International Network. From 1962 until 2004, the bulk of SIN/Univision's children's programming was derived of mainly live-action and animated programming from Televisa and other content partners. One such notable program was El Show de Xuxa ("The Xuxa Show"), a variety-based series starring the Southern Brazilian entertainer, which became a hit in the U.S. when it debuted on the network in 1992 (Xuxa would subsequently star in an American syndicated version of the program that aired for one season from 1993 to 1994).
In April 1995, Univision test-marketed Plaza Sésamo ("City Square Sesame"), Televisa and Children's Television Workshop's Spanish-language adaptation of Sesame Street featuring a mix of original segments featuring characters based on its U.S.-based parent series and dubbed interstitials from the aforementioned originating program, on its owned-and-operated stations in Los Angeles, Dallas and Miami. The success of the test run led the network to begin airing the program nationally beginning on December 11 of that year; the program aired on Univision until 2002, when it moved to its newly created sister network TeleFutura as part of its "Mi Tele" ("My TV") block (the Univision network resumed its relationship with the now-Sesame Workshop when it debuted the U.S.-based Spanish language spin-off Sesame Amigos ("Sesame Friends") in August 2015). The network aired its children's programs on weekday and Saturday mornings until April 1997, when Univision relegated its children's programming exclusively to Saturday mornings to make room for its new morning news/talk/lifestyle program ¡Despierta América!.
In 2003, Univision reduced the amount of children's programming on its schedule, reserving weekend morning and Saturday early afternoon timeslots for youth-oriented telenovelas. Following an agency investigation resulting from complaints by the United Church of Christ and the National Hispanic Media Coalition during license renewal proceedings for a Univision-owned television station in 2005, in February 2007, the FCC levied a $24 million fine – the largest single FCC fine filed against any corporation to that point – against the network's 24 owned-and-operated stations for circumventing federal guidelines requiring broadcast television stations and networks to air at least three hours of educational programming aimed at children by claiming the novelas (with the Televisa-produced Cómplices Al Rescate ("Friends to the Rescue") specifically cited as one example, due to the incorporation of occasional adult themes in some plotlines and complex subplots that were not suitable for younger children) as compliant educational programs in Children's Television Act filings for 116 weeks between 2004 and early 2006. The fine was paid as a component of a settlement that preceded the FCC's approval of Univision's acquisition by Broadcasting Media Partners Inc. to resolve then-pending license renewal applications for O&Os WQHS-TV in Cleveland and KDTV in San Francisco.
Through Univision's agreement to carry more programming that directly complies with the Children's Television Act's educational requirements in its payment of the fine, on April 5, 2008, the network launched a morning children's program block, Planeta U ("Planet U"), consisting of Spanish-dubbed versions of American children's programs (with Dora the Explorer, Go, Diego, Go!, Jakers! The Adventures of Piggley Winks, Inspector Gadget's Field Trip and Beakman's World as part of its inaugural lineup).
A sub-block during the first two hours of the block, "Disney Junior en Univision", debuted within "Planeta U" on May 31, 2014, featuring dubbed versions of Disney Junior original series (with Mickey Mouse Clubhouse and Handy Manny as the first to air as part of the sub-block; the latter's dub incorporates basic instruction of English words and phrases instead of those in Spanish, as the English version features).
Univision holds the broadcast rights to several annual specials and award show telecasts, including the Rose Parade, of which it serves as the New Year's Day event's official Spanish language broadcaster 1986. Through its programming agreement with Televisa, the network has held the U.S. broadcast rights to Premios TVyNovelas, a co-production of Televisa and the television publication TVyNovelas that honors the year's Mexican television programs, including telenovelas, since 1983. The 2013 telecast on April 28 of that year was the first to air simultaneously on Univision and the program's originating broadcaster in Mexico, Canal de las Estrellas.
Since 1989, the network has served as the broadcaster of Premio Lo Nuestro ("Our Thing Awards"), a awards show established by the network to honor the previous year's top artists in Latin music, with nominees initially selected by Univision and Billboard and winners decided by viewers (after Billboard created its own Latin Awards ceremony in 1994, the nominees and winners were selected by a poll conducted among program directors of Spanish-language radio stations throughout the United States, with results were tabulated and certified by Arthur Andersen).
Cine Especial the Summer 1981 SIN Mexican special movies in Univision Summer 1987
In 2004, the network launched Premios Juventud ("Youthfulness Awards"), a viewer-decided awards show (similar in format and identical in target audience to the Teen Choice Awards) honoring Hispanics and Latinos in film, music, sports, fashion and pop culture. On August 24, 2005, Univision acquired the rights to broadcast the Latin Grammy Awards (which aired on the network for the first time exclusively in Spanish on November 3 of that year), after organizers with the Latin Recording Academy chose to end its four-year relationship with CBS (having canceled the 2001 broadcast following the September 11 attacks) were rebuffed by executives with that network in efforts to retool the show to better cater to a Hispanic audience; the Latin Recording Academy extended its agreement with Univision to televise the Latin Grammys for six years on June 26, 2012.
