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Them! (1954 film)

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Them! is a 1954 American black-and-white science fiction monster film from Warner Bros. Pictures, produced by David Weisbart, directed by Gordon Douglas, that stars James Whitmore, Edmund Gwenn, Joan Weldon and James Arness.[3] The film is based on an original story treatment by George Worthing Yates, which was then developed into a screenplay by Ted Sherdeman and Russell Hughes.

Them!
Them02.jpg
Theatrical release poster
Directed by Gordon Douglas
Produced by David Weisbart
Screenplay by Ted Sherdeman
Russell Hughes
Story by George Worthing Yates
Starring James Whitmore
Edmund Gwenn
Joan Weldon
James Arness
Music by Bronislau Kaper
Cinematography Sidney Hickox
Edited by Thomas Reilly
Production
company
Distributed by Warner Bros. Pictures, Inc.
Release date
  • June 16, 1954 (1954-06-16) (New York)[1]
  • June 19, 1954 (1954-06-19) (US)
Running time
94 minutes
Country United States
Language English
Box office $2.2 million (rentals)[2]

Them! is one of the first of the 1950s "nuclear monster" films, and the first "big bug" feature.

A nest of gigantic irradiated ants is discovered in the New Mexico desert; they quickly become a national threat when it is discovered that two young queen ants and their consorts have escaped to establish new nests. The national search that follows finally culminates in a battle with Them in the concrete spillways and sewers of Los Angeles.

Contents

PlotEdit

New Mexico State Police Sgt. Ben Peterson and Trooper Ed Blackburn discover a little girl wandering the desert in a state of shock near Alamogordo. They take her to a nearby recreational trailer, located by a pilot in a spotter plane. They find evidence that the little girl had been in the trailer when it was attacked and nearly destroyed by someone or something. Later, it is discovered that the trailer was owned by a FBI Special Agent named Ellinson, who was on vacation with his wife, son, and daughter; other members of the girl's family cannot be found at the trailer site. After being placed in an ambulance to be taken for hospital treatment of her catatonic state, the child briefly reacts to a strange, pulsating high-pitched sound from the desert by sitting up in the stretcher. No one else notices her reaction, and when the noise stops, the girl lies back on the stretcher.

General store owner "Gramps" Johnson is found dead, a wall of his store having been partially torn out. After a quick look-around, Sgt. Peterson leaves trooper Blackburn behind to secure the crime scene. Blackburn later goes outside to investigate a strange, pulsating sound; gun shots are fired, the sound grows faster and louder, and Blackburn's scream is heard.

Peterson's New Mexico boss points out that Gramps had time to fire all his ammunition, and Trooper Blackburn was a "crack shot", eliminating the possibility of a homicidal maniac. More puzzling is the coroner's report on Johnson's death: he died from a broken neck, back, skull fracture, crushed abdomen, and "enough formic acid in his body to kill 20 men".

The FBI assigns Special Agent Robert Graham to New Mexico to investigate. After having analyzed a strange print found near the Ellisons' trailer, the Department of Agriculture sends myrmecologists Dr. Harold Medford (Edmund Gwenn) and his daughter, Dr. Pat Medford, to assist in the investigation. The elder Medford exposes the Ellinson girl to formic acid fumes, which revives her from her catatonic state; she screams, "Them! Them!" His suspicions are validated by her reaction, but he will not reveal his theory prematurely.

At the Ellinson campsite, Pat encounters a giant, eight-foot-long foraging ant. Following instructions from the elder Medford, Peterson and Graham shoot off the ant's antennae, blinding it; they then kill it with their Thompson submachine gun. Medford reveals his theory: a colony of giant ants, mutated by radiation from the first atomic bomb test near Alamogordo, is responsible for the killings.

General O'Brien orders a helicopter search, and the skeletal remains of past victims are discovered near the ants' nest. Cyanide gas bombs are tossed inside, and Graham, Peterson, and Pat descend into the nest to check for survivors. Deep inside, Pat finds evidence that two queen ants have hatched and escaped to establish new colonies.

