The Joker Is Wild
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The Joker Is Wild is a 1957 American musical drama film directed by Charles Vidor, starring Frank Sinatra, Mitzi Gaynor, Jeanne Crain, and Eddie Albert, and released by Paramount Pictures. The film is about Joe E. Lewis, the popular singer and comedian who was a major attraction in nightclubs from the 1920s to the early 1950s.
|The Joker Is Wild|
Theatrical release poster
|Directed by||Charles Vidor|
|Produced by||Samuel J. Briskin|
|Screenplay by||Oscar Saul|
|Based on||Life of Joe E. Lewis|
by Art Cohn
|Music by||Walter Scharf|
|Cinematography||Daniel L. Fapp|
|Edited by||Everett Douglas|
|Distributed by||Paramount Pictures|
|Box office||$3 million (US and Canadian rentals)|
Joe E. Lewis (Frank Sinatra), a successful 1920s Chicago night-club entertainer is invited to work for the Mob during the Prohibition era. His eventual decision to work elsewhere results in his face being slashed and his throat cut, preventing him from continuing with his current act as a singer.
Lewis soon develops an acerbic and witty sense of humor and is given a break as a stand-up comedian from singer Sophie Tucker (playing herself). Soon, Lewis makes a career for himself, but heavy drinking and a self-destructive streak leads him to question his way of living and what his life has become.
- Frank Sinatra as Joe E. Lewis
- Mitzi Gaynor as Martha Stewart
- Jeanne Crain as Letty Page
- Eddie Albert as Austin Mack
- Beverly Garland as Cassie Mack
- Jackie Coogan as Swifty Morgan
- Barry Kelley as Captain Hugh McCarthy
- Ted de Corsia as Georgie Parker
- Leonard Graves as Tim Coogan
- Valerie Allen as Flora, Chorine
- Hank Henry as Burlesque Comedian
- Sophie Tucker as herself
Sinatra read Art Cohn's book The Joker Is Wild: The Story of Joe E. Lewis during the mid-'50s, was immediately taken by the story, and bought the rights to the book after Lewis himself turned down a reported $150,000 from Metro-Goldwyn-Mayer for the film rights to his story. Variety reported in November 1955 that Paramount Pictures would finance what was, for all intents and purposes, an independent feature film which was headed by Lewis and Sinatra along with director Charles Vidor and author Art Cohn. Each of the four partners were paid a reported $400,000, along with 75% of the film's net profits. The New York Times would report that Sinatra's share was in the region of $125,000 along with 25% of the film's profits.
The filming of the movie was mostly done later in the day, Sinatra preferring to work at that time and the filming schedule being tailored around this. Sinatra also insisted that all the musical scenes in the film and songs therein be recorded live on set to keep the performances more genuine. Frank Sinatra: "When I do a concert and someone coughs, I like that," Sinatra remarked. "I like the scraping of chairs. You get the feeling that it's really happening. I've always thought Lewis was one of only about four or five great artists in this century - one of them was Jolson - and I remember him screaming like the devil when he made a soundtrack." (from All the Way: A Biography of Frank Sinatra)
The Joker Is Wild opened to mostly favorable reviews.
Los Angeles Times reviewer Phillip K. Scheuer: "Sinatra "catches the bitter inner restlessness almost too well...When Lewis, highball in hand, is reciting them [the drunk monologues] his natural clown's grin takes the curse off their cynicism; from Sinatra the gags come out bitter and barbed."
Films and Filming reviewer Gordon Gow: "One consolation in the glossy gloom of this downbeat drama is that Frank Sinatra has sufficient talent and taste to break through the wall of embarrassment that is bound to arise between an audience and the film case-history of an unanonymous alcoholic."
Variety commented on the "major job Sinatra does... alternately sympathetic and pathetic, funny and sad."
This movie won the 1957 Academy Award for Best Original Song, for "All the Way" by Jimmy Van Heusen and Sammy Cahn. When the film was re-released some years later, the title was changed for a period to All the Way due to the immense popularity of the film's theme song, which peaked at No. 2 on Billboard.
Sinatra actually became friends with the real Lewis, who commented that "You (Sinatra) had more fun playing my life than I had living it."