The Madness of King George
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The Madness of King George is a 1994 British biographical historical comedy-drama film directed by Nicholas Hytner and adapted by Alan Bennett from his own play, The Madness of George III. It tells the true story of George III of Great Britain's deteriorating mental health, and his equally declining relationship with his eldest son, the Prince of Wales, particularly focusing on the period around the Regency Crisis of 1788–89. Modern medicine has suggested that the King's symptoms were the result of acute intermittent porphyria, although this theory has more recently been vigorously challenged, most notably by a research project based at St George's, University of London, which concluded that George III did actually suffer from mental illness after all.
|The Madness of King George|
Original theatrical release poster
|Directed by||Nicholas Hytner|
|Written by||Alan Bennett|
The Madness of George III|
by Alan Bennett
|Edited by||Tariq Anwar|
|Distributed by||The Samuel Goldwyn Company|
|Box office||$15.2 million|
The Madness of King George won the BAFTA Awards in 1995 for Outstanding British Film and Best Actor in a Leading Role for Nigel Hawthorne; it also won the Best Art Direction and was nominated for additional Oscars for Best Supporting Actress for Mirren and Best Adapted Screenplay. Helen Mirren also won the Cannes Film Festival Award for Best Actress and Hytner was nominated for the Palme d'Or.
The film depicts the ordeal of King George III whose bout of madness in 1788 touched off the Regency Crisis of 1788, triggering a power struggle between factions of Parliament under the conservative William Pitt the Younger and the reform-minded Charles James Fox.
At first, the King's habits appear mildly eccentric, and are purposely ignored for reasons of state. The King is seen as being highly concerned with the wellbeing and productivity of England, and continually exhibits an encyclopedic knowledge of the families of even the most obscure royal appointments. In fact, the King is growing more unsettled, largely over the loss of America. George, his oldest son, aggravates the situation, knowing that he would be named regent in the event the King was found incapacitated. George chafes under his father's repeated criticism, but also hopes for regency to allow him greater freedom to marry his Catholic mistress. George also knows that he has the moral support of Charles Fox, who is eager to put across an agenda unlikely to pass under the current administration, including abolition of the slave trade and friendlier relations with America. Knowing that the King’s behavior is exacerbated in public, the Prince arranges for a concert playing the music of Handel. The King reacts as expected, interrupting the musicians, acting inappropriately towards Lady Pembroke, attendant to the Queen, and finally assaulting his son.
The King's madness is treated using the relatively primitive medical practices of the time, which include blistering and purges, led on particularly by the Prince of Wales' personal physician, Dr. Warren. Eventually, Lady Pembroke recommends Dr Willis, an ex-minister who attempts to cure the insane through new procedures, and who begins his restoration of the King's mental state by enforcing a strict regime of strapping the King into a waistcoat and restraining him whenever he shows signs of his insanity or otherwise resists recovery.
Meanwhile, the opposition led by Charles James Fox, confronts Prime Minister William Pitt the Younger's increasingly unpopular government with a bill that would give the Prince powers of regency. Meanwhile, Baron Thurlow, the Lord Chancellor, discovers that the Prince was secretly and illegally married to his Catholic mistress. Thurlow pays the minister to keep his mouth shut, and himself tears out a record of the marriage from church rolls.
The King soon shows signs of recovery, becoming less eccentric and arrives in Parliament in time to thwart passage of the Regency bill. Restored, the King asserts control over his family, forcing the Prince to “put away” his mistress. With the crisis averted, those who had been closest to the king are summarily dismissed from service, including Dr Willis. During conversations with Pitt, the King appears more at ease and in control of himself. He is less antagonized by America, but also shows signs that his insanity remains.
- Nigel Hawthorne as King George III
- Helen Mirren as Queen Charlotte
- Ian Holm as Francis Willis
- Amanda Donohoe as Lady Pembroke, Lady of the Bedchamber
- Rupert Graves as Colonel Greville
- Geoffrey Palmer as Doctor Warren
- Rupert Everett as George, Prince of Wales
- Jim Carter as Whig MP and leader of the opposition, Charles James Fox
- Julian Rhind-Tutt as Frederick, the Duke of York
- Julian Wadham as a Conservative MP and Prime Minister, William Pitt the Younger
- Anthony Calf as Lord Charles Fitzroy
- Adrian Scarborough as Fortnum
- John Wood as Lord Thurlow
- Jeremy Child as Black Rod
- Struan Rodger as Henry Dundas
- Janine Duvitski as Margaret Nicholson
- Caroline Harker as Mrs. Fitzherbert
- Roger Hammond as Baker
- Cyril Shaps as Pepys
- Selina Cadell as Mrs. Cordwell
- Alan Bennett as a backbench MP whose speech is interrupted by everyone running out to see the King
- Nicholas Selby as Speaker
In adapting the play to film, the director Nicholas Hytner changed the name from The Madness of George III to The Madness of King George for American audiences, partly to clarify George III's royalty, and partly because there was a worry that American audiences would think it was a sequel and not go to see it, assuming they had missed "I" and "II".