The elder Medford gives a briefing on ant aggressiveness to a government task force; they covertly begin to investigate all reports of any unusual activity. One shows that a civilian pilot (Fess Parker) has been committed to a mental hospital after claiming that he was forced down by UFOs, shaped like giant ants. Next, the Coast Guard receives a report of a giant queen hatching her brood in the hold of a freighter at sea in the Pacific; giant ants attack the ship's crew, and there are few survivors. The freighter is later sunk by U.S. Navy gunfire.

A third report leads Peterson, Graham, and Major Kibby to a large sugar theft at a rail yard in Los Angeles. An alcoholic in a hospital "drunk tank" claims he has seen giant ants outside his window. The mutilated body of a father is recovered, but his two young sons are missing. Peterson, Graham and Kibby find evidence that they were flying a model airplane in the Los Angeles River drainage channel near the hospital. Martial law is declared in Los Angeles, and troops are assigned to find the ant nest in the vast storm drain network under the city.

Peterson finds the two missing boys alive, trapped by the ants. He calls for reinforcements and lifts both boys to safety, just before being attacked. Graham arrives with reinforcements and kills the ant, but Peterson dies from his injuries as others swarm to protect the nearby nest. Graham and the soldiers fight off the ants, but a tunnel collapse traps Graham. Several ants charge, but he is able to hold them off with his submachine gun just long enough for troops to break through the collapse. The queen and her hatchlings are discovered and quickly destroyed with flamethrowers. Dr. Medford offers a philosophic observation: "When Man entered the Atomic Age, he opened the door to a new world. What we may eventually find in that new world, nobody can predict".

CastEdit

Cast notesEdit

ProductionEdit

 
Opening title card with the background in black-and-white and Them! in red-and-blue.

When Them! began production in the fall of 1953, it was originally conceived to be in 3D and Warner Color. During pre-production, tests were to be shot in color and 3D. A few color tests were shot of the large-scale ant models, but when it was time to shoot the 3D test, Warner Bros.' "All Media" 3D camera rig malfunctioned and no footage could be filmed. The next day a memo was sent out that the color and 3D aspects of the production were to be scrapped; widescreen black-and-white would now be the film's presentation format. Warner Bros. hoped to emulate the "effective shock treatment" effect of its previous science fiction thriller The Beast From 20,000 Fathoms; ultimately, however, the film was never shot in widescreen. Because of the preparation of certain scenes, many of the camera set-ups for 3D still remain in the film, like the opening titles and the flamethrowers shots aimed directly at the camera.[6]

Although Warner Bros. was dissatisfied with the color results, the film's titles were printed in a vivid red-and-blue against a black-and-white background in order to give the film's opening a dramatic "punch". This effect was achieved by an Eastman Color section spliced into each release print.[4] The 1985 VHS tape release, the subsequent LaserDisc and later DVD release have retained this black-and-white-with-two-color title effect.[citation needed]

The entrance to the ants' final nest was shot along the concrete spillways of the Los Angeles River, between the First and Seventh Street Bridges, east of downtown. The depiction of the Chihuahuan Desert of southern New Mexico is actually the Mojave Desert near Palmdale, California. Mercy Hospital was a real institution and is now Brownsville Medical Center.[4]

James Whitmore wore "lifts" in his shoes to compensate for the height difference between himself and James Arness. It has also been noted that Whitmore employed bits of "business" (hand gestures and motions) during scenes in which he appeared in order to draw more attention to his character when not speaking.[4]

The Wilhelm scream, created three years earlier for the film Distant Drums, is used during the action sequences: when a sailor aboard the freighter is grabbed by an ant, when James Whitmore's character is caught in an ant's mandibles, and when an overhead wooden beam falls on a soldier in the Los Angeles storm-drain sequence.[4]

The giant ants, painted a purplish-green color, were constructed and operated by unseen technicians supervised by Ralph Ayers. During the climactic battle sequence in the Los Angeles sewers, there is a brief shot of one ant moving in the foreground with its side removed, revealing its mechanical interior.[4] This blunder has been obscured in the DVD releases of the film.[citation needed]

