Udayagiri and Khandagiri Caves
Udayagiri and Khandagiri Caves, formerly called Kattaka Caves or Cuttack caves, are partly natural and partly artificial caves of archaeological, historical and religious importance near the city of Bhubaneswar in Odisha, India. The caves are situated on two adjacent hills, Udayagiri and Khandagiri, mentioned as Kumari Parvata in the Hathigumpha inscription. They have a number of finely and ornately carved caves built during the 1st century BCE. It is believed that most of these caves were carved out as residential blocks for Jaina monks during the reign of King Kharavela. Udayagiri means "Sunrise Hill" and has 18 caves while Khandagiri has 15 caves.
|Udayagiri and Khandagiri Caves|
|Location||Bhubaneswar in Odisha, India|
The caves of Udayagiri and Khandagiri, called lena or leṇa in the inscriptions, were dug out mostly during the reign of Kharavela for the abode of Jaina ascetics. The most important of this group is Ranigumpha in Udayagiri which is a double storeyed monastery. Other important caves include Hathi gumpha, Ananta gumpha, Ganesha gumpha, Jaya Vijaya gumpha, Mancapuri gumpha, Bagha/Byaghra/Vyaghra gumpha and Sarpa gumpha.
Count of the cavesEdit
B. M. Barua, based on a reading of line 14 of the Hathigumpha inscription, declared that a total of 117 caves were excavated by Kharavela and others on the Kumari hill (Udayagiri). Marshall has counted more than 35 caves in both the hills, while M.M. Ganguli has enumerated only 27 caves.
The number of existing caves at Udayagiri is 18, while Khandagiri has 15. The local names of the existing caves are listed below, numbered according to the enumeration of the Archaeological Survey of India.
The famous cavesEdit
In Udayagiri, Hathigumpha (cave 14) and Ganeshagumpha (cave 10) are especially well known due to art treasures of their sculptures and reliefs as well as due to their historical importance. Raninka Na'ara (Queen's Palace cave, cave 1) is also an extensively carved cave and elaborately embellished with sculptural friezes. Khandagiri offers a fine view back over Bhubaneswar from its summit. The Ananta cave (cave 3) depicts carved figures of women, elephants, athletes, and geese carrying flowers.
Caves at UdayagiriEdit
The Udayagiri hills fall on your right side when you enter into this area from Bhubaneswar. Compared to Khandagiri, Udayagiri offers more beautiful and better maintained cave shrines. There are 18 caves in Udayagiri :
- 1. Rani Gumpha "Cave of the Queen"
Rani Gumpha is the largest and most popular cave among the caves of Udayagiri and Khandagiri. The word 'Rani' means Queen. Although it is not an architectural marvel, it has some ancient beautiful sculptures.
This cave is double storeyed. Each storey has three wings and the central wing is bigger among all the three wings. The lower floor has seven entrances in the middle wing whereas the upper floor has nine columns. The upper portion of the central wing has relief images depicting the victory march of a king. Many of the cells have carved dwara pala images; some of them are disfigured. The area that connects the central wing with right and left wings have some panels where the sculptures of wild animals, fruit-laden trees, human figures, women playing musical instruments, monkeys and playful elephants are found. The pilasters contain the toranas (arches) decorated with sculptures of Jain religious importance and royal scenes.
|Cave No.1 "Rani Gumpha" (Cave of the Queen)|
- 2. Bajaghara Gumpha
Bajaghara Gumpha is very simple and small. It has stone bed and pillow and it was obviously used as the Jain monks' shelter in the ancient times. Apart from the plain rectangular shaped pillars, there is no other sculpture found in this cave.
- 3. Chota Hathi Gumpha
Chota Hathi Gumpha is small in size. It has six small elephant figures in the facade and a statue of a guardian.
- 4. Alakapuri Gumpha
Alakapuri Gumpha has a relief sculpture of a lion holding its prey in its mouth. The pillars with the human figures (divine beings) with wings are found in this cave. It is double storeyed.
- 5. Jaya Vijaya Gumpha
Jaya Vijaya Gumpha is double storeyed. The cave has carving of a female wearing heavy earrings, bands, beautifully decorated hair. On one hand of the carving is a parrot and other resting on her waist.
