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The Little Bookroom is a collection of twenty-seven stories for children by Eleanor Farjeon, published by Oxford University Press in 1955 with illustrations by Edward Ardizzone. They were selected by the author from stories published earlier in her career.[3] Most were in the fairy tale style.

The Little Bookroom
The Little Bookroom cover.jpg
First edition
AuthorEleanor Farjeon
IllustratorEdward Ardizzone
Cover artistArdizzone
CountryUnited Kingdom
LanguageEnglish
GenreChildren's short stories, original fairy tales
PublisherOUP
Publication date
1955
Media typePrint (hardcover, paperback)
Pages302 pp (first edition)
ISBN0-19-271947-5 (2004)[1]
OCLC632408232
LC ClassPZ7.F229[2]

Next year Farjeon won the inaugural Hans Christian Andersen International Medal, recognising her career contribution to children's literature as a writer.[4] She also won the annual Carnegie Medal, recognising The Little Bookroom as the year's best children's book by a British subject.[3]

Oxford published a U.S. edition in 1956 with a long title, as catalogued by the national library: The Little Bookroom: Eleanor Farjeon's short stories for children, chosen by herself.[2]

Contents

The titleEdit

One room in the house of her childhood was called "the little bookroom", Farjeon explains in the Author's Note. Although there were many books all over the house, this dusty room was like an untended garden, full to the ceiling of stray, left-over books, opening "magic casements" on to other times and places for the young Eleanor, filling her mind with a silver-cobwebby mixture of fact, fancy and romance which influenced all her later writing. "Seven maids with seven brooms, sweeping for half-a-hundred years, have never managed to clear my mind of its dust of vanished temples and flowers and kings, the curls of ladies, the sighing of poets, the laughter of lads and girls."[5]

The storiesEdit

The four longest of 27 stories (‡) constitute one-third of the collection by length.[6]

  • The King and the Corn
  • The King's Daughter Cries for the Moon ‡
  • Young Kate
  • The Flower Without a Name
  • The Goldfish
  • The Clumber Pup ‡
  • The Miracle of the Poor Island
  • The Girl Who Kissed the Peach-Tree
  • Westwoods
  • The Barrel-Organ
  • The Giant and the Mite
  • The Little Dressmaker
  • The Lady's Room
  • The Seventh Princess
  • Leaving Paradise ‡
  • The Little Lady's Roses
  • In Those Days
  • The Connemara Donkey
  • The Tims
  • Pennyworth
  • And I Dance Mine Own Child ‡
  • The Lovebirds
  • San Fairy Ann
  • The Glass Peacock
  • The Kind Farmer
  • Old Surly and the Boy
  • Pannychis

The illustrationsEdit

The black-and-white illustrations by Edward Ardizzone have been described as evoking "the magical atmosphere of the stories".[7] Although the librarians judged no 1955 book suitable for the newly established Kate Greenaway Medal for children's book illustration,[8] a year later Ardizzone won the first-awarded Greenaway Medal for Tim All Alone (1956) which he also wrote.

Literary significance and receptionEdit

In England the best work of the years after the First World War was mainly in poetry, or fantasy, or poetic fantasy; in particular there was a spate of original stories in the folk-tale manner.[9] Eleanor Farjeon was above all a poet, but from the 1920s onward she effectively used poetic language and fancy in creating literary but homely fairy tales for children, as did her fellow poet, Walter de la Mare.[10] The "literary fairy tale" recreates traditional fairy tales and folktales in several respects, such as clear distinctions between good and evil, and their inevitable reward and punishment. Writing in this genre, Farjeon was one of the foremost 20th century followers of Hans Christian Andersen,[11] which makes it fitting that she was the first recipient of the Hans Christian Andersen Award in 1956.[4] Although the award recognises an author's or illustrator's whole body of work, the publication of The Little Bookroom provided an impetus for the award. Similarly, the 1955 Carnegie Medal was considered a recognition of Eleanor Farjeon's contribution to children's literature as a whole, echoing the 1947 award to Walter de la Mare for Collected Stories for Children.[12]

Publication historyEdit

Puffin Books (1977) retained the original cover and interior illustrations by Edward Ardizzone (see image).

New York Review Books published an edition in 2003 with afterword by Rumer Godden[6] (ISBN 1590170482), retaining the original illustrations.

The 2004 Oxford edition used a new cover illustration.[1][3]

See alsoEdit

ReferencesEdit

  1. ^ a b The Little Bookroom (New Ed., 2004) publication contents at the Internet Speculative Fiction Database. Retrieved 2012-09-17.
  2. ^ a b "The little bookroom" (first edition). Library of Congress Catalog Record (LCC).
    "The little bookroom" (1956 U.S. edition). LCC record. Retrieved 2012-09-17.
  3. ^ a b c Carnegie Winner 1955. Living Archive: Celebrating the Carnegie and Greenaway Winners. CILIP. Retrieved 2018-02-27.
  4. ^ a b "Winners 1956–2010". Hans Christian Andersen Awards. International Board on Books for Young People (IBBY). Retrieved 2012-09-17.
  5. ^ Farjeon, "Author's Note", The Little Bookroom.
  6. ^ a b "Table of contents for The little bookroom" (2003 edition, provided by the publisher). LCC. Retrieved 2012-09-17.
  7. ^ The Little Bookroom at Google Books
  8. ^ Greenaway Medal: Full List of Winners" Archived 2010-08-06 at the Wayback Machine, CILIP. Retrieved 2012-07-23.
  9. ^ Marcus Crouch, Treasure Seekers and Borrowers, The Library Association, 1962, p. 46.
  10. ^ John Rowe Townsend, Written for Children: An Outline of English-Language Children's Literature, Third revised edition, Penguin 1987, p. 144.
  11. ^ "The Fairy Tale". Critical Essays. The Joy Luck Club by Amy Tan. Cliffs Notes. Retrieved 2012-11-18.
  12. ^ Keith Barker, In the Realms of Gold: The Story of the Carnegie Medal, Julia MacRae Books, 1986.

External linksEdit