Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American painter known for his landscape and history paintings. One of the major 19th-century American painters, he is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's work is known for its romantic portrayal of the American wilderness.
Thomas Cole, 1846
|Born||February 1, 1801|
Bolton, Lancashire, England
|Died||February 11, 1848 (aged 47)|
Catskill, New York, United States of America
|Known for||Painting Medium/Media: Oil on Canvas|
|The Titan's Goblet (1833), The Course of Empire (1833–36), The Oxbow (1836), The Voyage of Life (1842)|
|Movement||Hudson River School|
Early life and educationEdit
Born in Bolton le Moors, Lancashire, in 1801, Cole emigrated with his family to the United States in 1818, settling in Steubenville, Ohio. At the age of 22, Cole moved to Philadelphia and later, in 1825, to Catskill, New York, where he lived with his wife and children until 1848.
Cole found work early on as an engraver. He was largely self-taught as a painter, relying on books and by studying the work of other artists. In 1822, Cole started working as a portrait painter and later on, gradually shifted his focus to landscape.
In New York, Cole sold five paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where the artist produced landscapes featuring the Catskill Mountain House, the famous Kaaterskill Falls, the ruins of Fort Putnam, and two views of Cold Spring. Returning to New York, he displayed five landscapes in the window of William Colman's bookstore; according to the New York Evening Post the two views of Cold Spring were purchased by Mr. A. Seton, who lent them to the American Academy of the Fine Arts annual exhibition in 1826. This garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called View of Fort Ticonderoga from Gelyna. Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist.
Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, which depict the same landscape over generations—from a near state of nature to consummation of empire, and then decline and desolation—now in the collection of the New-York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Among Cole's other famous works are The Oxbow (1836), The Notch of the White Mountains, Daniel Boone at his cabin at the Great Osage Lake, and Lake with Dead Trees (1825) which is at the Allen Memorial Art Museum. He also painted The Garden of Eden (1828), with lavish detail of Adam and Eve living amid waterfalls, vivid plants, and deer. In 2014, friezes painted by Cole on the walls of his home, which had been decorated over, were discovered.
Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841 to 1842 abroad, mainly in England and Italy.
Cole is best known for his work as an American landscape artist. In an 1836  article on "American Scenery," he described his complex relationship with the American landscape in esthetic, emotional, and spiritual terms. He also produced thousands of sketches of varying subject matter. Over 2,500 of these sketches can be seen at The Detroit Institute of Arts.
In 1842, Cole embarked on a Grand Tour of Europe in an effort to study in the style of the Old Masters and to paint its scenery. Most striking to Cole was Europe's tallest active volcano, Mount Etna. Cole was so moved by the volcano's beauty that he produced several sketches and at least six paintings of it. The most famous of these works is A View from Mount Etna from Taormina which is a 78-by-120-inch (1,980 by 3,050 mm) oil on canvas. Cole also produced a highly detailed sketch View of Mount Etna (pictured below) which shows a panoramic view of the volcano with the crumbling walls of the ancient Greek theatre of Taormina on the far right.
Cole was also a poet and dabbled in architecture, a not uncommon practice at the time when the profession was not so codified. Cole was an entrant in the design competition held in 1838 to create the Ohio Statehouse in Columbus, Ohio. His entry won third place, and many contend that the finished building, a composite of the first, second, and third-place entries, bears a great similarity to Cole's entry.
After 1827 Cole maintained a studio at the farm called Cedar Grove, in the town of Catskill, New York. He painted a significant portion of his work in this studio. In 1836, he married Maria Bartow of Catskill, a niece of the owner's, and became a year-round resident. Thomas and Maria had five children. Cole's sister, Sarah Cole, was also a landscape painter; the two were close.
Additionally, Cole held many friendships with important figures in the art world including Daniel Wadsworth, with whom he shared a close friendship. Proof of this friendship can be seen in the letters that were unearthed in the 1980s by the Trinity College Watkinson Library. Cole emotionally wrote Wadsworth in July 1832: "Years have passed away since I saw you & time & the world have undoubtedly wrought many changes in both of us; but the recollection of your friendship... have never faded in my mind & I look at those pleasures as "flowers that never will in other garden grow-" Thomas Cole died at Catskill on February 11, 1848. The fourth highest peak in the Catskills is named Thomas Cole Mountain in his honor. Cedar Grove, also known as the Thomas Cole House, was declared a National Historic Site in 1999 and is now open to the public.