The sounds the giant ants emit in the film were the calls of Bird-voiced tree frogs mixed in with the calls of a wood thrush, hooded warbler and red-bellied woodpecker. It was recorded at Indian Island, Georgia, on April 11, 1947 by the Cornell Lab of Ornithology.[7]

ReceptionEdit

Them! was released in June 1954[4] and by the end of that year had accrued $2 million (US) in distributors' domestic (U.S. and Canada) rentals, making it the year's 51st biggest earner.[8][Note 1] According to an article in The Slate, this was Warner Bros. highest-grossing film that year.[9] However, 1954 In Film lists two other films from Warner Bros. that earned more in gross.[citation needed]

From contemporary reviews, the Monthly Film Bulletin stated that despite the science fiction film genre being new it had developed several sub-divisions including "the other-worldly, the primaeval-monstrous, the neo-monstrous, the planet-ary-visitant, etc." and that "Them! is a "well-built example of the neo-monstrous", "less absurdly sensational than most"[10] Discussing the ant monsters in the film, the review referred to them as "reasonably horrible--they do not entirely avoid the impression of mock-up that is almost inevitable when over-lifesize creatures have to be constructed and moved", while noting that they were "considerably more conceivable than those prehistoric remnants that have recently been emerging from bog and iceberg".[10] The review commented on the cast as "like most science-fiction, [the film] is on the whole serviceably rather than excitingly cast" and the crew was noted, stating the direction was "smoothly machined" and the film has "decent writing" though "more short cuts might have been [taken]", finding that the start of the film was too slow.[10] A. H. Weiler's review in The New York Times noted "... from the moment James Whitmore, playing a New Mexico state trooper, discovers a six-year-old moppet wandering around the desert in a state of shock, to the time when the cause of that mental trauma is traced and destroyed, Them! is taut science fiction".[11] The reviewer in Variety opined it was a "top-notch science fiction shocker. It has a well-plotted story, expertly directed and acted in a matter-of-fact style to rate a chiller payoff and thoroughly satisfy the fans of hackle-raising melodrama".[12][13] John McCarten of The New Yorker wrote, "If you're willing to let your imagination off its leash, you may have a fairly good time at 'Them!'"[14]

Since its original release, Them! has become generally regarded as one of the best science fiction films of the 1950s. Bill Warren described it as " ... tight, fast-paced and credible ... [T]he picture is suspenseful".[4] Phil Hardy's The Aurum Film Encyclopedia: Science Fiction noted, "Directed by [Gordon] Douglas in semi-documentary fashion, Them! is one of the best American science fiction films of the fifties".[15] Danny Peary believed the film "Ranks with The Thing and Invasion of the Body Snatchers as the best of the countless '50s science fiction films".[16] In the Time Out Film Guide, David Pirie wrote, "By far the best of the 50s cycle of 'creature features' ... retains a good part of its power today".[17] The review aggregator website Rotten Tomatoes reported a 100% approval rating with an average rating of 7.6/10, based on 26 reviews. The website's consensus reads, "One of the best creature features of the early atomic age, Them! features effectively menacing special effects and avoids the self-parody that would taint later monster movies".[18]

Them! was nominated for an Oscar for its special effects[19] and won a Golden Reel Award for best sound editing.

In popular cultureEdit

Attempted remakeEdit

Screenwriter Neil Ruttenberg and producer Richard Donner pitched a remake in which the ants would be intelligent and terrifying. Warner Bros. decided instead upon on Bob Gale's pitch, which included mechanical effects.