On October 1, 2012, Univision and Fundación Teletón announced the creation of Fundación Teletón USA, a foundation to benefit rehabilitation centers specializing in research and medical treatment of children with disabilities, cancer and autism around the United States. The partnership resulted in the development of Teletón USA, a 28-hour telethon based on the televised benefit created by Don Francisco – who has hosted the U.S. version since its inception – that originated in Chile in 1978, which was modeled after the now-discontinued telethons benefitting the Muscular Dystrophy Association that were started by Jerry Lewis. The first event on December 14 and 15, 2012 – which was watched by a cumulative 13.9 million viewers through its simulcast on Univision and co-owned radio network Univision America, and via live streaming on Univision.com and the UVideos platforms – raised US$8,150,625 (exceeding its initial goal of US$7 million).
As of October 2015[update], Univision has 23 owned-and-operated stations, and current and pending affiliation agreements with 38 additional television stations, encompassing 25 states, the District of Columbia and the U.S. possession of Puerto Rico. The network has an estimated national reach of 49.31% of all households in the United States (or 154,065,615 Americans with at least one television set), making Univision the largest U.S. broadcast television network by total market reach. Univision maintains affiliations with low-power stations (broadcasting either in analog or digital) in several markets, including a few larger markets such as San Diego (KBNT-CD and its repeaters KTCD-LP and KHAX-LP), Minneapolis−St. Paul (WUMN-LP), Honolulu (KHLU-LP) and Kansas City (KUKC-LP). In certain other markets, these low-power affiliates also maintain digital simulcasts on a subchannel of a co-owned/co-managed full-power television station.
Currently outside of Univision's core O&O group, the Entravision Communications Corporation is the network's largest affiliate operator by numerical total and market reach, owning or providing services to 15 primary affiliates of the network (including stations in two top-ten markets, Boston and Washington, D.C., as well as stations in other large and mid-sized markets such as Orlando, Tampa and Albuquerque). In other areas of the U.S., Univision provides a national cable network feed that is distributed directly to cable, satellite and IPTV providers as an alternative method of distribution in markets without either the availability or the demand for a locally based owned-and-operated or affiliate station.
Current sister channelsEdit
UniMás is a companion Spanish language broadcast television network that is owned by Univision Communications, which originally launched on January 14, 2002 as TeleFutura; the network adopted its current name on January 7, 2013. The network features programming aimed at young males between the ages of 18 and 35, featuring a mix of telenovelas, football events, reruns of classic novelas and comedy series and feature films (primarily Spanish-dubbed versions of American films). As Telefutura, the network carried a similar programming format, including telenovelas produced by Televisa, Coral Productions, Venevision, RCTV, RCN and Rede Globo.
Galavisión is a cable and satellite network that originally launched on April 2, 1979, as a premium channel that carried classic and recent Spanish-language films (primarily those produced in Mexico) as well as Spanish-dubbed versions of recent American-produced films. The network converted into a general entertainment basic cable channel in 1984, offering programming sourced from Televisa (some of which originally aired on the then-Spanish International Network, and are now sourced from Televisa's Mexican-based networks Canal de las Estrellas, FOROtv, Gala TV and TeleHit) and SIN. During the mid-1990s, Galavisión incorporated some English-language programs to its lineup, as well as select news programs from the Televisa-owned cable news channel ECO. The network airs a mix of telenovelas and comedy series, as well as news, sports and specials originating from the Televisa networks. Other than the fact that both networks carry Televisa-produced programs, Galavisión is not related to Mexico-based Gala TV, which formerly went by the same name as the U.S. channel until 2014.
Univision Deportes NetworkEdit
Univision Deportes Network is a sports-oriented digital cable and satellite channel that was launched on April 7, 2012; the network mainly broadcasts association football events (from leagues such as the Mexican Primera División, the CONCACAF Champions League, Ligue 1 and Major League Soccer); related news, analysis and documentary programming (such as its flagship sports news program Univision Deportes Fútbol Club ("Univision Sports Footbal Club") and Univision Deportes Extra ("Univision Sports Extra"); and shows produce for the Televisa Deportes Network. The network formerly operated a secondary channel, Univision Deportes Network 2, which carries additional sports content including rebroadcasts of sports events originally seen on its parent network and studio programming; Univision Deportes Network 2, which was exclusive to Dish Network and created through a carriage agreement with the satellite provider struck in January 2012, ceased operations in 2014.