Imaginary scene from The Last of the Mohicans (1827)
Distant View of Niagara Falls (1830), Art Institute of Chicago
Romantic Landscape with Ruined Tower (1832–36), Albany Institute of History & Art
The Course of Empire: The Savage State (1836), New-York Historical Society
The Course of Empire: Consummation (1835–1836), New-York Historical Society
The Course of Empire: Desolation (1836), New-York Historical Society
The Fountain of Vaucluse (1841), Dallas Museum of Art
Temple of Segesta (1843), Museum of Fine Arts, Boston
A View of the Two Lakes and Mountain House, Catskill Mountains, Morning (c. 1844), Brooklyn Museum
Home in the Woods (1847), Reynolda House Museum of American Art
Prometheus Bound (1847), Fine Arts Museums of San Francisco
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Cole, Thomas". Encyclopædia Britannica. 6 (11th ed.). Cambridge University Press. p. 665.
- Hanc, John (23 October 2017). "'Scenes of Solitude' From Hudson River School Artists". The New York Times. Archived from the original on 28 November 2018. Retrieved 28 November 2018. Cite uses deprecated parameter
- Avery, Kevin J. (October 2004). "The Hudson River School". Metropolitan Museum of Art. Archived from the original on 28 November 2018. Retrieved 28 November 2018. Cite uses deprecated parameter
- Truettner, William H. (1994). Thomas Cole: Landscape into History. New Haven and London: Yale University Press.
- Tour brochure, Thomas Cole House, Catskill NY.Truettner, William H.; Wallach, Alan (1994). Thomas Cole Landscape into History. New Haven and London: Yale University Press. p. 8.
- Truettner, William H. (1994). Thomas Cole: Landscape into History. New Haven and London: Yale University Press. pp. 25–26.
- Effmann, Elise (November 2004). "Thomas Cole's View of Fort Putnam" (PDF). The Magazine Antiques: 154–159. Retrieved 9 September 2013.
- Brophy, Alfred L. (2009). "Property and Progress: Antebellum Landscape Art and Property Law" (PDF). McGeorge Law Review. 40: 605–59. Retrieved 2014-03-26.
- Exhibit at the Amon Carter Museum in Fort Worth, Texas
- Schweber, Nate (July 1, 2015). "Unknown Thomas Cole Paintings Found at His Home". nytimes.com. Retrieved July 3, 2015.
- Cole, Thomas (January 1836). "American Scenery". The American Monthly Magazine. 1 (1): 1–12.
- "Studies on Thomas Cole" Baltimore Museum of Art, Annual II. pp. 123. Baltimore, Maryland 1967.
- Weidman, Jeffrey; Library, Oberlin College (2000). Artists in Ohio, 1787–1900: A Biographical Dictionary. Kent State University Press. p. 174. ISBN 9780873386166.
- They were: Theodore Alexander Cole, born January 1, 1838; Mary Bartow Cole, born September 23, 1839; Emily Cole, born August 27, 1843; Elizabeth Cole, born April 5, 1847 (died in infancy); Thomas Cole Jr., born September 16, 1848. ("A Guide to the Thomas Cole Collection" (PDF). Albany Institute of History and Art. p. 9. Archived from the original (PDF) on 2008-11-20. Retrieved 2009-01-06. Cite uses deprecated parameter
- Cole, T., & Wadsworth, D. (1983). The correspondence of Thomas Cole and Daniel Wadsworth: Letters in the Watkinson Library, Trinity College, Hartford, and in the New York State Library, Albany, New York. Hartford, Conn.: Connecticut Historical Society.
- "Cedar Grove History". Thomascole.org. Archived from the original on 2014-01-06. Retrieved 2014-03-26. Cite uses deprecated parameter
- "History of Cedar Grove". The Thomas Cole National Historic Site. Archived from the original on 2007-10-18. Retrieved 2007-10-30. Cite uses deprecated parameter
|Wikimedia Commons has media related to Thomas Cole.|
|Cole's Expulsion from the Garden of Eden, Smarthistory|
|Cole's The Oxbow, Smarthistory|
- Cedar Grove – The Thomas Cole National Historical Site in Catskill, NY
- Thomas Cole at Find a Grave
- Works by Thomas Cole at the Cincinnati Art Museum
- White Mountain paintings by Thomas Cole
- Reynolda House Museum of American Art
- Information about Thomas Cole can be found in the Thomas Cole Collection, which contains correspondence, financial and legal documents, clippings, exhibition catalogs, poems related to him and his family, in the Albany Institute of History & Art Library.
- Thomas A. Cole Papers, 1821–1863. This finding aid contains biographical information about Cole and describes the collection of his papers (correspondence, journals, notebooks, essays and poetry) held by the New York State Library.
- Thomas Cole's Journal, 1834–1848. The journal, which was digitized by the New York State Library, contains scattered handwritten entries from November 5, 1834, through February 1, 1848.
- Art and the empire city: New York, 1825–1861, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Thomas Cole (see index)
- American paradise: the world of the Hudson River school, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Thomas Cole (see index)
- Hudson River school visions: the landscapes of Sanford R. Gifford, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains paintings by and material on Cole (see index)
- American Scenery, by Thomas Cole Full text with introduction