NotesEdit

  1. ^ "Rentals" refers to the distributor/studio's share of the box office gross, which, according to Gebert, is roughly half of the money generated by ticket sales.[8]

ReferencesEdit

  1. ^ "Them! - Details". AFI Catalog of Feature Films. Retrieved June 23, 2018. 
  2. ^ "The Top Box-Office Hits of 1954." Variety Weekly, January 5, 1955.
  3. ^ "Them!". Turner Classic Movies. Retrieved April 24, 2016. 
  4. ^ a b c d e f g h i Warren 1982, pp. 188–195.
  5. ^ Smith 2012, p. 167.
  6. ^ Herzberg 2007, p. 176.
  7. ^ "Hyla avivoca : Bird-voiced Treefrog - Hylidae - Early wildlife recordings - Environment and nature | British Library". Sounds. 1947-04-11. Retrieved 2018-05-06. 
  8. ^ a b Gebert, Michael. The Encyclopedia of Movie Awards (listing of "Box Office (Domestic Rentals)" for 1954, taken from Variety magazine). New York: St. Martin's Paperbacks, 1996. ISBN 0-668-05308-9.
  9. ^ Waldman, Katy (31 January 2013). "The Nuclear Monsters That Terrorized the 1950s". slate.com. Retrieved 2015-10-22. Them!, a cautionary tale about giant irradiated ants, was Warner Bros.’ highest-grossing film in 1954. 
  10. ^ a b c "Them! U.S.A., 1954". Monthly Film Bulletin. Vol. 21 no. 240. British Film Institute. 1954. p. 131. 
  11. ^ Weiler, A. H. (A.W.). "Them (1954); Warner Brothers chiller at Paramount." The New York Times, June 17, 1954. p. 36.
  12. ^ "Brog". Review from Variety dated April 14, 1954, taken from Variety's Complete Science Fiction Reviews, edited by Don Willis, Garland Publishing, Inc., 1985, ISBN 0-8240-6263-9.
  13. ^ "Them! (1954)." Variety, April 14, 1954.
  14. ^ McCarten, John (June 26, 1954). "The Current Screen". The New Yorker: p. 61. 
  15. ^ Hardy, Phil, ed. The Aurum Film Encyclopedia: Science Fiction. London: Aurum Press, 1984. Reprinted as The Overlook Film Encyclopedia: Science Fiction. London: Overlook Press, 1995. ISBN 0-87951-626-7.
  16. ^ Peary, Danny. Guide for the Film Fanatic. London: Fireside, 1986. ISBN 0-671-61081-3.
  17. ^ Pirie, David, ed. "Them!" The Time Out Film Guide, 2nd Edition. London: Penguin Books, 1991. ISBN 0-14-014592-3.
  18. ^ "Them! (1954)." Rotten Tomatoes. Retrieved: January 9, 2015.
  19. ^ "The 27th Academy Awards, 1955." Oscars.org, Retrieved: January 9, 2015.
  20. ^ Mills 2010, p. 205.
  21. ^ Greenberg, Allen. "It Came from Out of the Disk Drive." Computer Gaming World, Issue 70, April 1990.
  22. ^ Den of Geek!: Ant-Man and the Wasp: Complete Marvel Universe Easter Eggs and Reference Guide. Retrieved July 12, 2018.

BibliographyEdit

  • Herzberg, Bob. The FBI and the Movies. Jefferson, North Carolina: McFarland & Company, 2007. ISBN 978-0-78642-755-0.
  • Mills, Peter. Hymns to the Silence: Inside the Words and Music of Van Morrison. London: A&C Black, 2010. ISBN 978-0-8264-2976-6.
  • Parish, James Robert and Michael R. Pitts. The Great Science Fiction Pictures. Jefferson, North Carolina: McFarland & Company, 1977. ISBN 978-0-81081-029-7.
  • Smith, Dave. Disney Trivia from the Vault: Secrets Revealed and Questions Answered. New York: Disney Press, 2012. ISBN 978-1-4231-7857-6.
  • Strick, Philip. Science Fiction Movies. London: Octopus Books Limited. 1976. ISBN 0-7064-0470-X.
  • Warren, Bill. Keep Watching The Skies, American Science Fiction Movies of the 50s, Vol. I: 1950 - 1957. Jefferson, North Carolina: McFarland & Company, 1982. ISBN 0-89950-032-3.

External linksEdit