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Venus with a Satyr and Cupids by Annibale CarracciRaphael, Madonna della Sedia (Madonna of the Chair), c.1514Guido Reni, Charity, 1607Raphael, St John the BaptistReni, MadonnaMadonna della seggiolaCorreggio, Madonna and ChildJustus Sustermans, GalileoRaphael, Madonna of the GoldfinchFranciabigio - Madonna of the WellGuido Reni, Cleopatra, 1635–40Holy Family, then attributed to PeruginoRubens, Justus Lipsius with his Pupils, c.1615Portrait of Leo X with two Cardinals by RaphaelTribute Money? by Carravagio?Rubens, Justus Lipsius with his Pupils, c.1615Raphael, Pope Leo X with Cardinals Giulio de’ Medici and Luigi de’ Rossi, 1518Niccolini-Cowper Madonna by RaphaelLarge central paintingHolbein, Sir Richard Southwell, 1536Cristofano Allori, Miracle of St JulianHoly Family, attributed to Niccolò Soggiummm Raphael, Niccolini-Cowper Madonna, 1508, then in Lord Cowper’s possession, having bought it from Zoffany, now National Gallery of Art, Washington, DCTitian, Venus of Urbino, 1538Cupid and Psyche, Roman copy of a Greek original of the 1st or 2nd century BCThe ‘Arrotino’ (Knife-Grinder), a Pergamene original of 2nd or 3rd century BCDancing Faun, marble replica of a bronze of the circle of Praxiteles, 4th century BCThe Infant Hercules Strangling the SerpentsThe Wrestlers, marble copy of a bronze Permamene original, 2nd or 3rd century BCSouth Indian craterEtruscan helmetChimera - Etruscan art8 Oil lampsEgyptian ptahmose, 18th dynastyGreek bronze torsoBust of Julius CaeserRoman silver shieldHead of AntinousSouth Italian craterEtruscan jugOctagonal table with pietra dura top made for the Tribuna, designed by Jacopo Ligozzi and Bernardino Poccetti.Charles Loraine Smith (1751–1835)Richard Edgcumbe, later 2nd Earl of Mount Edgcumbe (1764–1839)George, 3rd Earl Cowper (1738–89)Sir John Dick (1720–1804), British Consul at LeghornOther Windsor, 6th Earl of Plymouth (1751–99)Johann ZoffanyMr Stevenson, companion to the Lord LewishamGeorge Legge, Lord Lewisham, later 3rd Earl of Dartmouth (1755–1810)unknown young manValentine Knightley of Fawsley (1744–96)Pietro Bastianelli, the custodian of the galleryMr GordonHon. Felton Hervey (1712–73)Thomas Patch (1725-82), PainterSir John Taylor Bt., (d. 1786)Sir Horace Mann (1706–86), British Consul in FlorenceGeorge Finch, 9th Earl of Winchilseaprob. Roger Wilbraham (1743-1829)Mr WattsMr Doughty, travelling with Charles Loraine SmithProbably Thomas Wilbraham (b. 1751), brother of RogerThe Medici Venus, Roman copy of a Greek original of the 2nd century BCJames Bruce (1730–94), African explorerUse a cursor to explore or press button for larger image & copyright
Tribuna of the Uffizi by Johann Zoffany. Place cursor over artworks or persons to identify them.

The Tribuna of the Uffizi is an octagonal room in the Uffizi gallery, Florence, Italy. Designed by Bernardo Buontalenti for Francesco I de' Medici for Cosimo I de’ Medici[1] in 1584, the most important antiquities and High Renaissance and Bolognese paintings from the Medici collection were and still are displayed here. In 1737 the Grand Duchess Anna Maria Luisa de' Medici ceded the collection to the Tuscan government, and by the 1770s the Uffizi (and in particular the Tribuna) was the hub for Grand Tourists visiting Florence.

Johann Zoffany's famous painting of the Tribuna, commissioned by Queen Charlotte of the United Kingdom in 1772, portrays the northeast section but varies the arrangement and brings in works not normally displayed in the room, such as Raphael’s Madonna della Sedia. Admiring the works of art are connoisseurs, diplomats and visitors to Florence, all identifiable.

ReferencesEdit

  1. ^ History of the Uffizi Gallery, uffizi.org, retrieved 3 July 2015

External linksEdit