Univision tlnovelas is a digital cable and satellite network that launched on March 1, 2012. The channel carries a mix of first-run and repeat broadcasts of telenovelas sourced from Televisa's program library, in El Canal y las Estrellas, including those that were never previously aired in the United States, as well as content produced by Univision.
Univision provides video on demand access for delayed viewing of full episodes of the network's programming through various means, including its TV Everywhere service UVideos, a traditional VOD service – called Univision on Demand – which is carried on most traditional cable and IPTV providers, and through content deals with Hulu and iTunes. and Verizon's go90 platform. Due to restrictions imposed on the streaming service by Univision Communications, Hulu limits day-after-air streaming of newer episodes of Univision's programs to subscribers of its subscription service until eight days after their initial broadcast, in order to encourage live or same-week (via both DVR and cable on demand) viewing. Like the video-on-demand television services provided by the other U.S. broadcast networks, Univision on Demand disables fast forwarding for content provided through the service.
On October 29, 2012, Univision launched UVideos, a multi-platform streaming service – which incorporates a user interface accessible to and advertising aimed at both Spanish and English speakers – that originally encompassed a dedicated website at UVideos.com and a mobile app for smartphones and tablet computers supporting the Apple iOS and Android platforms (with programs streamable over 3G and WiFi networks). The service provides full-length episodes of Univision programs (including those produced by Televisa) as well as programs aired on sister networks UniMás and Galavisión, with the most recent episodes usually being made available for streaming on the service (as well as Univision on Demand) the day after their original broadcast to subscribers of participating pay television providers (such as Comcast, Verizon FiOS and Time Warner Cable) using an ISP account via an authenticated user login. The service also includes select original digital content, user-enabled English subtitling for most programs (except for excerpts from Noticiero Univision broadcasts) as well as a social stream featuring viewer comments from the UVideos and other social media platforms, which are time-synched to the user's local time zone to mimic a live relay to the user as posted during the program's original broadcast.
On November 18, 2015, Univision launched Univision NOW, an over-the-top subscription video on demand streaming service, which features program content from both Univision and UniMás. Designed as a standalone offering that does not require an existing pay television subscription in order to access, the service is initially available via a dedicated website (univisionnow.com), as well as apps for iOS and Android devices. Available for subscription rates of either $5.99 per month or $59.99 per year, although prospecitve users can access content through a seven-day free trial, It can also be accessed by using a television provider. Univision NOW is identical to UVideos in terms of content and features, offering a catalog of telenovelas, news programming, reality series, awards shows and archived football matches (due to content restrictions imposed upon by Univision's content distributors, some entertainment programming seen on Univision and UniMás is not available on the service, and is not available for purchase in Puerto Rico, despite Univision's ownership of WLII-DT in the territory).
New episodes of prime time series aired on Univision and UniMás – both original content and programs from their distribution partners – are made available for streaming the day after their broadcast on the two linear television networks and are accessible for seven days following their airdate. In addition to providing full-length episodes of Univision and UniMás programs, the service allows live programming streams from both networks and newscast streams from local Univision owned-and-operated stations in certain markets (with its stations in New York City, Los Angeles and Houston initially being available); the live streams include a DVR-style "rewind" feature that allows users to replay programming from those streams up to 72 hours after their broadcast as well as push notifications to notify subscribers when live breaking news coverage is available.In November 2016 it began adding exclusive content, using the name of Univision NOW Originals, with most exclusive content being telenovelas that have not aired on the Univision or UniMas channel including Sin rastro de ti, Corazón que miente, and most recently Las amazonas.
Univision's master feed is transmitted in 1080i high definition, the native resolution format for Univision Communications' network television properties. However, three Univision-affiliated stations transmit the network feed in 480i standard definition; two of the stations (Fort Myers affiliate WLZE-LD and Nashville affiliate WLLC-LP) are primary feed Univision affiliates that have not yet made technical upgrades to their transmission equipment to allow content to be presented in HD, while the third (Hartford affiliate WUVN) runs a standard-definition simulcast of its main HD feed on a digital subchannel.
Univision launched its high definition simulcast feed at 12:02 a.m. Eastern and Pacific Time on January 1, 2010, on its East and West Coast flagship stations in New York City and Los Angeles, WXTV-DT and KMEX-DT. The first Univision program to be televised in high definition was that day's broadcast of the Tournament of Roses Parade. On January 18, 2010, Univision debuted the first telenovela to be broadcast in HD on the network, Hasta que el Dinero nos Separe ("Until Money Do Us Part"); the telenovelas Un Gancho Al Corazón ("A Hook to the Heart") and Sortilegio ("Love Spell") also began airing in high definition on that date. The network's coverage of the 2010 FIFA World Cup became the first sports event on Univision to be broadcast in HD.
