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The Remains (sometimes referred to as "Barry and the Remains") were a mid-1960s rock group from Boston, Massachusetts, led by Barry Tashian. Although the Remains never achieved national success, they were very popular in New England, and were one of the opening acts on The Beatles' final US tour in 1966.
The Remains in 1966
|Origin||Boston, Massachusetts, United States|
|Genres||Rock, garage rock, proto-punk|
|Years active||1964–1966 , 1998 –present|
The Remains broke up in 1966, but their music eventually attracted a strong international cult following. They began performing and recording again in the late 1990s, and have continued to play regularly since then.
The Remains formed in 1964 at Boston University, where all four members were first-year students living in the same dorm in Kenmore Square. Singer-guitarist Barry Tashian and keyboardist Bill Briggs were from Westport, Connecticut, drummer Chip Damiani from Wolcott, Connecticut, and bassist Vern Miller from Livingston, New Jersey. They began playing r&b and rock'n'roll covers, as well as some Tashian originals, at The Rathskeller, a tavern across the square from their dorm. Soon, fans were lining up from Kenmore Square to Fenway Park to see them, and management had to clear out a disused basement to accommodate the crowds.
The band became a popular live act throughout New England and appeared on the CBS TV Program, The Ed Sullivan Christmas Show of 1965. After signing with Epic Records, they enjoyed local hits with a catchy, swinging Tashian original, "Why Do I Cry", and their hard-driving version of the Bo Diddley/Willie Dixon classic "Diddy Wah Diddy". In 1965 the Remains relocated to New York City - where they appeared on 'The Ed Sullivan Show' - and then, after about a year, moved on to California. They recorded an album, The Remains, appeared on NBC TV's 'Hullabaloo', and released the soulful, hard-rocking single "Don't Look Back".
In 1966 came the opportunity which might have broken the band nationally, but proved instead to be their last hurrah: they were offered a three-week stint as an opening act for the Beatles, on what would turn out to be the fab four's final tour. Immediately before the tour, drummer Chip Damiani quit the band, to be replaced by future Mountain drummer N.D. Smart. Said Tashian in a 2012 interview: "We had always been the four of us and we’d played hundreds and hundreds of gigs as the four of us and all of a sudden this big tour comes up and boom! We have to play it with a new drummer who didn’t have the same feel that Chip had. I mean he was a fine drummer but it wasn’t the same band. I just felt like the flame was burning down without our original drummer."
The band broke up in late 1966, and Epic released their self-titled debut album to little fanfare.
In common with many of their garage rock contemporaries, the Remains gradually acquired cult status, and eventually reformed to play at several garage revival shows, such as Cavestomp in New York City in 1998, Las Vegas Grind in 2000 and a tour of major European cities in 2006. They recorded a new album Movin' On in 2002.
Although now associated with the garage rock genre, the Remains were highly accomplished professional musicians and their recordings, while hard-edged, were notably well-produced and arranged.
The band's last single, "Don't Look Back", written by Billy Vera, was featured on the 1972 compilation album Nuggets: Original Artyfacts From the First Psychedelic Era, which garnered further attention with its 1976 re-release by Sire Records, concurrent with a surge of interest in punk rock and 60's garage rock. A later box set version of the album also includes the Remains' first single, "Why Do I Cry"
In 2007, Epic/Legacy came out with a reissue of the Remains' 1966 album, which received the following review from rock journalist Mark Kemp in Paste magazine (June 2007): "Had these Boston bad boys stuck it out beyond their 1966 debut, we might today be calling them—and not the Stones—the World's Greatest Rock 'n' Roll Band. As it is, the Remains most certainly are America's greatest lost band."
Kemp's praise echoed the critique written 40 years earlier by rock critic (and subsequent Bruce Springsteen manager) Jon Landau, in Crawdaddy! magazine (January 1967): "They were how you told a stranger about rock'n'roll."
In 2008 a documentary about the Remains, America's Lost Band, directed by Michael Stich, premiered at the Boston Film Festival. Steve Simels of Boxoffice magazine described the film as "a fascinating retelling of one of the great what-might-have-been stories of American music of the '60s."
The Remains' story was also the subject of a stage musical at the 2004 New York International Fringe Festival, "All Good Things," which received acclaim from a variety of critics. (60sgaragebands.com, News & Nuggets, August 31, 2004).
- Studio albums
- The Remains (1966, Epic)
- Movin' On (2002, Rock-A-Lot)
- Other albums
- Live in Boston (1984, Eva #12024; recorded in the 1964-1966 era) (this is actually the same 1966 New York studio recordings as A Session with the Remains but inferior quality and with fake audience added)
- A Session with the Remains (1996, Sundazed; Capitol Records audition recorded 1966)
- Barry and the Remains (1991, Sony; recorded in the 1964-1966 era, includes tracks from The Remains and additional tracks)
- "Defend Yourself!: Barry And The Remains". DigBoston. 2012-01-13. Archived from the original on 2014-08-26. Retrieved 2014-08-22.
- "The Remains". The Remains. Retrieved 2014-08-22.
- "Movin' On - The Remains, Barry & the Remains - Songs, Reviews, Credits". AllMusic. Retrieved 12 January 2018.
- "Various - Nuggets - Original Artyfacts From The First Psychedelic Era 1965-1968 (CD) at Discogs". Discogs.com. Retrieved 2014-08-22.
- "Superbad". IMDb.com. Retrieved 2014-06-14.
-  Archived May 17, 2014, at the Wayback Machine.
- Scott Gargan (2014-02-25). "Chip Damiani, drummer for Westport rock group The Remains, dead at 69 - Culture Cache". Blog.ctnews.com. Retrieved 2014-08-22.