The Shootist is a 1976 American western film directed by Don Siegel and based on Glendon Swarthout's 1975 novel of the same name. It is notable as John Wayne's final film role. The screenplay was written by Miles Hood Swarthout (the son of the author) and Scott Hale. The supporting cast includes Lauren Bacall, Ron Howard, James Stewart, Richard Boone, Hugh O'Brian, Harry Morgan, John Carradine, Sheree North, Scatman Crothers and Rick Lenz.
Theatrical release poster by Richard Amsel
|Directed by||Don Siegel|
|Based on||The Shootist|
by Glendon Swarthout
|Music by||Elmer Bernstein|
|Edited by||Douglas Stewart|
In 1977, The Shootist received an Academy Award nomination for Best Art Direction (Robert F. Boyle, Arthur Jeph Parker), a BAFTA Film Award nomination for Best Actress (Lauren Bacall), and a Golden Globe Award nomination for Best Supporting Actor (Ron Howard), as well as the National Board of Review Award as one of the Top Ten Films of 1976. The film received widespread critical acclaim, garnering a 95% positive rating on Rotten Tomatoes.
After a prologue—a clip montage of scenes from some of Wayne's earlier Western films—summarizing the career of John Bernard "J.B." Books, "the most celebrated shootist extant", an aging and obviously pain-ridden Books arrives in Carson City, Nevada, on January 22, 1901, coincidentally the day Queen Victoria dies. He laments that the Old West is dying—as is he. An old, trusted friend, "Doc" Hostetler (Stewart), confirms a Colorado doctor's prognosis of an imminent and painful death from cancer.
Hostetler directs Books to a nearby boarding house owned by the widow Bond Rogers (Bacall) and her teenage son Gillom (Howard), where he rents a room under a false name, but his true identity is quickly discovered. Alarmed that a notorious gunfighter is living in her house, Bond summons Marshal Thibido (Morgan). Thibido asks Books to leave town. Books explains that he is dying, and intends to die in Carson City. Thibido relents, but warns, "Just don't take too long to die."
As word spreads that Books is in town, profiteers, young guns, and old friends and enemies gravitate to him. A newspaperman named Dobkins (Rick Lenz) proposes a spectacular series of articles, exaggerating and glorifying Books' tumultuous career. Books literally kicks him out. A few days later he is visited by an old flame, Serepta (North), who proposes marriage. He is touched, until he learns that she and Dobkins plan to co-write a widow's sensational "memoir". "Woman," says Books, "I still have some pride."
Hostetler prescribes laudanum to ease Books's worsening pain, and reluctantly answers his questions about what will come next: The pain will continue to worsen, eventually becoming unbearable. Hostetler remarks that if he had Books's courage, the death he has just described is not the one he would choose. The undertaker, Hezekiah Beckum (Carradine) visits Books and pitches a grand funeral, free of charge, which Books rejects as another profiteering scheme; but he does order a headstone. Two strangers seeking notoriety try to ambush Books as he sleeps, but he kills them. Gillom is impressed; his mother, who is losing boarders, is angry.
During a buggy ride, Books tells Bond he has never killed a man who didn't deserve it; Bond says a higher power will decide that. She worries that Gillom, lacking a father's guidance, is acquiring a taste for violence and drink. Books negotiates the sale of his horse to the blacksmith, Moses (Crothers), who remarks that Gillom already tried to sell it to him, to compensate for their lost boarders. Books confronts Gillom; after they resolve their differences, Gillom asks for a shooting lesson. To Gillom's surprise, he is nearly as accurate as Books, and wonders aloud how Books won all those gunfights. Books points out that the trees don't shoot back. "It isn't always being fast or even accurate that counts," he says. "It's being willing."
Books asks Gillom to deliver a message to three men: Mike Sweeney (Boone), who has vowed to avenge his brother, killed long ago by Books; Jack Pulford (O'Brian), owner of the Metropole Saloon, a professional gambler and pistol marksman; and Jay Cobb (Bill McKinney), Gillom's rude and ill-tempered employer. Gillom informs each of them, separately, that Books will be at the Metropole at 11 AM on January 29, his 58th birthday.
On January 29, the headstone arrives, bearing Books' name, birth date, and "Died 1901", with the day left blank. Books insists that Gillom accept his horse, which he has bought back from Moses, as a gift. After bidding farewell to Bond, who has grown to like him, he boards a trolley for the Metropole Saloon. The room is deserted except for the four men and the bartender (Charles G. Martin). Books orders a drink and raises a toast to his birthday and his three "guests".
Cobb is the first to draw his gun, but Books easily dispatches him. He then shoots Sweeney through a table he is hiding behind, but is wounded in the process. Pulford now fires, hitting Books again as he takes cover behind the bar. Pulford works his way closer, but Books sees him refracted through a glass on the counter and when he peers around the bar, shoots him dead.
Gillom enters and sees the bartender sneaking up behind Books with a shotgun. He shouts a warning, but the bartender blasts Books in the back with both barrels. As he reloads, Gillom picks up Books' gun and shoots the bartender several times. He then throws the pistol across the saloon in disgust. Books smiles, nods approvingly, and dies. After covering Books reverently with his jacket, Gillom silently passes Hostetler in the foyer, and walks home with his mother.