- 6. Panasa Gumpha
Panasa Gumpha is very small and simple cave without any significant features.
- 7. Thakurani Gumpha
Thakurani Gumpha is double storied but is very simple in style. It has few tiny relief sculptures.
- 8. Patalapuri Gumpha
Patalapuri Gumpha is slightly bigger with a pillared verandah. However, there is no notable feature in this cave.
- 9. Mancapuri and Swargapuri Gumpha
Mancapuri and Swargapuri Gumpha is double storeyed. Manchapuri cave depicts two male figure and 2 female figure worshipping to the Kalinga Jina that Kharval brought back from Magadha. It has a damaged Jain religious symbol which was probably used for worship.
There are three inscriptions found in this cave. One inscription talks about the chief queen of Kharavela. The other two inscriptions talk about Kudepasiri, the successor of Kharavela and Badukha, the son or brother of Kudepasiri.
- 10. Ganesha Gumpha
Ganesha Gumpha is one of the most important caves in Udayagiri. The cave got this name due to carved figure of Ganesha on the back of its right cell. Of course, it would have been carved in the later period and it cannot be the original work. The cave has two big statues of elephants carrying garlands at the entrance and is the first example of sculpture animals used as guard to the entrance. Also, the carved figures of dwara palas are found at the entrances. The carvings in this cave narrate the story of the elopement of Bassavadatta, Princess of Ujjayini, with King Udayana of Kausambi in the company of Vasantaka.
|Cave No.10 "Ganesha Gumpha" (Cave of Ganesha)|
- 11. Jambesvara Gumpha
Jambesvara Gumpha is a very simple and small cave with one column and two pilasters. The inscription tells that it is the cave of Nayaki, wife of Mahamade.
- 12. Vyaghra Gumpha
Vyaghra Gumpha is one of the popular caves in Udayagiri. The cave, which is in ruins, has the entrance carves like a large mouth of a tiger with single cell in cave acting as Tiger's throat. It is one of the most photographed sites in Udayagiri. The word vyaghra means tiger. The inscription found here tells that this cave belongs to the city judge Sabhuti.
- 13. Sarpa Gumpha
Sarpa Gumpha is an unusually very small cave. There are two inscriptions found in this cave. The word sarpa means snake.
- 14. Hati Gumpha
Hati Gumpha is a large natural cavern. On the wall, the inscription erected by Kharavela is found. It is the main source of history of Kharavela. The cave is known as Hati Gumpha due to its exquisite carvings of elephant. The word hati means elephant.
|Cave No.14 "Hathi Gumpha" (Elephant Cave)|
- 15. Dhanaghara Gumpha
Dhanaghara Gumpha is a small cave which has two wide pillars and dwara pala sculptures carved at the entrance.
- 16. Haridasa Gumpha
Haridasa Gumpha is a small cave with three entrances and a verandah in the front side. There is an inscription found here.
- 17. Jagannatha Gumpha
Jagannatha Gumpha is roughly cut cave with three entrances.
- 18. Rasui Gumpha
Rasui Gumpha is an unusually very small cave.
Inscriptions in Caves in BrahmiEdit
The Hathigumpha cave ("Elephant Cave") has the Hathigumpha inscription, written by Raja Kharavela, the king of Kalinga in India, during the 2nd century BCE. The Hathigumpha inscription consists of seventeen lines incised in deep cut Brahmi letters on the overhanging brow of a natural cavern Hathigumpha in the south side of the Udayagiri hill. The inscription also refers to the Kharaval's feat of bringing back Jain image which was taken by Nanda empire. It faces the rock edicts of Asoka at Dhauli, situated about six miles away.
Other minor inscriptionsEdit
This section does not cite any sources. (December 2015) (Learn how and when to remove this template message)
Besides Hathigumpha Inscription of Kharavela, there are some other minor Brahmi inscriptions in the twin hillocks of Udayagiri and Khandagiri, which were deciphered earlier by Prof RD Banergy during 1915–16 (Epigraphic Indica-XIII) and BM Baraua (Indian Historical Quarterly-XIV). Sadananda Agrawal has given further clarifications about them and are produced as under:
I- Mancapuri cave inscription (Upper storey) This inscription refers to the construction of temple of arhats and excavation of cave for Jain monks by Aga-mahisi, chief queen of Kharavela. The inscription also mention Kharavela as chakravatin of Kalinga.