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The film received largely positive reviews from critics. On Rotten Tomatoes, the film has a 93% "Certified Fresh" score based on 43 reviews, with an average rating of 8/10. The site's consensus states: "Thanks largely to stellar all-around performances from a talented cast, The Madness of King George is a funny, entertaining, and immensely likable adaptation of the eponymous stage production."
Reviewing the film for Variety, Emanuel Levy praised the film highly, writing: "Under Hytner's guidance, the cast, composed of some of the best actors in British cinema, rises to the occasion... Boasting a rich period look, almost every shot is filled with handsome, emotionally charged composition."
Awards and honoursEdit
- Best Actor (Nigel Hawthorne) – Nominated
- Best Supporting Actress (Helen Mirren) – Nominated
- Best Adapted Screenplay (Alan Bennett) – Nominated
- Best Art Direction (Ken Adam, Carolyn Scott) – Won
- Best Film (David Parfitt) – Nominated
- Best British Film (David Parfitt) – Won
- Best Direction (Nicholas Hytner) – Nominated
- Best Actor in a Leading Role (Nigel Hawthorne) – Won
- Best Actress in a Leading Role (Helen Mirren) – Nominated
- Best Actor in a Supporting Role (Ian Holm) – Nominated
- Best Adapted Screenplay (Alan Bennett) – Nominated
- Best Film Music (George Fenton) – Nominated
- Best Cinematography (Andrew Dunn) – Nominated
- Best Production Design (Ken Adam) – Nominated
- Best Costume Design (Mark Thompson) – Nominated
- Best Editing (Tariq Anwar) – Nominated
- Best Sound (Christopher Ackland, David Crozier, Robin O'Donoghue) – Nominated
- Best Makeup and Hair (Lisa Westcott) – Won
Other awards and nominationsEdit
- Cannes Film Festival Award for Best Actress (Helen Mirren) – Won
- Palme d'Or (Ncholas Hytner) - Nominated
- Best Actor (Nigel Hawthorne) – Won.
- Evening Standard British Film Award for Best Film (Nicholas Hytner) – Won
- Evening Standard British Film Award for Best Screenplay (Alan Bennett) – Won
- Evening Standard British Film Award for Best Technical/Artistic Achievement (Andrew Dunn) – Won
- Goya Award for Best European Film (Nicholas Hytner) – Nominated
- London Film Critics' Circle Award for British Film of the Year – Won
- London Film Critics' Circle Award for British Actor of the Year (Nigel Hawthorne) – Won
- London Film Critics' Circle Award for British Actress of the Year (Helen Mirren) – Nominated
- London Film Critics' Circle Award for British Screenwriter of the Year (Alan Bennett) – Won
- London Film Critics' Circle Award for British Technical Achievement of the Year (Ken Adam) – Won
- National Board of Review: Top Ten Films – Won
- Writers Guild of America: Best Screenplay Based on Material Previously Produced or Published (Alan Bennett) – Nominated
- Writers' Guild of Great Britain: Film - Screenplay (Alan Bennett) – Won
- "THE MADNESS OF KING GEORGE (PG)". British Board of Film Classification. 23 January 1995. Retrieved 30 March 2016.
- "The Madness of King George (1994)". Box Office Mojo. Internet Movie Database. Retrieved 30 March 2016.
- What Was The Truth About The Madness Of George III?
- "PROFILE : Life on an Artistic Carousel : Nicholas Hytner, director of 'Miss Saigon' and 'Carousel,' and 'Madness of King George' on film, is the hottest British import. Is he ready for America's Pop Icon Machine?". LA Times. 1995-01-08. Retrieved 2017-07-09.
- Natale, Richard (3 January 1995). "New Year Box Office Starts Off With Bang Movies: At $15.5 million, `Dumb' stole the show during the long holiday weekend. But many other movies filled the seats as well". The Los Angeles Times. Retrieved 31 December 2010.
- "The Madness of King George (1994)". Rotten Tomatoes. Flixster. Retrieved 30 March 2016.
- Review: 'The Madness of King George'. Retrieved on 2016-10-08 from https://variety.com/1994/film/reviews/the-madness-of-king-george-2-1200439660/.
- "Festival de Cannes: The Madness of King George". festival-cannes.com. Retrieved 5 September 2009.
- "Empire Awards Past Winners - 1996". Empireonline.com. Bauer Consumer Media. 2003. Retrieved 16 September 2011.