- John Wayne as John Bernard "J.B." Books
- Lauren Bacall as Bond Rogers
- Ron Howard as Gillom Rogers
- James Stewart as Dr. E.W. Hostetler
- Richard Boone as Mike Sweeney
- Hugh O'Brian as Jack Pulford
- Harry Morgan as Carson City Marshal Walter J. Thibido
- John Carradine as Hezekiah Beckum, the undertaker
- Sheree North as Serepta
- Scatman Crothers as Moses Brown
- Bill McKinney as Jay Cobb, owner of Cobb's Creamery
- Rick Lenz as Dan Dobkins, reporter for the Morning Appeal
- Gregg Palmer as Burly Man
- Melody Thomas Scott as girl on streetcar
After producer Mike Frankovich announced that he had purchased the movie rights to Glendon Swarthout's novel The Shootist, Wayne expressed a strong desire to play the title role, reportedly because of similarities to the character Jimmy Ringo in The Gunfighter, a role he had turned down 25 years previously. He was not initially considered due to the health and stamina issues he had experienced during filming of his penultimate film, Rooster Cogburn. Paul Newman passed on the role, as did George C. Scott, Charles Bronson, Gene Hackman, and Clint Eastwood before it was finally offered to Wayne. Although his compromised lung capacity made breathing and mobility difficult at Carson City's 4,600 foot (1,400 m) altitude, and production had to be shut down for a week while he recovered from influenza, Wayne completed the filming without further significant medical issues.
The Shootist was Wayne's final cinematic role, concluding a 50-year career that began during the silent film era in 1926. Wayne was not, as sometimes reported, terminally ill when the film was made in 1976. A heavy cigarette smoker for most of his life, he had been diagnosed with lung cancer in 1964, and underwent surgical removal of his left lung and several ribs. He remained clinically cancer-free until early 1979, when metastases were discovered in his stomach, intestines, and spine; he died in June of that year. Nonetheless, following the release of The Shootist, Wayne appeared in a television public service announcement for the American Cancer Society that incorporated the scene in which Wayne's character is informed of his cancer, with Wayne stating how he enacted the same scene in real life 12 years earlier.
The film's expansive outdoor scenes were filmed on location in Carson City. Bond Rogers' boarding house is the 1914 Krebs-Peterson House, located in Carson City’s historic residential district. The buggy ride was shot at Washoe Lake State Park, in the Washoe Valley, between Reno and Carson City. Though it was a Paramount production, the street scenes and most interior shots were filmed at the Warner Bros. backlot and sound stages in Burbank, California. The horse-drawn trolley was an authentic one, once used as a shuttle between El Paso and Juarez, Mexico.
Wayne's contract gave him script approval, and he made a number of major and minor changes, including the location (from El Paso to Carson City), and the ending. In the book and original screenplay, Jack Pulford was shot in the back by Books, and Books, in turn, was shot by Gillom; Wayne maintained that over his entire film career, he had never shot an adversary in the back, and would not do so now. He also objected to his character being shot by Gillom, and suggested that the bartender do it, because "no one could ever take John Wayne in a fair fight".
Wayne was also responsible for many casting decisions. Several friends and past co-stars, including Bacall, Stewart, Boone, and Carradine, were cast at his request. James Stewart had not worked in films for a number of years, due in part to a severe hearing impairment, but he accepted the role as a favor to Wayne. Stewart and Wayne had worked together in just two previous films, also westerns, The Man Who Shot Liberty Valance and How the West Was Won, both released in 1962.
While filming the scene in the doctor's office, both Stewart and Wayne repeatedly muffed their lines over a long series of takes, until director Don Siegel finally pleaded with them to try harder. "If you want the scene done better," joked Wayne, "you'd better get yourself a couple of better actors." Later, Wayne commented in private that Stewart knew his lines, but apparently could not hear his cues.
Another casting stipulation was the horse owned and given away by Wayne's character, a favorite sorrel gelding named Dollor that Wayne had ridden in Big Jake, The Cowboys, True Grit, Rooster Cogburn, Chisum, and The Train Robbers. Wayne had negotiated exclusive movie rights to Dollor with the horse's owner, Dick Webb Movie Productions, and requested script changes enabling him to mention Dollor's name several times.
By one account, Wayne's numerous directorial suggestions and script alterations caused considerable friction between director and star; but Siegel said that he and Wayne got along well. "He had plenty of his own ideas ... some I liked, which gave me inspirations, and some I didn't like. But we didn't fight over any of it. We liked each other and respected each other."
Upon its theatrical release, The Shootist was a minor success, grossing $13,406,138 domestically, $6 million was earned as US theatrical rentals. It was named one of the Ten Best Films of 1976 by the National Board of Review, along with Rocky, All the President's Men, and Network. Film critic Roger Ebert of the Chicago Sun-Times ranked The Shootist number 10 on his list of the 10 best films of 1976. The film was nominated for an Oscar, a Golden Globe, a BAFTA film award, and a Writers Guild of America award. The film currently has a 93% "Fresh" rating on the Review aggregator website Rotten Tomatoes. The film was nominated by the American Film Institute as one of the best Western films in 2008.
|1977||Academy Awards||Best Art Direction - Set Decoration||Robert F. Boyle and Arthur Jeph Parker||Nominated|
|BAFTA||Best Leading Actress||Lauren Bacall||Nominated|
|Golden Globe Awards||Best Supporting Actor||Ron Howard||Nominated|
|Writers Guild of America Awards||Best Adapted Screenplay||Scott Hale, Miles Hood Swarthout||Nominated|
|1976||National Board of Review Awards||Top Ten Films||The Shootist||Won|
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- Shepherd, Slatzer, & Grayson (2002), pp. 300-1
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- Shepherd, Slatzer, & Grayson (2002), p. 298
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- "NY Times: The Shootist". NY Times. Retrieved December 30, 2008.
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|deadurl=(help)CS1 maint: BOT: original-url status unknown (link)