II- Mancapuri cave inscription (Upper storey)-A This inscription is incised on a raised bend between the 3rd and 4th doorways from the left and contains single line. The text in Devanagari script is as under:
ऐरस महाराजस कलिंगाधिपतिना महामेघवाहनस कुदेपसिरिनो लेणं
III-Manchapuri cave inscription (Lower storey)-B This inscription has been engraved on the right wall of Veranda, to the right of the entrance to the right-hand side chamber of the main wing, consisting of one line. The text in Devanagari script is as under:
कुमारो वडुखस लेणं
Translation – [This is] the cave of Prince Vaḍukha.
Note:- On palaeographic ground Prof Banergy considers this inscription to be a little earlier than the inscription of King Kudepasiri. According to Sadananda Agrawal, Prince Badukha stands an obscure figure in history, but Badukha seems to be the son or brother of Kudepasiri.
IV- Inscriptions in the Sarpagumpha (Over the doorway)
This inscription consisting of one line, is incised over the doorway of the Sarpagumpha. The text in Devanagari script is as under:
चूलकमस कोठाजेया च
Translation – The chamber and veranda/or side chamber of cūlakama. Note:- However Dr. Sahu interpreted Ajeya being united by a Sandhi qualifying Koṭha thereby denoting invincible. But he ignored the conjunction ca (Devanagari: च) which follows Koṭha(Devanagari:कोठा) and Jeya (Devanagari:जेया).
V- Inscription in the Sarpagumpha ( to the left of the doorway) The text in Devanagari script is as under:
L.1- कंमस हलखि
L.2- णय च पसादो
Translation: [The pavilion is the] gift of Kamma and Halakhina.
Note:- Most probably Halakhiṇa was the wife of Kamma. Chūlakamma – found in the inscription No.IV and Kamma of this record indicates official designations rather than the proper names. Kamma may be taken as minister of works (Karma saciva) and Cūlakamma appears to be a junior cadre of minister in the Department of works.
VI- Haridas cave inscription
This inscription contains one line has been incised over one of the three entrances to the main chamber of the cave from the veranda. The text in Devanagari script is as under:
चूलकमस पसातो कोठाजेया च
Translation: The chamber and veranda (or side chamber) are the gifts of cūlakama.
VII- Vyāghragumphā inscription
The record is incised on the outer wall of the inner chamber. The text in Devanagari script is as under:
L.1- नगर अखंदस
L.2- स भूतिनो लेणं
Translation: The cave of Bhūti, the city judge.
VIII- Jambesavara cave inscription
This inscription has been engraved over the entrances to the inner chamber of the cave. The text in Devanagari script is as under:
महामदास बारियाय नाकियस लेणं
Translation: The cave of Mahāmāda Nākiya and Bāriyā.
X- Tatowāgumphā inscription (Cave No −1)
The record of this inscription is incised over one of the entrances to the inner chamber. The Text reads in Sanskrit as
पादमुलिकस कुसुमस लेणं x [॥]
Translation: The cave of Kusuma, the padamulika.
Notes:- There is a syllable after the word lenam, which may be read as ni or phi, padamulika literally means, one who serves at the feet [of king].
Note:- Sadananda Agrawal has interpreted Masikanagara as Asikanagara and identified with the city Adam (Nagpur district). In view of the evidence of a highly prosperous city unearthed at Adam, Prof AM Shastri is of the opinion that Adam itself represents the Asikanagara of Hathigumpha inscription. It is worth noting in the present context that a terracotta sealing having a legend, has been discovered from Adam, situated on the right bank of the river Wainganga, which reads Asakajanapadasa (Devanagari: असकजनपदस).
XI- Ananta Gumpha inscription (A)
Translation: The cave of the Dohada Śramaṇas.
Caves at KhandagiriEdit
The Khandagiri hills fall on your left side when you enter into this area from Bhubaneswar. There are 15 caves in Khandagiri. These caves were renovated during the reign of Uddyotakeshari of Somavamshi dynasty.
