Three Friends of Winter
The Three Friends of Winter, also known as Suihan Sanyou, is a art motif that comprises the pine, bamboo, and plum. The Chinese celebrated the pine, bamboo and plum together, as they observed that these plants do not wither as the cold days deepen into the winter season unlike many other plants. Known by the Chinese as the Three Friends of Winter, they later entered the conventions of East Asian culture. Together they symbolize steadfastness, perseverance, and resilience. They are highly regarded in Confucianism and as such represent the scholar-gentleman's ideal.
|Three Friends of Winter|
The Three Friends of Winter by the painter Zhao Mengjian, Song dynasty
|Vietnamese||Tuế hàn tam hữu|
The Three Friends of Winter are common in works of art from Chinese culture and those cultures influenced by it. The three are first recorded as appearing together in a ninth-century poem by the poet Zhu Qingyu (朱慶餘) of the Tang dynasty. The Southern Song dynasty artist Zhao Mengjian (趙孟堅, c. 1199–1264), among others of the time, made this grouping popular in painting.
The actual term "Three Friends of Winter" can be traced back to the earliest known mention in literature, the Record of the Five-cloud Plum Cottage (五雲梅舍記) from The Clear Mountain Collection (霽山集) by the Song dynasty writer Lin Jingxi (林景熙, 1242–1310):
Culturally, the Three Friends of Winter—pine, bamboo, and plum—are grouped together in the context of winter because they all flourish at that season. For this reason they are commonly known as the Three Friends of Winter. They are also referred to simply by their linked names: Song Zhu Mei (松竹梅) in Chinese, transliterated as Sho Chiku Bai in Japanese (literally "pine, bamboo, plum") or Song Jug Mae (송죽매) in Korean.
In a Korean poem by Kim Yuki (1580–1658), the three friends are brought together in order to underline the paradoxical contrast:
- Peach and plum of springtime, don't flaunt your pretty blossoms;
- Consider rather the old pine and green bamboo at year's end.
- What can change these noble stems and their flourishing evergreen?
In Japan, they are particularly associated with the start of the New Year, appearing on greeting cards and as a design stamped into seasonal sweets.
In Vietnam, the three along with chrysanthemum create a combination of four trees and flowers usually seen in pictures and decorative items. The four also appear in works but mostly separately with the same symbolic significance.
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