Most of the network's programming is presented in HD As of October 2015[update] (including most telenovelas; sports programs, including football events and the sports analysis/variety program Republica Deportiva; news programs Noticiero Univision, Primer Impacto, ¡Despierta América!, El Gorda y La Flaca and Al Punto; variety series such as Nuestra Belleza Latina, La Banda and Sabadazo; and select movies) is broadcast by the network in high definition; exceptions exist with certain telenovelas, sitcoms and variety series as well as select children's programs aired as part of the "Planeta U" block produced prior to 2008 that air in reruns, which continue to be presented in their native 4:3 standard definition format. DirecTV added the East Coast HD feed on April 28, 2010. Dish Network added the HD feed on May 12, 2010.
As of September 1, 2016, Univision, along with its competitor, Telemundo, does not broadcast in a 16:9 presentation (except for Noticiero Univision: Edición Digital where it is resented in a 16:9 format, select programs such as Vino el amor, and most sporting events by both of the networks although Univision's (and Unimás's) on screen on screen graphics remains orientated in a 4:3 presentation).
Univision America is a Spanish-language talk radio network that is distributed by Univision parent Univision Communications, which was launched on July 4, 2012, with affiliations with nine AM radio stations in Los Angeles, San Francisco and San Diego, California; Dallas and Houston, Texas; Chicago, Illinois, Las Vegas, Nevada; and Orlando and Miami, Florida. The network features talk shows focusing on issues of importance to Hispanic and Latino Americans, and produces features hourly national and international news updates. As of October 2015[update], Univision America has ten affiliates, all or which are owned by Univision Communications' radio division Univision Radio; it is also distributed nationwide to other areas without a local affiliate via iHeartRadio.
Univision programming is available in Mexico through affiliates in markets located within proximity to the Mexico–United States border (such as KBNT-CD/San Diego (and repeaters KTCD-LP and KHAX-LP); KUVE-DT/Tucson, Arizona; KINT-TV/El Paso, KLDO-TV/Laredo and KNVO/McAllen), whose signals are readily receivable over-the-air in border areas of northern Mexico.
The U.S.-based Univision network maintains a very limited over-the-air presence in Canada outside of fringe signal coverage of Seattle affiliate KUNS-TV, within parts of the Vancouver market, and Cleveland owned-and-operated station WQHS-DT, within areas within the London, Ontario market.
On January 28, 2014, Toronto-based Corus Entertainment announced that it would relaunch its cable and satellite specialty channel TLN en Español (a Spanish-language spinoff of Telelatino, which launched on October 23, 2007, and already carried select programs broadcast by Univision through separate programming agreements) as a Canadian version of Univision through a brand licensing agreement with the U.S. network's parent, Univision Communications; the network was relaunched as Univision Canada on May 5, 2014.
In the Caribbean, Univision Communications owns two stations in Puerto Rico: WLII-DT in Caguas-San Juan and satellite station WSUR-DT in Ponce. Both stations, which Univision acquired outright in 2005, do not carry the complete main Univision programming schedule as seen in the United States mainland, offering a mix of programs seen on the main network feed (with some programs airing at different times than in the continental U.S.); unlike its U.S.-based O&Os, WLII/WSUR does not maintain a news department, as a result of budget reductions that caused the cancellation of its newscasts and most other local programming in March 2015. In addition, Univision programming is available on many cable and satellite providers in other parts of the Caribbean via either Miami owned-and-operated station WLTV or WLII.
Univision, UniMás, Galavisión, Univision Deportes Network and Univision tlnovelas were dropped by AT&T U-verse on March 4, 2016 because of a carriage dispute. Although AT&T also has DirecTV as a subsidiary of AT&T, along with U-Verse, despite being in the process to integrate with DirecTV and U-Verse, DirecTV customers were not affected, as they were taken in a different deal, which had been agreed to before the dispute ever occurred. All of Univision's channels and cable networks were later returned to the U-verse lineup on March 24, 2016.
On January 27, 2017, Charter Spectrum (along with Time Warner Cable and Bright House, the latter merged with Charter Communications on 2016) faced another dispute with Univision, warning Charter Communications that Univision could be removed from Charter by January 31, 2017. Prior to then, Univision sued Charter over pay carriage rates at the New York Supreme Court in July 2016. On January 31, 2017, Charter customers lost access to all of Univision's channels, including UniMás, and Galavisión (including access to its Owned-and-Operated Stations via Charter). On February 2, the New York Superior Court ordered Univision to end the blackout on Charter as negotiations continue. This blackout affects all Univision affiliates, even if Univision doesn't own them, so this dispute includes all stations owned by Entravision Communications, even if Entravision was not involved in the dispute.
-  Accessed August 16, 2016.
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