- 1. Tatowa Gumpha
The parrots are carved above the entrance arch and hence it is called as Tatowa Gumpha. It has two dwarapala figures too. There are sculptures of friezes, railing, arch, with kalasa inside the cave.
- 2. Tatowa Gumpha
The cave is decorated with sculptural friezes like nayikas, gandhrvas, different animals and birds, chaitya arch, pilaster design, rafters and voulted roof.
- 3. Ananta Gumpha
The cave has sculptures of women, elephants, geese, etc.
- 4. Tentuli Gumpha
It is a small rock-cut chamber with just one column.
- 5. Khandagiri Gumpha
It is a roughly cut cell and has double storeys.
- 6. Dhyana Gumpha
It is a roughly cut cell.
- 7. Navamuni Gumpha
- 8. Barabhuji Gumpha
There are altogether twenty five figures of Tirthankaras on the walls of the cell on three sides, Parsvanatha being repeated twice. Beneath the Tirthankara, their respective Sasanadevis are found. Chakareswari is depicted with 12 arms giving the cave name Barabhuji. The image are now now worshipped as Brahminical deity. These sculpture were added to the caves in 11th century by Somavamshi dynasty.
- 9. Trusula Gumpha
- 10. Ambika Gumpha
- 11. Lalatendu Keshari Gumpha
In cell 1, There are 2 image of Rishabhantha and 3 of Parshvanatha and in cell 2, 2 image of Parshvanatha and 1 of Rishabhantha. These sculpture were added to the caves in 11th century by Somavamshi dynasty.
Caves 12, 13 and 15 are unnamed. Cave 14 is very simple and called as Ekadasi Gumpha.
Entry fee for Citizens of India and visitors of SAARC (Bangladesh, Nepal, Bhutan, Sri Lanka, Pakistan, Maldives and Afghanistan) and BIMSTEC Countries (Bangladesh, Nepal, Bhutan, Sri Lanka, Thailand and Myanmar) – Rs. 25 per head and for each foreigner is Rs. 300 and free entry for children below 15 years.
The monument remains open from sunrise to sunset.
|Wikimedia Commons has media related to Udayagiri and Khandagiri Caves.|
- Michell, 238-240
- ASI must see & Udayagiri and Khandagiri Caves.
- Krishan 1996, p. 23.
- Pandya 2014, p. 6.
- Kapoor 2002, p. 375.
- Rath, Jayanti (April 2007). "Orissa Review" (PDF). Odisha.gov.in. Retrieved 4 May 2017.
- From the Archaeological survey of India
- "Archived copy". Archived from the original on 28 June 2011. Retrieved 16 September 2011.CS1 maint: archived copy as title (link)
- Allen 1991, p. 65.
- Merriam-Webster & Rani.
- Bemmel 1994, p. 47.
- Jāvīd & Javeed 2008, pp. 36–37.
- "The taut posture and location at the entrance of the cave (Rani Gumpha) suggests that the male figure is a guard or dvarapala. The aggressive stance of the figure and its western dress (short kilt and boots) indicates that the sculpture may be that of a Yavana, foreigner from the Graeco-Roman world." in Early Sculptural Art in the Indian Coastlands: A Study in Cultural Transmission and Syncretism (300 BCE-CE 500), by Sunil Gupta, D K Printworld (P) Limited, 2008, p.85
- Jāvīd & Javeed 2008, p. 37.
- Singh 2017, p. 165.
- IGNCA & Jambesvara Gumpha.
- Wisdomlib & Vyaghradala.
- Tarn 1980, p. 166.
- Tarn 1980, p. 457.
- Cort 2010, p. 39.
- Rätsch & Müller-Ebeling 2013, p. 557.
- IGNCA & Haridasa Gumpha.
- Ray 2017, p. 252.
- Dundas 2002, p. 113.
- Patnaik 2002, p. 10.
- Singh 2017, p. 157.
- Sadananda Agrawal: Śrī Khāravela, Published by Sri Digambar Jain Samaj, Cuttack, 2000
- IGNCA & Tatowa Gumpha – 1.
