|Born||28 July 1851
|Died||17 October 1914
Lipps was one of the most influential German university professors of his time, attracting many students from other countries. Lipps was very concerned with conceptions of art and the aesthetic, focusing much of his philosophy around such issues. Among his fervent admirers was Sigmund Freud. Lipps then being the main supporter of the idea of the Unconscious. He thought that each state had its level of consciousness and that laughter was associated with hidden negative aspects. He adopted Robert Vischer's notions of empathy or esthetic sympathy (Einfühlung, literally translated to "feeling-into"). This concept of aesthetic resonance finds parallels throughout aesthetic philosophy. Late in life, Lipps adopted some ideas from Edmund Husserl. Disliking his psychologism, some of his students joined with some of Husserl's to form a new branch of philosophy called phenomenology of essences. Among them there was Moritz Geiger who wrote one of the first phenomenological essays on the essence and meaning of empathy in which the influence of Lipps is relevant.
- Pigman, G.W. Freud and the history of empathy, The International journal of psycho-analysis, 1995 Apr.; 76 (Pt 2):237–56.
- Gödel, Florian (2015), "An introduction to Moritz Geiger’s psychological contribution on empathy." Dialogues in Philosophy, Mental and Neuro Sciences, 8(1):161–8.
- Hatfield, G. Psychology Old and New, Institute for Research in Cognitive Science Technical Report No.IRCS-01-07 (University of Pennsylvania, 2001)
- Lyubimova, T. "On the Comic", in: Aesthetics, Art, Life: A Collection of Articles, compiled by T. Lyubimova, M. Ovsyannikov; general editorship by A. Zis; translated from the Russian by Sergei Syrovatkin (Moscow: Raduga Publishers, 1988), pp. 200–211.