- IGNCA & Tatowa Gumpha – 2.
- Odisha Society of Americas 2019, p. 184.
- Krishan & Tadikonda 1996, p. 23.
- IGNCA & Barabhuji Gumpha.
- Odisha Tourism & Udayagiri and Khandagiri Caves.
- IGNCA & Rushabhanath Gumpha.
- IGNCA & Lalatendu Kesari Gumpha.
- IGNCA & Ekadasi Gumpha.
- Michell, George (1990), The Penguin Guide to the Monuments of India, Volume 1: Buddhist, Jain, Hindu, 1990, Penguin Books, ISBN 0140081445
- Krishan, Yuvraj (1996), The Buddha Image: Its Origin and Development, Bharatiya Vidya Bhavan, ISBN 9788121505659
- Pandya, Prashant H. (2014), Indian Philately Digest, Indian Philatelists' Forum
- Kapoor, Subodh (2002), Encyclopaedia of Ancient Indian Geography, Volume 2, Genesis Publishing Pvt Ltd, ISBN 9788177552997
- Patnaik, Durga Prasad (1989), Palm Leaf Etchings of Orissa, Abhinav Publications, ISBN 9788170172482
- Singh, Sarina (2015), Lonely Planet India, Lonely Planet, ISBN 9781743609750
- Allen, Margaret Prosser (1991), Ornament in Indian Architecture, University of Delaware Press, ISBN 9780874133998
- "Rani". Merriam-Webster.
- URMI – Journal of The Odisha Society of The Americas: For 50th Annual Convention Held in 2019 at Atlantic City, New Jersey. Odisha Society of Americas. 2019.
- Krishan, Yuvraj; Tadikonda, Kalpana K. (1996), The Buddha Image: Its Origin and Development, Bharatiya Vidya Bhavan, ISBN 9788121505659
- "Udayagiri and Khandagiri Caves". Odisha Tourism Development Corporation.
- Rushabhanath Gumpha (PDF), Indira Gandhi National Centre for the Arts
- Lalatendu Kesari Gumpha (PDF), Indira Gandhi National Centre for the Arts
- Barabhuji Gumpha (PDF), Indira Gandhi National Centre for the Arts
- Navamuni Gumpha (PDF), Indira Gandhi National Centre for the Arts
- Tatowa Gumpha – 1 (PDF), Indira Gandhi National Centre for the Arts
- Tatowa Gumpha – 2 (PDF), Indira Gandhi National Centre for the Arts
- Ekadasi Gumpha (PDF), Indira Gandhi National Centre for the Arts
- Jambesvara Gumpha (PDF), Indira Gandhi National Centre for the Arts
- Haridasa Gumpha (PDF), Indira Gandhi National Centre for the Arts
- Ray, Himanshu Prabha (2017), Negotiating Cultural Identity: Landscapes in Early Medieval South Asian History, Routledge, ISBN 9781317341307
- Jāvīd, Alī; Javeed, Tabassum (2008), World Heritage Monuments and Related Edifices in India, 1, Algora Publishing, ISBN 9780875864822
- Bemmel, Helena A. van (1994), Dvarapalas in Indonesia: Temple Guardians and Acculturation, 13, CRC Press, ISBN 9789054101550
- Rätsch, Christian; Müller-Ebeling, Claudia (2013), The Encyclopedia of Aphrodisiacs: Psychoactive Substances for Use in Sexual Practices, Simon and Schuster, ISBN 9781620552704
- Tarn, William Woodthorpe (1980), The Greeks in Bactria & India, Cambridge University Press
- Cort, John E. (2010), Framing the Jina: Narratives of Icons and Idols in Jain History, Oxford University Press, ISBN 978-0-19-538502-1
- Singh, Upinder (2017), Political Violence in Ancient India, Harvard University Press, ISBN 9780674975279
- Dundas, Paul (2002), The Jains, Psychology Press, ISBN 9780415266055
- "Udayagiri and Khandagiri Caves, Bhubaneswar, Khurda, Odisha". Archaeological Survey of India.
- Udayagiri Complex, extensive image gallery by Indira Gandhi National Centre of Arts
- Detailed Photos of the Cave Temples